Posts tagged with "photography"

Blood Work

Vial of blood

This lit­tle vial, along with a few drops of anti-coag­u­lant, is filled with blood. My blood. I need­ed some for a pho­tog­ra­phy project I’m work­ing on, so I got a friend of mine in the med­ical indus­try to take it from me.

Now I’ve both fig­u­ra­tive­ly and lit­er­al­ly bled for my work.

Baby Face

Baby on shoulder

Thumbnail: Baby pout
Thumbnail: Baby furrow
Thumbnail: Baby yawns
Thumbnail: Baby wants beer
Thumbnail: Baby glances to the side
Thumbnail: Baby pensive
Thumbnail: Baby sleeping

Babies seem to have a dif­fer­ent expres­sion every sec­ond, and the expres­sions are so inno­cent. They hide noth­ing. I like to think each expres­sion reveals the drift­ing thoughts going on in their tiny lit­tle brains. Rather dif­fi­cult to pho­to­graph because the face they wear when you press the shut­ter release but­ton is invari­ably dif­fer­ent from the one you get.

Rosella here is half-Persian, half-Caucasian. Aside from being so cute you could chew her cheeks off, you can already tell how beau­ti­ful her mixed blood is going to make her.

Ellen and Ziny

Peace sign

Thumbnail: Ellen laughing
Thumbnail: Ziny smiling
Thumbnail: Girls back-to-back
Thumbnail: Ellen serious
Thumbnail: Ziny laughing

Some more prac­tice with pho­tograph­ing cou­ples. Ellen and Ziny are both med stu­dents who used to be room­mates. They hap­pened to be in Ottawa at the same time for intern­ships at dif­fer­ent hos­pi­tals, so it was the per­fect oppor­tu­ni­ty to get them both togeth­er for a few shots.

Getting black hair and clothes to show up against a black back­ground is very tricky. I sus­pect dark­er tex­tures need their own ded­i­cat­ed light source to increase the expo­sure.

I Found Her

The woman I’ve been look­ing for my entire life.

Her name was Christine. She was thin lipped. Frail limbed. Not the least bit cam­era shy, as she pulled her shirt up to expose a breast, like she had fall­en on the grass this way and the folds in her clothes rearranged them­selves on her body.

Here she is on a horse in the night. Here she is, grim-faced, cradling her son. There was a scar on her neck from a sui­cide attempt years ear­li­er, and through a series of pho­tographs, you could see the scar heal.

For sev­en years she was mar­ried, before she suc­cess­ful­ly jumped to her death from the 9th floor of an apart­ment in East Berlin.

A blink in my eye, a snap of some­one else’s shut­ter. A muse of flesh and blood. The Jane Birkin to Serge Gainsbourg. The Olga Ivinskaya to Boris Pasternak.

This is some­one who under­stood his art, his mor­bid­i­ty, his need to cap­ture her sui­cide in a frame, then pub­lish the image of her body on the pave­ment, look­ing down from the 9th floor, along with insou­ciant pic­tures of a teacup, a play­ground, a tank, three plants.

And as soon as I had found her, she’s gone.

Should I be hap­py that she exist­ed? Should I be sad that she’s gone? Should I be pun­ished for com­par­ing the women I’ve had to her?

Is this painful, or beau­ti­ful, or both?