The third Emergence Exposition was the first summer show. With daylight coming through the house, and the doors and windows open, there was a different mood floating around. People also dressed lightly and in bright colours, adding to the sense of airiness.
Along with the mind-blowing visual artwork, there were performances by Con Brio, a string quartet, and Aura Giles, a modern flutist with huge lungs.
One of the most memorable parts of the night, however, was a performance of an original composition by John Alac, where he tells a story of a man about to be executed, using only his guitar. The number of different sounds he gets from plucking, tapping, scratching his strings is quite amazing, although what really blew my mind was the way he got the sound of a bell to toll at 4:06.
(You can watch this in High Definition on the Vimeo site. It looks much nicer.)
All of the artwork is amazing. And I love how the old house is refinished—the natural wood against the white paint look so clean. The memory jars look a bit creepy though.
It’s quite a different when the house is in “house mode” with all the regular furniture in it, although there’s very little to begin with. Frédéric and Misun have very minimalist tastes. I believe they paint the house every time they have an exhibition too, to replace the holes made from the past hangings.