Audio clip: Adobe Flash Player (ver­sion 9 or above) is required to play this audio clip. Download the lat­est ver­sion here. You also need to have JavaScript enabled in your browser.

(This first. Listen to the clar­ity of the lower octave notes that Regina adds in waves and waves at the end of the cho­rus; you can tell it’s a qual­ity grand piano just from how those notes res­onate — an upright would sound much mud­dier at the low end. This is the song that plays on day (408) and it’s fuck­ing per­fect. Also, title from the lyrics.1)

It would appear that some­one made a movie of my last rela­tion­ship, and (500) Days of Summer is to #8 as Eternal Sunshine was to #4. The inter­est­ing part is that it was released early last year, dur­ing the rela­tion­ship, and I won­der if it would have changed any­thing on my end, had I seen it then. And if she saw it now, would she under­stand things from my per­spec­tive? Or does she under­stand already? And if other peo­ple saw it, would they under­stand how one could unwit­tingly get their hopes up when things are so clear from the beginning?

I’m so glad Marc Webb, the direc­tor, treated the mate­r­ial with such grace. You can tell it was based on expe­ri­ence because the ten­der moments come from a real place (co-writer Scott Neustadter admit­ted Summer was based on a girl who “returned his kisses but not his ardor”). In an inter­view, Joseph Gordon-Levitt said, “I’ve had my heart bro­ken before. Truly, truly bro­ken. But when I look back at me in my heart­bro­ken phase, it’s pretty hilar­i­ous, because it felt so much more extreme than it really was. One of the things I love about (500) Days of Summer is that it doesn’t make light of what we go through in romances [empha­sis mine], but it is hon­est about it and shows it for what it is, which is often pro­foundly funny”, and I com­pletely agree. I also appre­ci­ate the fact that they don’t vil­lainize Summer because she never takes advan­tage of Tom2, and at the same time, it doesn’t make the ago­niz­ing days he goes through any less sig­nif­i­cant or dif­fi­cult. In a pro­found way, it brings jus­ti­fi­ca­tion to every­thing I was (or am) going through. I sup­pose I’m just wait­ing for the punchline.

Hah.

Watching it has left me feel­ing emo­tion­ally dev­as­tated lately, almost as if I’ve regressed, and lost months of progress. John says it’s because see­ing it was like see­ing her again, reliv­ing the entire thing from day one, from when we had met in the office. Like a recov­er­ing alco­holic falling off the wagon and tak­ing his first sip in 5 years. That doesn’t mean I don’t appre­ci­ate the mes­sage, and as well as the rec­om­men­da­tion to watch the movie from Darren.

Even though I’ve tried to com­pletely for­get and move on, I’ve come to learn it’s not that easy. It’s almost as if you have to accept the all the mem­o­ries, both good and bad, as much as you accept your own qual­i­ties and flaws.

The days, months, years you spend with someone significant will inevitably change and shape you. To deny them is to deny yourself.

I found it fas­ci­nat­ing to trace the plot devel­op­ments to parts of my own story. The entries I’ve writ­ten over the last two years echo the sen­ti­ments so strik­ingly in dia­logue, songs, and voice-overs.


Things in block­quotes are either nar­ra­tor voice-over or direc­tors notes. I listed the events lin­early too (even though the film is pre­sented in non-linear fash­ion) for the sake of clar­ity. It’s also inter­est­ing to see how the cal­en­dar title cards change back­grounds, from bright and sunny, to red and sim­mer­ing, to grey and bleak.

(1)

This is a story of boy meets girl. The boy, Tom Hansen, of Margate, New Jersey, grew up believ­ing that he’d never truly be happy until the day he met “the one”.

From my entry The Penultimate Letter — “My whole life, I looked for some­one like you. Someone who was capa­ble of rais­ing me to my poten­tial, some­one who was wor­thy of the love I have to offer. But even then, I never knew I was capa­ble of a love that res­onated so deeply in my person.”

(11)

  • Rachel: Just ’cause some cute girl likes the same bizarro crap you do, that doesn’t make her your soul mate, Tom.

From my entry, What I Mean To Say — “Cause she loved The Mars Volta and Shane Watt as much as I do.”

(22)

The office is emp­ty­ing out. Only a few peo­ple remain but Tom and Summer are two of them. Tom takes this oppor­tu­nity to put a CD in his com­puter and play the song really loud. It’s “Please Please Please Let Me Get What I Want” by The Smiths. No reac­tion from Summer. Tom turns it up. Still noth­ing. Tom turns it down, defeated.

From my entry, Good Times For A Change — “Before you start read­ing, play this song. It’s a Deftones cover of The Smiths’ song Please Please Please Let Me Get What I Want. There have been a few other artists who have done cov­ers too, includ­ing Muse, but only Chino has the kind of raw emo­tion in his voice that matches Morrisey.”

(27)

  • Summer: We’re young. We live in one of the most beau­ti­ful cities in the world. Might as well have fun while we can and save the seri­ous stuff for later.

From my entry, Dead End Guy — [The sec­ond sentence]

(34)

  • Summer: I just wanna tell you that, um, I’m not really look­ing for anything…serious. Is that okay?
  • Tom: Yeah.
  • Summer: ‘Cause some peo­ple kind of freak out when they hear that.
  • Tom: No, not me.

From my entry, Lye and Vinegar — “I was told it was over before it started…”

(35)

Lysergic bliss

(Yep, that’s a car­toon bird on his shoulder.)

It’s the great­est morn­ing of all time! Tom walks down the street. Or, more accu­rately, Tom struts down the street. He’s point­ing at peo­ple as he passes, wink­ing, doing a lit­tle shuf­fle. He is the man.

From my entry, Lysergic Bliss — “There’s a ten­der­ness that reaches deep within me, and bur­geons forth to paint the world an intox­i­cat­ing spec­trum. It’s a world where every song is a jour­ney, every chord is more dul­cet than the last, and I don’t want to, I need to dance.”

(118)

  • Tom: Yeah. Guys, look, Summer and I…we know how we feel. We don’t need to label it. “Boyfriend, girl­friend.” That stuff is very… juvenile.

From my entry, She Treads Softly — “So I told her not to hold any­thing back, because there’s noth­ing she can do, no bound­aries we can define, to make me love her any less.”

Fall

There’s some­thing about this moment, the way she sings along, the way her eyes close dur­ing cer­tain notes, the way her smile rises and falls like she could cry at any minute from being over­whelm­ingly happy or just sim­ply over­whelmed. Tom is pow­er­less to stop his feel­ings for this girl.

Be Still My Heart — “Not that I let myself fall for her. My heart never gave me a choice.”

(154)

  • Tom: I love her smile. I love her hair. I love her knees. l love this heart-shaped birth­mark she has on her neck. I love the way she some­times licks her lips before she talks. l love the sound of her laugh. l love the way she looks when she’s sleeping.

From my entry, What I Mean To Say —“The way she wore her hair dif­fer­ently every time I saw her. The way her cheeks would round so endear­ingly when she truly laughed. The way she could look beau­ti­ful wear­ing dresses, or jeans, or my old paja­mas. The way the tan­ta­liz­ing golden down trav­eled along her lower back.”

  • Tom: I love how she makes me feel. Like anything’s pos­si­ble. Like, I don’t know…like life is worth it.

From my entry, Be Still My Heart — “It’s the way she makes me happy with­out try­ing. The way I’m filled with ten­der­ness every time I feel the warmth of her skin against mine. The way her exis­tence gives me hope for the rest of the world.”

(259)

  • Tom: This is not how you treat your friend. Kissing in the copy room? Holding hands in IKEA? Shower sex? Come on! Friends, my balls!

From my entry, Unimportance and Mixed Signals — “…she said she never wanted a rela­tion­ship with me, yet we ended up doing every­thing involved in a rela­tion­ship, with­out any solid com­mit­ment on her end.” I’d say that the out­burst Tom has, I never had. They were more implo­sions, a suck­ing in of my chest from the inside, where I’m left with a feel­ing of void.

  • Tom: Look, we don’t have to put a label on it. That’s fine. I get it. But, you know, I just—I need some consistency.

From my entry, The End of the Affair — “I could never expect any­thing from her, the way I could expect things from a girl­friend. Never get upset at her for not stay­ing the night, or not spend­ing enough time with me. Every time we were together, I would won­der what her mood was and what level we were at for that par­tic­u­lar day because it would change constantly.”

(290)

Cold

In close-up, Tom goes to hold Summer’s hand. But some­thing hap­pens. It could be a total coin­ci­dence, but just as his hand approaches hers (in slow-motion), she moves it away and keeps it at her side. Tom puts his hands in his pock­ets, unsure if there’s some­thing to read in that.

From my entry, Pygmalion — “This ivory in my bed stares straight ahead when I kiss her…But this stone doesn’t smooth with wear, it crum­bles and falls away.”

  • Summer: I think we should stop see­ing each other. I mean, this thing, what are we doing? Is this normal?
  • Tom: Norm… I… I don’t know. I don’t care. I’m happy. Aren’t you happy?
  • Summer: You’re happy?
  • Tom: You’re not?
  • Summer: All we do is argue.

From my entry, Follow Up — “…she didn’t like the con­flicts we’d have, which she saw as a sign that we were incompatible”

  • Tom: I don’t want to get over her. I want to get her back.

From my entry, Difficult Acceptance — “And yet, know­ing this doesn’t make me feel any bet­ter, because it’s her that I want.”

(322)

  • Tom: I HATE THIS SONG!

From my entry, The Song Will Be Mine — “I started doing this because none of my music is sacred any­more — every time I hear an old favourite, there’s a mem­ory that’s asso­ci­ated with it”.

Also from my entry, Hide And Seek — “I let her in, I shared with her so many chords that stir up emo­tion in me, I ren­dered myself vul­ner­a­ble, and now I can’t lis­ten to some of them with­out think­ing of her. It seems unfair that I gave her so much, that I sac­ri­ficed things I hold so dear and sacred in my heart, with noth­ing to show for it.”

(345)

  • Tom: You know, on the one hand, I want to for­get her. On the other hand, I know that she’s the only per­son in the entire uni­verse that will make me happy.

From my entry, A Step Forward — “For a while now, peo­ple have been try­ing to set me up…My habit­ual dis­in­ter­est came from the belief that no one could com­pare to the muse.”

  • Tom: So now I keep going through every day in my mind, every sec­ond really. Wondering. What went wrong? Is it my fault? Could I have pre­vented it somehow?

From my entry, Not A Chance — “Without know­ing whether or not it would have worked out had she given me the oppor­tu­nity, I feel like I’ll always be left wondering.”

  • Tom: I can’t get her out of my head, you know? I see her every­where. She’s all I think about. And it’s horrible.

From my entry, Reminders of Love and Loss — “The truth is that it felt so right for so long, and it was won­der­ful when it worked. Which is why I still think of her when I close my eyes, and let my guard down.”

(408)

(Expectations vs Reality)

Tom walked to her apart­ment, intox­i­cated by the promise of the evening. He believed that this time his expec­ta­tions would align with reality.

This was, by far, the most painful part of the movie, the one that res­onated the most deeply, the scene that broke the streak. I’m glad they accom­plished it so well in split-screen. Even though I lived through this dozens of times, I was never a good enough writer to put these feel­ings in words, and the clos­est was from my entry, Reminders of Love and Loss — “…she behaved with such detached indif­fer­ence the last time she came over, when I was tear­ing my heart out try­ing not to grab and embrace her.”

(442)

  • Tom: It’s…It’s these cards, and the movies, and the pop songs…They’re to blame for all the lies…and the heartache, everything.

From my entry, There Is No Such Thing As Love — “Hollywood would have us believe that love exists…But love doesn’t exist in real life, as much as I want to believe that it does.” Damn. I think it’s safe to say I knew exactly how Tom felt when he flipped out in that meeting.


fin.

And while I wish I could say that my end­ing was as clean as the one in the movie, it wasn’t. Instead of peace­ful denoue­ment, it dragged on for months, and that’s where the sto­ries diverge. Things got com­pli­cated, messy, much more painful than they should have been, and I’m left stuck on (499).

  1. Or is it? []
  2. Ironically, the gen­der roles are reversed, and it’s Tom’s date who’s the voice of rea­son here. []