Posts in category "Daily Life"

Mittens Make It Up

Thumbnail: Club Monaco mittens

The win­ter storm watch con­tin­ued at ‑14°C today. When you’re inside, the sun fools you with the warmth of its colour, until you step out­side and feel the bite of the wind.

I spent an hour-and-a-half look­ing for var­i­ous things and run­ning errands down­town. The streets were packed, the stores were packed, and I found noth­ing.

So I spent a stu­pid amount of mon­ey on these awe­some mit­tens at Club Monaco. I actu­al­ly walked out of the store and out of the mall when I found them, for fear that I would pur­chase them, but alas, here they are on my hands. I had to decide between the white and black stripes, the grey and black stripes, and the flat grey ones, but since most of my cloth­ing is neu­tral, I decid­ed on the flashiest pair. The open hole for the fin­gers makes iPod and cam­era manip­u­la­tion easy. They’re 100% cash­mere; thin enough to wear indoors or inside your coat pock­et.

Thumbnail: Club Monaco mittens, RW&Co toque

So it was­n’t a total waste of a day.

Winter Window

Thumbnail: A winter scene out my window

Turning over and over in the sky, length after length of white­ness unwound over the earth and shroud­ed it. The bliz­zard was alone in the world; it had no rival.

When he climbed down from the win­dow sill Yura’s first impulse was to dress, run out­side, and start doing some­thing.

—Doctor Zhivago

When one looks out­side their win­dow and sees this, this blan­ket of puri­ty, what else can one feel but seren­i­ty, con­tent­ment, and hope?

A Chance To Create

Good news. Wait no. Great fuck­ing news.

I met with Frédéric, the own­er of the Salon, and after show­ing him a port­fo­lio of my pic­tures, he agreed to let me have an exhib­it in the next show in February.

As this was­n’t only his art gallery but his house as well, I offered to let him make the deci­sion after see­ing my com­plet­ed work. He told me there was no need, as he trust­ed me based on what he had seen in my port­fo­lio, which I felt was a very nice com­pli­ment.

As artists (and I use this in the loos­est sense of the word to describe myself), we’re very dif­fer­ent. I told him that I like to study pho­to­graph­ic tech­niques, espe­cial­ly in pho­tos that I like, and apply those tech­niques to what I want to express or show. When I look at a piece of visu­al art, I look at mean­ing and intent. When I cre­ate, I keep the same thing in mind. Frédéric, on the oth­er hand, is more of a gut-feel­ing type of artist. He does what he feels is right, and does­n’t wor­ry as much about the under­ly­ing mes­sage.

He asked if I was sin­gle, and I told him I was. “Good”, he said, “That’ll help you focus”. It made me think of a quote by Alexander Dumas:

Woman inspires us to great things, and pre­vents us from achiev­ing them.

I made a remark about how I’d have a forum to devel­op my ideas now, projects I nev­er pur­sued because I did­n’t have a way to get them to a wider audi­ence. He told me that I should­n’t wor­ry about an audi­ence, and gave me an exam­ple to demon­strate his point: if you cre­ate the most beau­ti­ful thing you’ve ever done and you keep it in your base­ment, it isn’t art because no one sees it1, but to get caught up in that dilem­ma, and to not cre­ate sim­ply because of that, is a tragedy.

So now I can pur­sue and devel­op one of my pho­to project ideas. I have to decide on a theme. I have see how much enlarge­ment I can do to my pho­tos with­out too much loss of qual­i­ty. I have to decide on the size of the final prints. I have to decide on the frame size and shape. I have to get the final prints framed.

I’ve always want­ed to cre­ate acces­si­ble art2.

Perhaps this will be my chance.

  1. An inter­pre­tive answer to the Zen kōan of the sound a tree makes falling down in the for­est, I’m sure []
  2. As opposed to some­thing such as poet­ry, which is less acces­si­ble to the com­mon per­son. As a medi­um, film, pho­tog­ra­phy, and music (with lyrics) are more eas­i­ly digestible. []

Emergence Exposition Opus 01

A few days before the show, I found out that Krista and Shane were play­ing a small venue in town. Usually I make it a point to see an artist just once in my life, but last time was dif­fer­ent; I was expect­ing Lederhosen Lucil, but was treat­ed to an entire­ly dif­fer­ent and unfa­mil­iar sound. This time, it was my chance to see Krista and Shane per­form after becom­ing famil­iar with the songs. Turns out the venue was in un petit salon des arts. This place boast­ed a mix­ture of dif­fer­ent art­forms; music, met­al sculp­tures, pho­tographs, paint­ings, and graph­ic poems.

I did­n’t real­ly feel like going out that night, but I forced myself to go, remind­ing myself that I could say the same thing any oth­er night and I’d nev­er get any­where.

Thumbnail: Entrance of the Emergence Exposition

When I arrived, the Salon was to capac­i­ty. I could­n’t even get in the entrance; there were peo­ple phys­i­cal­ly block­ing the door. My chance to get in came after a few had made room by leav­ing, then I saw a path up the stairs and took it.

Enter six degrees of sep­a­ra­tion.

Continue read­ing “Emergence Exposition Opus 01”…

Present for the 27th

Eric, who used to work with me, intro­duced me to Brant Bjork, and ston­er rock in gen­er­al, about two years ago. It’s a genre that explores delight­ful rep­e­ti­tion, where vari­a­tions are sub­tle, but pow­er­ful­ly psy­che­del­ic.

[I]t is cer­tain­ly accept­ed that the effects of mar­i­jua­na and the often low or psy­che­del­ic riffs of ston­er rock com­ple­ment each oth­er.

—Wikipedia, Stoner rock

I liken the idea to Plastikman’s debut album, Sheet One. Though of a dif­fer­ent genre — trance — it fea­tures a per­fo­rat­ed album cov­er, an homage to acid tab art, for which the LSD enhances the details of every sin­gle min­i­mal­is­tic beat (so I’m told).

While I’ve enjoyed Queens of the Stone Age, who are con­sid­ered to be influ­enced by the ston­er rock move­ment (indeed, Josh Homme and Brant Bjork formed pio­neer­ing band Kyuss while in high school), the sound is a lit­tle more com­mer­cial, less dron­ing.

After I heard a few songs by Brant Bjork, I was hooked. I nev­er asso­ci­at­ed it with a mem­o­ry, which is what I do with almost all my songs, but it was good enough that I did­n’t have to.

At Thanksgiving, dur­ing one of my trips through the mall with Andrew and Alex, I resumed my search for Brant Bjork’s solo album by the name of Jalamanta. It was a big­ger city, a big­ger place…maybe I’d have a bet­ter luck. Unfortunately, every music store gave me the same answer; it was an album they did­n’t keep reg­u­lar­ly in stock.

Alex asked me what I was look­ing for, the name of the album and artist, and I did­n’t think any­thing of it.

Thumbnail: Brant Bjork

Yesterday, I found a pack­age in the mail. Fragile — CD, it said. Inside was the Brant Bjork CD I’ve been look­ing for, which they found at an inde­pen­dent music store. Along with the CD was a card made from my Pollen Junkie pho­to (which was tak­en in their gar­den), with a mes­sage writ­ten on the back.

And as great as it is to final­ly hear the songs I’ve been miss­ing, as nice as it is to have an orig­i­nal release, it’s noth­ing com­pared to the thought­ful­ness, the effort they made to find me exact­ly what I was look­ing for.

Update: Julie bought me a lucky bam­boo plant, along with a vase filled with dec­o­ra­tive rocks and a cute hand-drawn card. Very, very nice! Definitely an effort spent acquir­ing all these things, and much appre­ci­at­ed.