What Do I Know Of Suffering?

Sometimes I ques­tion whether or not I real­ly know what suf­fer­ing is. Reading back on my last entry, it struck me that in many ways, my life was­n’t that bad.

A Hero Of Our Time was writ­ten dur­ing great mil­i­tary con­flict, where peo­ple were fre­quent­ly “exiled” by being sent to remote places along the front of the Russian-Circassian War, where Russia had already been fight­ing for over 40 years. Some may argue that I don’t tru­ly under­stand suf­fer­ing, because my cul­ture has­n’t been through some­thing like this, where­as such pain is already in the blood of Russians. Even in pop­u­lar cul­ture, such as Babylon 5, the Russian char­ac­ter Susan Ivanova (whom I quot­ed in this tweet) seems to fol­low this stereo­type.

So can I tru­ly relate to this with­out hav­ing gone through any of it myself?

If you look at Aya Nagatomi’s per­for­mances of Chopin, specif­i­cal­ly her inter­pre­ta­tion of his Étude Op. 10, No. 12, you can tell that it’s tech­ni­cal­ly amaz­ing — cer­tain­ly a vir­tu­oso in the mak­ing as she’s only 19 in this video — but you don’t feel the ruba­to with which Chopin intend­ed it. As such, it sounds like it’s being per­formed by a com­put­er. You have to won­der whether it takes a cer­tain degree of hard­ship expe­ri­enced to do it jus­tice, per­haps going through the polit­i­cal tur­moil of the November Uprising in Warsaw that inspired Chopin to write this Revolutionary Étude.

Could Leonard Cohen have been able to pen a song like Famous Blue Raincoat with­out hav­ing suf­fered through a few lone­ly nights in New York City? I think not.

I don’t know enough about Chinese his­to­ry to know what my ances­tors went through. The rel­a­tives I know of in pre­vi­ous gen­er­a­tions escaped the Cultural Revolution — where they would have been sub­ject­ed to unbe­liev­able hard­ships — to Hong Kong. Maybe it’s not in my blood, and I’m just drawn to the idea of Nihilism on a super­fi­cial lev­el, nev­er tru­ly under­stand­ing it any deep­er.

But a long time ago, I remem­ber read­ing an entry by Tina where she felt dis­turbed by oth­er peo­ple’s opin­ions on how jad­ed she was feel­ing, as they were say­ing she had noth­ing to feel bad about. I told her not to com­pare her­self to oth­ers. That one per­son going through heart­break is a dif­fer­ent kind of suf­fer­ing than a per­son going with­out food, and that one can’t said to be more “painful” than the oth­er.

I may have been well-fed, healthy, and from a mid­dle-class fam­i­ly in my child­hood. But none of things mat­tered to me because it was the emo­tion­al con­nec­tion that I was seek­ing, but could nev­er find.

I’ve always had the bad habit of com­par­ing myself to oth­ers. I should prob­a­bly just fol­low my own advice and enjoy the com­fort, beau­ty, and inspi­ra­tion that Russian lit­er­a­ture gives me.

After all, if I can acknowl­edge that my suf­fer­ing is my own, no one else would tru­ly under­stand any­way!

4 comments

  1. It’s fun­ny you post­ed this now, since I just fin­ished watch­ing SHINE, which involves a gift­ed young pianist (albeit a bit odd) and his over­bear­ing and abu­sive con­cen­tra­tion-camp sur­vivor father (cause of the odd­ness). The suf­fer­ing the father expe­ri­enced was com­plete­ly warp­ing; fam­i­ly-shat­ter­ing. I don’t think any­one can real­ly empathize with that if they’ve led a nor­mal life. But his son suf­fers a great deal because of him, and that is more like most of us in our sit­u­a­tions. His father con­stant­ly lim­its him from play­ing the Rachmaninoff con­cer­to he dreams of.

    I don’t think this girl is an empath. Period. Even apart from suf­fer­ing, she has­n’t even lis­tened to oth­er ver­sions well enough to give it her own inter­pre­ta­tion. [And What the HECK was she think­ing with that big clip in her hair. Ew.]

    I don’t believe in the suf­fer­ing of an artist being req­ui­site to cre­ate art — a true empa­thy is, how­ev­er, I think. (You have quite a bit of that.) And to just enjoy art, you need even less.

    Does Tai Chi work bet­ter if you’ve expe­ri­enced more? Or isn’t it about that?

    • I remem­ber see­ing Shine a long time ago. I per­son­al­ly do believe that some amount of suf­fer­ing is required to cre­ate art. But only because I’m like that. There are def­i­nite­ly times where the oth­er end of the spec­trum inspires me, but it’s much less com­mon for me.

      I’m not sure what you mean by Tai Chi work­ing bet­ter with more expe­ri­ence, but I hear that it does help to have been in a few fights to bet­ter under­stand the rea­sons for the move­ments.

  2. I’ll have to say that you have been so blessed with all the good things in life…born and raised in a land of plen­ty, with all the free­doms gau­ran­teed by law, i.e., both mate­r­i­al and spir­i­tu­al. Oh, I think a per­son going with­out food suf­fers more pain than a per­son going through heart­break, even though heart­break can some­times be unbear­ably painful.

    A Brit once said to me that North Americans could nev­er pro­duce the kind of art like Europeans do, as they enjoyed such plen­ti­ful lives. There may be a cer­tain degree of truth in it.

    • I’ve nev­er heard of some­one killing them­selves because they knew they were going to starve to death, but I’ve heard of sui­cide over lost love before. And yet the for­mer is one of the essen­tial things that humans require to live. That’s why I don’t think they can be com­pared.

      Even the types of art are dif­fi­cult to com­pare, but I could see how Europeans have cre­at­ed a larg­er body of work that deals with suf­fer­ing. It’s hard to expe­ri­ence some­thing like the holo­caust with­out it affect­ing a cul­ture in some way.

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