Posts tagged with "memories"

A Girl's Room

Thumbnail: Green Ikea hanger
Thumbnail: Belts and bracelets
Thumbnail: Dream journal
Thumbnail: Sextrology book
Thumbnail: Valentine's card
Thumbnail: Sweetums

Some of this movie comes from, you know, from me, sure. But it’s not, you know, I’m nev­er going to be able to make a movie that does­n’t, you know. Even if I’m mak­ing a movie about the turn of the cen­tu­ry, I think you’re gonna, it’s always going to be per­son­al. It’s just in the detailed stuff; the hors­es in Sheryl Lynn’s bed­room, with the rib­bons on the wall, and you got sis­ters or you got a girl­friend who loves to ride hors­es and all this stuff. And those lit­tle details that you remem­ber, I’ve been lov­ing to put those in a movie.

I think, you know what, when I grew up in the val­ley, I lived there, I was real­ly embar­rassed for the longest time that that’s where I lived and that’s where I grew up, cause I knew I want­ed to make movies. And I would look back to my favourite direc­tors, and think, okay, there’s Howard Hawks, and boy, he served in the war. And there’s Ernst Lubich who escaped Germany, you know, and all these won­der­ful sort of things going on in our lives that you could, you’re sup­posed to bring to a movie, you know. But, I don’t have shit to bring, I was like, I’m from the fuck­ing val­ley, you know. And, I was real­ly embar­rassed about that for a long time, I guess, until one day I just woke up and said, “Well, I’m from the val­ley, and I remem­ber things like lit­tle plas­tic hors­es and the blue rib­bon on the wall with the fuck­ing girl­friend, and you know, I guess that’s what I have to make movies about.”

—Paul Thomas Anderson, Boogie Nights direc­tor’s com­men­tary

A girl and her things.

Memories of burn­ing can­dles, sham­poo scents. The colours and the smells give me a total over­whelm­ing sense of poignant nos­tal­gia.

Admittedly, it’s been a while since I’ve been in a real girls room, and being there, in the mid­dle of all the dain­ty things and the dif­fer­ent fab­rics, I did­n’t know what was more embar­rass­ing: the fact that I felt like I was 17 again, or the real­iza­tion of how much I’ve missed it.

And this is all I can write about.

Elementary School

Thumbnail: School crossing sign

Thumbnail: Four-square tiles

Thumbnail: Rusty tetherball pole

Thumbnail: School portable

This was my ele­men­tary school. The Catholic insti­tu­tion I attend­ed dur­ing the first few years of mov­ing here. Where I used to offer best-friend sta­tus for a mouth­ful of Big League Chew. Old, famil­iar four-square courts are still paint­ed on, unmoved. The T‑ball poles are rust­ed out and miss­ing their teth­ers. Countless feet jump­ing, run­ning, skip­ping dur­ing recess have caused the pave­ment to warp and crack. Even the old porta­bles are any­thing but, their famil­iar beige tones still inhab­it­ing the back of the school, built out of con­crete and plas­tic foam when the town was bud­ding, and the class­rooms could­n’t han­dle all the stu­dents. Walking up the wood­en stairs, I bet they even have the same groan­ing creaks.

Continue read­ing “Elementary School”…

Transitway Six

Thumbnail: Transitway

On days like this, it’s bet­ter to wear light cloth­ing, and throw on a hood­ed wind­break­er. The rain out­side is just a driz­zle, so it’s com­fort­ably cool. Pay no atten­tion to the hydraulic hiss of the wind­shield wipers, or you won’t be able to help hear­ing them through the qui­et parts of every song. Window seats are prime. There are few­er dis­trac­tions from peo­ple walk­ing down the aisle.

The 95 goes from one end of the city to the oth­er, straight through the heart of Ottawa. Every stop is a mem­o­ry. Old haunts. Past lives.

Here was your first apart­ment. Sometimes you’d find Christie wait­ing for you here on the bench­es between class­es. How long ago those days seem, how imma­ture and rel­a­tive­ly inno­cent. The next two stops are on the edge of the uni­ver­si­ty cam­pus, four years of scat­tered tru­an­cy. Two stops lat­er is where you use to buy a medi­um caramel cor­ret­to every morn­ing after an exhaust­ing night with Louise. Your old gov­ern­ment office is anoth­er two on. The con­crete build­ing looks so for­eign now, and you won­der if the same peo­ple are still inside. Another few stops is your last apart­ment, before buy­ing the house, the end of bus rides home every day.

Music nev­er meant so much.

You pass by con­struc­tion sites, fin­ished build­ings, see the evo­lu­tion of the city.

Every stop can be traced to a dif­fer­ent point, a dif­fer­ent girl­friend, a dif­fer­ent path in your life.

Six years of expe­ri­ence, six years of shift­ing, ever-chang­ing ani­ma.

Six years passed.

Six years lived.

Six years grown.

Christie Had A Speech Impediment

Her unwit­ting nick­name in high school was Fudd (as in Elmer), because her “r“s came out as baby­ish “w“s.

This was par­tial­ly due to the fact that she would imi­tate her old­er broth­er in admi­ra­tion dur­ing child­hood, after he devel­oped his own imped­i­ment from an oro­fa­cial sports injury. The oth­er, and much more severe, aspect of her imped­i­ment was a ran­dom and sud­den inabil­i­ty to speak. No stut­ter, no slur.

As her speech ther­a­pist explained, it was a short-cir­cuit in the brain, caus­ing her to believe that a sen­tence was fin­ished when she was only half-way through say­ing it. The only prob­lem was that she would get stuck on a word. On good days she sim­ply could­n’t repeat it, on bad days she could­n’t speak at all. Most peo­ple thought it was brought on by a rather trau­mat­ic series of events brought on by her sup­posed friends in high school. The was­cals.

I always found it endear­ing, but she nev­er cared for it. One of the tricks she used to get by was to take her time in say­ing a word. E‑nun-ci-ate. It was like mas­sag­ing the ten­sion from a mus­cle, and slow­ly, she would be able to speak again. Another trick was to imag­ine being in a com­fort zone, which was her room, to relax when she was flus­tered.

I’ve always found that girls share some intrin­sic bond with their rooms. It’s almost as if they’re fol­low­ing an evo­lu­tion­ary nest­ing instinct, and their rooms become their homes. A place to grow and be safe. Along with the care­ful­ly lined-up books and the ran­dom pieces of jew­ellery, the hid­den cache of pho­tos and the pur­pose­ful­ly placed can­dles (some of which must nev­er be lit), are the char­ac­ter­is­tic quirks.

Christie could nev­er fall asleep if one of her dozen stuffed ani­mals were fac­ing her. Her bed­time rit­u­al was to make sure that each one was turned away.

In time, Christie’s com­fort zone became the walk-in-clos­et of my room. She was old enough to make love, but simul­ta­ne­ous­ly too young to stay overnight, so we would spend most of our time in there, the place where we could reach out and feel the walls around us, con­fined to the inti­ma­cy of the enclo­sure. We spread out the blan­ket, lit the can­dles, and closed the door.

After a while, the humid­i­ty would build up, and this was no more appar­ent than in the win­ter when we would crack open the door and tan­gi­bly feel the chill on our skin. Opening the sun she called it, as the day­light sharply spilled on the blan­ket that cov­ered us. It was the only place where we could shut out the world, the only place that felt like night.

In a rela­tion­ship, shar­ing the night is more impor­tant than shar­ing flu­ids. Falling asleep with some­one is an accep­tance of trust, a way of say­ing that we’re com­fort­able enough to drift into our sub­con­scious minds. Perhaps it was the unavail­abil­i­ty of such a rit­u­al that’s giv­en the night so much sig­nif­i­cance.

Having no night of our own, we had to make due. I cov­ered one side of a card­board pan­el with glow-in-the-dark stars and sus­pend­ed it from the top of the room. The pan­el was large enough to fill the vision, and in the dark­ness the clos­et became a micro­cosm of the star­ry sky. Even in the mid­dle of day it was near black­ness, and we’d lose track of time, hud­dled under the blan­kets with her sleep­ing at my chest, or lying there face-to-face, talk­ing while I ran my fin­gers through her hair. Sometimes, all we would do was get togeth­er and nap.

And even­tu­al­ly, Christie did­n’t have much trou­ble speak­ing any­more.

Exp

Today, I got to pick the restau­rant. I chose one that’s always bustling on the week­ends, even when there isn’t a wed­ding recep­tion being host­ed, named after the Yangtze River in China. There was a mix­ture of lan­guage in the air, due to the fact that I was sur­round­ed by large Chinese fam­i­lies, catch­ing up on each oth­ers lives, and young Caucasian cou­ples, on their Friday night dates. The fam­i­lies were all famil­iar. I could relate to every young boy in them, try­ing to fin­ish his deep fried crab claw balls while con­cen­trat­ing on the game in his GameBoy. The cou­ples…

I thought about the time we walked around those long, ster­ile aisles that only you could take me to. There were small plants of basil next to a mis­cel­la­neous food item sam­ple stand, and it was my first time smelling the aro­ma of a live stalk. What a dras­tic dif­fer­ence it was from the basil I bought in a con­tain­er, or labelled as “FRESH” when they were ripped from the roots before trans­porta­tion.

For some rea­son, I feel like steak”.

Someone from anoth­er cou­ple over­heard and could­n’t help laugh­ing.

I know exact­ly what you mean”, the man jovial­ly said.

We looked for a steak­house after­ward. On the high­way, I asked for a sug­ges­tion. Your knowl­edge of the local restau­rants was always wider than mine. I gave rea­sons against your first two pro­pos­als, and you refused to con­tin­ue, frus­trat­ed. I thought about the time we tried to find a game we could both get into, and you reject­ed the first eight. How dif­fi­cult it was to not kick that Gamecube into the wall, and yet I did­n’t say a word, some­thing I could only con­trol because of how much I still cared at that point. I put my foot down to make a deci­sion (much bet­ter than the alter­na­tive), and we set off for a tep­pa­nya­ki steak­house.

It was a place that I saved for cel­e­bra­tions. We were seat­ed alone at a table usu­al­ly reserved for eight, along with a lone per­former, twirling his knife and flip­ping his flip­per. A cel­e­bra­tion of us we agreed.

And I decid­ed that those cou­ples around me weren’t so unfa­mil­iar either.