Posts tagged with "photography"

The Many Faces of Bronwen

Bronwen is my orig­i­nal muse. We hap­pened to meet short­ly after I got my SLR cam­era, and ever since, she’s my pri­ma­ry mod­el when doing pho­to­graph­ic tests and exper­i­ments.

These were tak­en over the course of about a year. From before we start­ed dat­ing to passed the break-up.

Every angle cap­tures a dif­fer­ent side of some­one.

Thumbnail: Dark and brooding
Thumbnail: The hoodie attitude.
Thumbnail: Against the wall
Thumbnail: Classy cleavage
Thumbnail: Cute mode
Thumbnail: Emo.
Thumbnail: The trustworthy companion look.
Thumbnail: The innocent look
Thumbnail: Bronwen revolution.
Thumbnail: The porcelain doll look.
Thumbnail: The cozy look.
Thumbnail: Trusting

Looking back on these reminds me of how much I miss it when she had red hair, which she dyed for me (but did­n’t like to admit it). Too bad I can’t con­vince her now to do it again.

Photo Wrap-up '06

I was going through my pic­tures and real­ized that there were quite a few I haven’t post­ed, so I decid­ed to do an end-of-year wrap-up. Most of these are pho­tos I like but they did­n’t fit any­where, or were made redun­dant by oth­er pic­tures telling a sto­ry.

Thumbnail: Bronwen with our drinks at Moxie's 
Thumbnail: Model home wall art 
Thumbnail: Smiles around the cabin in Tremblent 
Thumbnail: Metal beatle 
Thumbnail: Karen plays with Chaos 
Thumbnail: Tremblent cabin 
Thumbnail: Blood oranges 
Thumbnail: Dolly goes for a treat in the hand 
Thumbnail: Me and Bronwen waiting for the bus 
Thumbnail: Just A Taste brownie 
Thumbnail: Maneki Neko, the beckoning cat 
Thumbnail: Eating yoghurt 
Thumbnail: The treats of Chinese vendors 
Thumbnail: Paper cranes 
Thumbnail: Stunt rider 
Thumbnail: Nala in my room 
Thumbnail: Jenn and Karen 
Thumbnail: Bottle of Miracle by Lancome 
Thumbnail: Steph's cat 
Thumbnail: Gerry's view 

Since we got bought out by a pub­lic com­pa­ny, the pur­chas­ing pro­ce­dure has changed quite a bit. Some of the top brass from the head office in Boston flew in this week, and I made it a point to thank the CFO for per­son­al­ly approv­ing the pur­chase of a new Canon Rebel XTi, 100mm f/2.8 macro lens, and 50mm f/1.8 lens. After the pres­i­dent intro­duced me, he told me I did a fan­tas­tic job with the pic­tures in the com­pa­ny cat­a­logue, and it real­ly made my day.

I think I’ve real­ly devel­oped as a pho­tog­ra­ph­er in the lit­tle time I’ve owned my first SLR cam­era. Looking back on a year of pho­tos has made me real­ize that I’ve learned a lot, not only sim­ple pho­to­graph­ic the­o­ry, but famil­iar­i­ty with my cam­era and post-pro­cess­ing as well. I still have a lot more to learn though, espe­cial­ly with expo­sure and meter­ing, as dig­i­tal cam­eras make it easy to get good shots with­out real­ly need­ing to have an in-depth under­stand­ing.

New Lens Path

Thumbnail: Current lenses

Thumbnail: 70mm long

Thumbnail: 16mm wide

So I’ve devi­at­ed from my pre­vi­ous plan to wait until the new Canon 17–55mm f/2.8 IS came out before mak­ing any lens pur­chas­es. Aside from the fact that I would have had to wait until the sum­mer for reviews that may be less than favourable any­way, the main rea­son is that my two dream lens­es, the Canon EF 24–70mm f/2.8 L and the Canon EF 16–35mm f/2.8 L were being sold refur­bished and used respec­tive­ly. I make it a habit to check one par­tic­u­lar pop­u­lar online retail­er every morn­ing in case of any such deals, since they update their stock some time around five in the morn­ing and most lens­es are gone by nine, L glass espe­cial­ly. Although I had no plan on buy­ing either lens (I had yet to see either up for sale until this month), I could­n’t pass up the oppor­tu­ni­ty. It saved me close to $2000 in total.

Now I have my ide­al focal range cov­ered with a lens that goes as wide as 16mm for my envi­ron­men­tal and land­scape shots, and anoth­er one that goes as long as 70mm for por­traits. Both have ring ultra­son­ic motor focus­ing sys­tems, which makes aut­o­fo­cus­ing beau­ti­ful­ly slick, smooth, and qui­et, with sup­port for full-time man­u­al focus­ing as well. They also go as wide f/2.8, which is per­fect since I do a lot of low-light, indoor shoot­ing, and the extra aper­ture blades pro­vide but­tery smooth back­ground blur.

The trade-off is that both lens­es are heavy, one heav­ier than the cam­era body itself. This comes from the fact that the con­struc­tion is rock-sol­id and weath­er-sealed, being made from met­al and ground glass. There are sto­ries of peo­ple drop­ping their L lens­es onto asphalt or rocks and sur­viv­ing with only cos­met­ic scratch­es.

After all the mon­ey I just spent (more than twice as much than on the cam­era itself), not includ­ing the extra hand-strap/bag/­fil­ters that went along with it, I’m try­ing not to think of my next pur­chase. In the back of my mind I know that I want a macro lens or a full frame body, but I think I’ll be sat­is­fied for the next lit­tle while.

The Canon Speedlite 430EX

Thumbnail: Dolly saucer 1

Thumbnail: Dolly saucer 2

The Canon Speedlite 430EX flash lets me take advan­tage of a 1/200 X‑sync speed, which means that high-speed shots such as these are now pos­si­ble in low light­ing con­di­tions. I picked one up this week, so most of my free time has been spent learn­ing the capa­bil­i­ties of an exter­nal flash unit. The tilt-and-swiv­el head means that I can bounce the flash off a ceil­ing to soft­en the light, or take advan­tage of the sur­round­ings, such as bounc­ing it off my stove (the pic­ture on the left) or off my fridge (the pic­ture on the right). There’s also a low-pro­file AF assist beam that’s a huge improve­ment over the seizure induc­ing on-board flash unit.

I decid­ed to go with a Canon brand flash so I could have full E‑TTL meter­ing sup­port (which fires an unde­tectable low-pow­ered pre-flash for eval­u­a­tive meter­ing done through the lens) to match the Rebel XT shell. One of the coolest things about the 430EX is that a set of motors auto­mat­i­cal­ly adjust the zoom range to match the lens, and it can be used as a slave unit that can be opti­cal­ly (which also means remote­ly) trig­gered from a mas­ter unit for up to four light sources.

Even though there are tons of oth­er acces­sories I’d like to have, such as a Sunpak hand strap (which would be a good com­pro­mise between the safe­ty of a neck strap and the con­ve­nience of no strap), some Kenko exten­sion tubes (for macro pho­tog­ra­phy), or a portable micro­drive, I thought that a flash would cur­rent­ly best serve my needs. This isn’t even to men­tion the options for some sweet glass, like a lens with image sta­bi­liza­tion, a tele­scop­ing range, or even some­thing from the L series which I’d have to put a sec­ond mort­gage on my house to afford. I think that I’m only begin­ning to under­stand how expen­sive a hob­by pho­tog­ra­phy is.

Fatness In Stereo

Thumbnail: Large Dolly in stereo

I’ve tried many times to cap­ture the actu­al size of Dolly’s cur­rent girth, but the cam­era does­n’t real­ly do a good job of it. I fig­ured that the only way to accu­rate­ly show how large she’s got­ten is with stereo­scop­ic images. That way, one can actu­al­ly tell how much Dolly is com­ing off the couch with a bit of depth per­cep­tion. It’s nev­er easy to take stereo­scop­ic pic­tures of a cat. Usually they’ll move or twitch when the alter­nat­ing pho­to is being tak­en, so it almost always has to be done while they’re asleep. Even a twitch of the cam­era strap, or a shuf­fling of feet will be enough to pique the curios­i­ty of a cat

Dolly’s head looks small in com­par­i­son to the rest of her body, but her head is actu­al­ly nor­mal for a cat her age, and it’s her pot bel­ly that’s grown out of pro­por­tion. Every time some­one comes over, I usu­al­ly get a com­ment on how much she’s grown. Outward.