Yearly Archives: 2011

leave the bottle

I need­ed to feel a dif­fer­ent pain. I need­ed to reassert myself. I need­ed to change my body from the one he knew.

I’ve been killing it. Nights that bleed into morn­ing, pots of cof­fee, retail ther­a­py, English ales that drink like meals. The blood does­n’t faze me any­more. Instead of slow­ly slip­ping down the spi­ral, I’ve decid­ed to fall all the way so I can climb back up.

Sometimes you have to tear your­self down before you can start rebuild­ing.

the things we carry

I can’t fig­ure out why I’m so moody late­ly. Maybe it’s been too long since I smelled the wood of my gui­tar. Maybe it’s the fresh Autumn colours that tend to mag­ni­fy my emo­tions. Maybe I’m feel­ing over­worked, over­stim­u­lat­ed, and too rarely under­stood. Maybe it’s because I haven’t had a moment to myself in what feels like weeks, with so many feel­ings of lone­li­ness amongst so many peo­ple.

Autumn stream

 

I always think of exile in times like this, and in par­tic­u­lar, a stan­za from Yevgeniy Onegin:

From all that to the heart is dear
then did I tear my heart away;
to every­one a stranger, tied by noth­ing,
I thought; lib­er­ty and peace
would serve instead of hap­pi­ness.

Luckily, I’ve been read­ing The Poisonwood Bible, which reminds me that the only prob­lems I have are first-world prob­lems, and that I’m rich in ways many will nev­er be.

I find it amaz­ing, the immen­si­ty of it, how any sin­gle per­son can be respon­si­ble for a tome of such rich sto­ry­telling, obser­va­tion, and wit. It’s the only book I’ve picked up in years, and I only start­ed read­ing to get into her head as much as pos­si­ble (and piqued by my curios­i­ty on how she could describe a sto­ry of the Belgian Congo as sexy). Unsurprisingly, her favourite char­ac­ter is the strong, faith­ful, war­rior daugh­ter. Mine is like me too; the dark, brood­ing, intel­lec­tu­al child, dizy­got­ic twin to hers. It makes me won­der if lik­ing one char­ac­ter over all oth­ers is too often an exer­cise in van­i­ty.

In the end, Onegin real­izes he was wrong about exile, that he could­n’t fill him­self with empti­ness to replace the sad­ness, some­thing he only fig­ures out when he finds some­one worth lov­ing. That’s what’s pulling me back too, keep­ing me ground­ed amongst those dark moments of untem­pered emo­tion. I car­ry the image of her smile with me, the only thing as dis­tin­guished on her face as her Spanish eyes, and the rea­son I call her Cheeks from the way the flesh pulls up to round her face. I’ve stud­ied this smile for so long that I can see it every time I close my eyes, and with that, I car­ry a strength of my own too.

gambler's fallacy

It’s my eleventh time here in four years, almost three times per. At this rate — con­sid­er­ing how sel­dom I get out nowa­days — it’s one of the only places I fre­quent. Each vis­it serves as a small time­stamp, from the year we went home with dif­fer­ent peo­ple to the year we went home togeth­er, and all the times caught in between among heavy snow and mechan­i­cal hors­es.

wedding name card

 

Strange how often I come here when it’s so rarely by choice. I always think I’ll be up next time, that I won’t be sit­ting by myself in one of these great halls, cause for­tune even­tu­al­ly smiles on every per­son who takes a chance on love.