Show me Bach, she said with her hands.
Show me love, I said with my lips.

Show me Bach, she said with her hands.
Show me love, I said with my lips.
Jack: What kind of movies do you prefer, the ones with the sad endings or the happy ones?
Claire: The sad ones definitely. I like movies that make me cry.
Jack: Then you’re with the right guy.
Jack is the leading man. Such screen time is only reserved for protagonists, though anti-hero’s fit this mould too. You want to root for him, to discover that in the end he’s smart enough to give up the criminal life, to stay out of trouble, to truly appreciate the one who loves him. That’s what Claire is banking on too.
She wants to fulfill the dream that she’ll get the bad boy, and she’ll be the one for whom he gives up his criminal life. A story that’s been told time and time again, in life and on the screen. But he won’t, and that makes her want him even more.
Through their relationship, you have a hard time believing that anyone would be so self-destructive to fall for a guy like this, the way you don’t believe a professional assassin would suddenly develop a conscience when discovering that his mark is a 12-year-old girl. But this is Hollywood, and we’re lead to believe that anything is possible.
And as he cleans Claire’s blood off his bedroom floor, you realize that it’s harder to believe he was able to fill a bucket of water from the faucet when he just got out on parole and his utility bills have been unpaid for over a year, than a girl falling in love with someone so bad for her. After all, life has not proven otherwise.
This quietly fills you with bitterness.
On our last day together she brought me a bouquet of tulips and carnations, and a Joe Hisaishi CD — a childhood memory of mine she ordered from Japan. I had mentioned it in passing on one of our walks as the only album I’ve been unable to find for download or purchase, and there it was, in my hands.
We watched Before Sunrise, and afterward, we laid next to each other on the couch, silent, unsure of what to say, because there was no comfort to be had. Soon, I was kissing the tears from her face, over and over again.
She asked what she was going to do without me. How long it was going to be before we saw each other again. Whether a simple phone call was allowed. I could say nothing, because I understood the necessity of it all.
So she said she was being reduced to an observer, and I grew cold and distant. It was the first time I had considered my own feelings, when I had felt reduced to much more than that, and she wasn’t making it any easier. With her lips on my neck and her hand through my hair, she comforted me in turn, and our passion took hold of us one last time.
Before she left, I hugged her, felt her tears grow cold on my shoulder, and kissed her once more on the cheek. Thank you, she said.
My heart has been filled with a calm sadness ever since. A struggle between the pain of being away from her, and knowing that it’s for the best. That we would be stronger, and more stable when it was all over.
In the days since, I’ve remembered the things I wanted to say to her before she left my back porch, running to car without looking back before the emotion could overwhelm her. Things that didn’t come to my head because I was too focused on keeping myself together.
Don’t stop creating. Take care of yourself. I love you.