I've decided that first dates will begin with the trading of mixtapes

[audio:cosmic-love.mp3|titles=Cosmic Love|artists=Florence + the Machine]

I know it was­n’t a date, but I still swooned when I found your playlist in inide lo-fi type­writ­ten let­ters, wrapped with chem­istry notes. It only makes sense that a col­lec­tion of songs be my new stan­dard for a first impres­sion on any roman­tic endeav­ours.

This became my bat­tle cry. The BOOMBOOMBOOMBOOM of the toms that com­pel my body to heave when I’m pre­tend­ing to sing those har­monies to an emp­ty sky.

mixtape playlist front

 

I can trace moments of my past through your music; sum­mer days spent with a Girlfriend’s Dog, a hope­less infat­u­a­tion with auf der Maur’s Celebrity Skin, tin­ny speak­ers blast­ing Porno Mouth in the room where I lost my vir­gin­i­ty on a soft sin­gle bed that seemed a huge can­vas to our naked bod­ies. Maybe that’s why you already under­stood so much of me. It’s like we’re dif­fer­ent land­scapes rep­re­sent­ed using the same car­tog­ra­phy.

mixtape cover front

 

And yet we we’re so sim­i­lar, and when I real­ized this, it meant I liked myself too. You were the reaf­fir­ma­tion that I should be hap­py with the per­son I’ve become. I have to won­der though: how’d you get there? Did you hate your­self the way I did, and you suf­fer and strug­gle like me, or have you always been where I’ve been try­ing to get my whole life?

mixtape cover back

 

And if your Nina Simone is my Leonard Cohen, and my Andrew Vincent is your Andrew Vincent, what else do we share?

mixtape playlist back

 

I thought I’d nev­er hear music the same way again. I’d always be lis­ten­ing for the both of us, and my dis­cov­er­ies would for­ev­er be your dis­cov­er­ies too. So did you mean it when you said I’d linked myself emo­tion­al­ly to all your favourite songs, or have you for­got­ten me already? I still won­der where you’ve gone when Green Eyes comes on. I told you I need more peo­ple like you in my life, and I still do.

mixtape playlist notes

 

Hope the music is loud, and you’re wear­ing out the soles in your danc­ing shoes some­where.

15 comments

  1. I love this post Jeff because I gave Mark a playlist at the very begin­ning of our rela­tion­ship. It was my way of por­tray­ing a huge part of me emo­tion­al­ly with­out going into too many details and the way you described your expe­ri­ence is how I expect­ed his expe­ri­ence to be. What’s fun­ny is that my playlist came up in con­ver­sa­tion recent­ly and I dis­cov­ered that he nev­er real­ly lis­tened to it! While I love him tons it just proved that to peo­ple like us a playlist can be mag­i­cal and to oth­ers a playlist can be.…… a playlist.

    • It makes me so glad to know I’m not the only one who feels this way about their music. That’s why I asked to trade mix­tapes with this per­son; soon after we start­ed talk­ing, I dis­cov­ered she has a strong emo­tion­al con­nec­tion between her mem­o­ries and her songs.

      She was trep­i­da­tious about the idea at first cause she thought I’d judge her on it, music being such a per­son­al issue. But to me, it was­n’t so much about enjoy­ing the songs as it was about get­ting to know some­one in less con­ven­tion­al way. The music being awe­some was a com­plete bonus.

      I’d be inter­est­ed in hear­ing your playlist some day! I won­der if we’d have any songs in com­mon.

  2. This is an awe­some post and an awe­some idea Jeff!

    • Last time I checked you were sin­gle. If you still are, that means you’re going to steal the heart of the next guy with a mix­tape, and I’m going to get all the cred­it. :)

  3. Yep, that’s a great idea. BTW, I think your hand­writ­ing has evolved over the years to car­ry a sense of secu­ri­ty and con­fi­dence.

    • That’s not my hand­writ­ing! Though I wish it was, mine has degrad­ed over many years of pure key­board use. I sus­pect most gen­er­a­tions are going this way now.

  4. Go her!

    My list would sound corny, because dance musics sounds pret­ty shal­low with­out actu­al­ly danc­ing to them :( I mean, who con­nects to Frank Sinatra’s danc­ing in the rain nowa­days or Waltz #2.

    • Oh man, Waltz #2 is like an anthem to so many of our gen­er­a­tion. Not because it’s a danc­ing song, but because it’s an emo­tion­al­ly impor­tant to them cause Elliot Smith was a sym­bol for teen angst every­where. Frank Sinatra, on the oth­er hand, I think most would find strange to be on a mix­tape.

      • I thought I’d use this post to step out of the dark shad­ows to reveal myself as a long-time read­er of your blog. I think it’s a com­pli­ment when I say that your blog is the only sur­vivor (and I do mean that) of my ‘RSS Valentine’s Day Massacre’ last year.

        It still remains the only blog I read reg­u­lar­ly!

        I’ve stayed in the dark recess­es, but as the res­i­dent music nut — one that is prob­a­bly con­sid­er­ably old­er than any­one else around here — I sin­cere­ly object to your state­ment, that find­ing Frank Sinatra on a mix­tape could pos­si­bly be “strange” (although I do get your point).

        I’m not the great­est Sinatra fan by a long shot, but a poten­tial roman­tic liai­son that is into Sinatra is one I would not imme­di­ate­ly dis­miss.

        Hell, some­one who is dear to my hear is into medieval recorder music, some­thing I thought I hat­ed … and appar­ent­ly don’t. ;) That per­son is younger than you or I could ever hope to be.

        P.S.: I think we might know each oth­er from the old 9rules days, although my mem­o­ry is a bit fog­gy in that regard.

        To take this off-top­ic for one sec­ond (do delete if it dis­turbs), how did you inte­grate the Twitter feed into your blog stream? is that a plu­g­in or a cus­tom job?

      • Thanks for de-lurk­ing, it’s always inter­est­ing to find out who’s read­ing. :)

        I think you’ve mis­un­der­stood my com­ment, but I don’t blame you cause it was­n’t that clear. I was refer­ring to Sinatra also being some­what strange for our gen­er­a­tion (30-some­things) since he’s so beyond our time, and I’d say the same thing about Nina Simone or Leonard Cohen, which seem to be our favourite artists.

        That’s why I’m nev­er one to dis­miss or judge any­one based on their taste in music, and it’s cer­tain­ly not some­thing that would auto­mat­i­cal­ly dis­count some­one’s attrac­tive­ness (with a few rare excep­tions to that rule).

        Also check your e‑mail, I just sent you the trick I use to get Tweets inte­grat­ed in the WordPress loop.

      • Might want to point me to some read­ing mate­r­i­al regard­ing the teenage angst and elliot smith’s waltz #2. I just land­ed around that age and there­fore that was missed in the pur­suit of learn­ing French.

      • Just to add, that our con­nec­tions and rea­sons for the con­nec­tions to the songs are so dif­fer­ent.

      • There’s a real­ly good inter­view here with the direc­tor who made a biog­ra­phy on Smith, and I haven’t seen the film yet but I bet it’d give you a real­ly good idea of the kind of effect he had on peo­ple. He came out of the post-grunge era after Nirvana was con­sid­ered the voice of Generation X and became the indie voice for the next. Also, there’s a fan­tas­tic album and review you should check out that may help you under­stand what oth­er peo­ple hear when they lis­ten to his music.

        It’s sur­pris­es me just as much to real­ize how dif­fer­ent­ly we hear the same songs. I mean, I can’t imag­ine how some­one could hear Waltz #2 and feel like danc­ing cause it’s so sad, and yet for you it’s the com­plete oppo­site.

      • There’s sad­ness in it. That I can hear, but I don’t lis­ten to the lyrics when danc­ing. There’s also some­thing else. Joyful sad­ness is what I’d call it. Personally, I hat­ed waltzs that are pure­ly hap­py because they rep­re­sent­ed the old era of waltz; a porce­lain world of clas­si­cal high­er ech­e­lon soci­ety, so ster­il. I can only express waltz ful­ly, when the song con­veys sad­ness, because that’s my expe­ri­ence and sto­ry while danc­ing waltz with the peo­ple I used to enjoy danc­ing it with.

        I always find it fun­ny when we seem to dis­cov­er and like the same music at one point in our life, when our rea­sons are com­plete­ly dif­fer­ent.

  5. I can only add that to one who plays music and lives and breathes it as I did when I was young, my music was a reli­gious offer­ing to every­one I played for. And it’s real­ly that feel­ing that has kept me silent late­ly. It waits for the appre­ci­a­tion it deserves now. It’s been a long time since I had one to real­ly share that with.

    There’s only one thing bet­ter than giv­ing the music of oth­ers to each oth­er: it’s mak­ing it anew with some­one, form­ing it, edit­ing it, falling in love with it, and singing it out before oth­ers; and that is a mem­o­ry I cher­ish. There’s noth­ing bet­ter than shar­ing that on earth. (With the pos­si­ble excep­tion of cre­at­ing some object that gets onstage in a huge per­for­mance, that’s amaz­ing too… but music was first.)

    Make some for us!

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