Posts tagged with "music"

Bancroft '05, Part 5/6


It was­n’t a great day for land­ings, but it was per­fect for hang­ing out on the hill, soak­ing up the win­ter sun, and goof­ing around.

If I’m intro­duced to a good song at a moment in time, I asso­ciate it with a spe­cif­ic mem­o­ry. At Sandbanks last year, it was Eric blast­ing Yellow Ledbetter by Pearl Jam before the park war­den stopped by to gave warn­ing. This time it was 93 Till Infinity by Souls Of Mischief, a track with a true 90’s beat. It’s easy to deduce the gen­er­al age of the group from the music; the songs that Eric plays on his stereo are the ones that the Bancroft group grew up lis­ten­ing to.

Thumbnail: Thermometer
Thumbnail: Snow treads
Thumbnail: Snowboard bindings

It was the mid­dle of win­ter for us, but on that one week­end, it felt like the begin­ning of spring. We donned our vests, hood­ies, and sweaters for runs down the hill. The tem­per­a­ture was just under 10°C, and there was no need for heavy down-filled coats. The scenery is beau­ti­ful. No one around, no author­i­ty telling us what we can and can’t do. The per­fect week­end get­t­away.

Thumbnail: Aaron launches
Thumbnail: Matt airwalks
Thumbnail: Matt grabs
Thumbnail: Eric jumps

As Aaron not­ed, Matt’s abil­i­ty to jump on a board and nat­u­ral­ly carve up the hill after an extend­ed snow­board­ing hia­tus is telling of his board expe­ri­ence in gen­er­al. The one suc­cess­ful land­ing I got of Aaron seems tiny com­pared to the jumps that Matt and Eric do, but he assures me that it’s a lot steep­er (and scari­er) from the top of the hill than it looks at the bot­tom.

Memories Of Manson

I was lis­ten­ing to Manson’s sec­ond album, Antichrist Superstar, for the first time after a sev­er­al year hia­tus on the bus to work this morn­ing. I was remind­ed of how much I went through with this album, for most of high-school and near­ly two entire rela­tion­ships. How com­fort­ing this music was for me, on the jour­ney home from my exhaust­ing class­es and elit­ist class­mates. It’s the only good album Manson ever put out, and also hap­pens to be the only album that Trent Reznor pro­duced for him. I’m will­ing to bet that it isn’t sim­ple coin­ci­dence.

I nev­er real­ly get a chance to lis­ten to these songs; even though I con­sid­er the music to be met­al, the songs are too dark and moody to fit into my met­al playlist. It’s the same thing with Tool. Aside from Opiate, which was just an EP anyway,Tool’s music has nev­er fit into any spe­cif­ic genre to me. They have a met­al feel and pro­gres­sive rock ele­ments, but are nev­er enough of one or the either to fit into any of my playlists.

The Healing Button

Ugh. I feel taint­ed. Moody. It feels like no one likes me. For the first time in a very long time, I feel alone.

I just start­ed three dif­fer­ent entries, but did­n’t fin­ish any of them. I’m not even in the mood to write this. I’m just sit­ting here with the lights out, two Candellas perched on top of my desk, and the first vol­ume of Buddha Bar resound­ing in the room. My head is numb, my throat dry, my cat unin­ter­est­ed.

This has become so bland. The same things over and over again. Where did my humour go? When did things stop chang­ing? Maybe I need a break from this.

Tomorrow, I’ll fin­ish this tomor­row. This is just a mood. I’ll explain when I’m not as tired. I’ll go to bed with this music on, dream­ing of quaint European archi­tec­ture and par­ties I could host to this sound.

Maybe I’ll feel bet­ter when I hit, “Publish”.

The Tricks Of Jungle Artists

I was lis­ten­ing to a jun­gle remix of The Perfect Drug by Nine Inch Nails, when I real­ized that jun­gle artists can car­ry phras­es with their beats instead of the sam­ples. Since most of the sound in drum and bass comes from the way the DJ plays with an alter­nat­ing kick drum/snare break­beat, the (more dis­cernible) empha­sis shifts to the style of the beat rather than the singer or melody. By syn­co­pat­ing the break­beat for a few bars in a row, the final bar can have no syn­co­pa­tion and give clo­sure to the phrase. Genius.

The Next Level

I used to seethe, stew, and mar­i­nate. If I was in a bad mood, I want­ed to stay in a bad mood because, some­how, I would want to make it worth it. I fig­ure that if some­thing is bad enough to make me sour, I should­n’t be eas­i­ly tak­en out of that frame of mind. It’s the same with for­give­ness. I’m slow to anger, but once I’m there, I’m extreme­ly slow to for­give, for the exact same rea­son.

For years, I would lis­ten to music to help me wal­low in these emo­tions. It would cra­dle me, fuel me until the emo­tion burned out. Listening this way, with a surge of sen­ti­ment, would let me feel the notes, and I would savour every sec­ond, minute, and even­tu­al hour of it.

Lately, though, I hear music dif­fer­ent­ly. It inspires me. It moves me. It helps me out of an emo­tion, instead of into one. And it feels like this change is a reflec­tion of how much my life is chang­ing now, how I’m begin­ning to see the entire world around me in such a pro­found­ly dif­fer­ent way.

As if every­thing that’s past is pro­logue to this.