Photographic Habits

Julie in her aviators

I gen­er­al­ly don’t show my mod­els the pic­tures I’m tak­ing of them until I’m fin­ished the shoot, and have had a chance to do some post-pro­cess­ing. That’s because I want them to see the final prod­uct, not the draft, and the impact is much greater. But if a mod­el is inse­cure, or I want them to get a bet­ter sense of the idea I’m going for, I’ll show them a pic­ture or two. It helps build their con­fi­dence, and they start to trust me a lit­tle more, which, in turn, gives me a lit­tle more cre­ative con­trol.

Dolly on shoes

I also try to look at the LCD screen as infre­quent­ly as pos­si­ble. It forces me to have faith in myself and my pho­to­graph­ic abil­i­ties. Some peo­ple laugh at those who chimp; admit­ted­ly, when I see a “pro­fes­sion­al” who checks their screen after every shot, I lose con­fi­dence in them. That does­n’t mean I won’t look down to at least make sure my flash­es went off, or the auto expo­sure isn’t going wonky due to some extreme light con­di­tions, but that’s it.

4 comments

  1. Thank for every­thing! Yestrday was exhaust­ing — but a total BLAST! Mark feels the same way.

    Looking for­ward to see­ing the pho­tos! You rock!

    ~Jennifer

    • That’s funny…Mark does­n’t show much emo­tion, so I’m going to take your word that he had a blast too. :)

      • Yeah … it was such a great expe­ri­ence — on so many lev­els.

        And the out­come! For any­one read­ing this post — Jeff is a genius with a cam­era!

  2. Ahhh, chimp­ing.

    I’ll check my screen more than I should, but I’m okay with that — I’m mak­ing sure expo­sure looks good and all my lights are fir­ing.

    When I shot film, I’d have to set up, and pull Polaroids. *That* was time con­sum­ing; set­up, shoot a Polaroid, pull the ‘roid, wait for 90 sec­onds, check it. Then make an adjust­ment with lights. Then shoot anoth­er ‘roid, lath­er, rinse, repeat…

    Having a Polaroid on the back of my cam­era is great!

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