Misery is a Missing a Blonde Redhead Concert (and a Butterfly)

There’s a Blonde Redhead con­cert tonight. I was going to head to Toronto to see it with Darren and we would have made it a week­end together, but the wed­ding rehearsal has taken pri­or­ity. I’ve been going through 23 since it came out last month, and it still feels a lit­tle for­eign. The songs don’t hit you in the gut or give you the same sense of lyser­gic bliss like ones from Misery is a Butterfly, but over­all it’s a decent album. Ironically, the lat­ter album is what I lis­ten to cheer myself up, but now it only serves as a reminder of what I’m miss­ing. I would have given any­thing to be there.

My heart is in Toronto today.

A Few Updates

Wide angle fun

Thumbnail: Wide angle me.
Thumbnail: Wide angle Bronwen.
Thumbnail: 15mm boots
Thumbnail: Wide angle computers.

The Canon 15mm proves to be a com­pli­cated addi­tion to the lens arse­nal. As a pho­tog­ra­pher, you really have to under­stand how to han­dle the dis­tor­tions, even when it’s on a 1.6 FOVCF body. It’s obvi­ously not meant for por­traits; faces end up being com­i­cally dis­pro­por­tion­ate. It’s great for con­text shots though, when the sur­round­ings say more than the subject.

Contract

I got a con­tract under my per­sonal busi­ness, my first. It’s made my sched­ule rather busy. There isn’t much time to just laze around on the week­ends any­more. I have to plan my fun.

Tai Chi break

Tai Chi classes have been sus­pended indef­i­nitely, as the teacher’s wife has just been diag­nosed with can­cer. While I miss the relax­ing two-hour ses­sions, I don’t miss wak­ing up at 5:30 in the morn­ing on Saturday to make class. With the extra time, I flirted with the idea of pick­ing up piano lessons again, but I’ve decided that it would too much of a com­mit­ment right now. I still need some form of phys­i­cal activ­ity, in addi­tion to the Tai Chi Yang form prac­tice on my own, so I’ll prob­a­bly be going to table ten­nis again.

Nail in the coffin

I’m off to New Hampshire for two weeks next month, for indus­try job train­ing. I had to find my pass­port, issued five years ago for my trip to Hong Kong/China/Macau, with my dorky glasses and hair parted down the mid­dle. In addi­tion to my old address, my mom was listed as con­tact in case of emer­gency, but I changed it to Pat. It would have been John if he wasn’t so far away. Pat’s also a good per­son to go to in a cri­sis; he’s the one who always keeps it together.

I miss my music source

Ever since Trolley moved out, I don’t get intro­duced to awe­some new music any­more. The lat­est find (on Jeff’s recommendation) is Wicked Wisdom, fea­tur­ing Jada Pinkett Smith as the front­woman. I never would have believed a band with Will Smith’s wife would be so good.

Christmas Wish List '06

Thumbnail: Christmas cupcakes

You know it’s get­ting close to the hol­i­days when the fresh cup­cakes at the local bak­ery start hav­ing Christmas tree sprin­kles, so I thought I’d make a Christmas wish-list. Usually I have no prob­lem spend­ing money when I want some­thing, but I’ve been sav­ing my money as a goal lately. I’ve been good too, only spend­ing $120 on myself in November (two movies, a toque, and win­ter shoe spikes) as opposed to the $500+ I nor­mally do.

This isn’t a fan­tasy list by any means; these are prac­ti­cal things I even­tu­ally plan on buy­ing. I just can’t jus­tify get­ting them at this moment. Of course, I don’t actu­ally expect any of these things to show up under a tree on the 25th, since I don’t cel­e­brate Christmas, although this isn’t by choice.

Photography

  • Canon EOS 5D cam­era body ($3800) — The 5D sup­ports a very nice 12.8 megapix­els, but most impor­tantly, it has a full-frame sen­sor that would let me take full advan­tage of my wide-angle lenses.
  • Canon EF 15mm f/2.8 Fisheye lens ($950) — For those extra-wide group shots, and styl­ish fish­eye distortion.

    Bought a used ver­sion of this great lens for roughly half the MSRP in early 2007.

  • Speedlite 580EX flash ($600) — I cur­rently have the Speedlite 420EX, which can used as an off-camera slave to be set off remotely. It takes a flash like the 580EX to act as a wire­less master.

    Bought this flash with an umbrella and light stand in the sum­mer of 2007. Extremely happy with the off-camera results.

  • Macro Ring Lite MR-14EX ($750) — Macro pho­tos have been espe­cially dif­fi­cult because of the exag­ger­ated cam­era shake with a 100mm lens. A nice macro flash would allow me to increase shut­ter speed, and get evenly lit shots.
  • Wacom Intuos 6x11” tablet ($450) — For edit­ing my pho­tos in Photoshop. I have one of these at work, and I can’t get over how much bet­ter a tablet is over a mouse.

    I was start­ing to get shoot­ing pains in my wrist and fore­arm, so I bought this tablet in early 2007 to ease the strain of mouse pos­ture. It has greatly helped, and on top of that, work­ing with brushes in Photoshop is a delight.

Games

  • Playstation 3 ($650) — I’m cur­rently wait­ing on this one, since none of the launch titles inter­est me, but it’s my next-generation con­sole of choice. I wanted the Wii for the longest time (back when it was code­named Revolution), but the lack of HD sup­port and dated hard­ware quickly turned me.
  • Legend of Zelda: Twilight Princess ($60) — I can’t pass up the leg­endary last game in the Zelda series. It’s com­ing out in 12 days for the Gamecube, although I may see if I can bor­row Pat’s/Aaron’s/Trolley’s Wii to play it with the Remote and Nunchuk instead.
  • Neverwinter Nights 2 ($60) — I’ve been wait­ing for this game ever since I fin­ished the orig­i­nal Neverwinter Nights over two years ago. My next pur­chase was either this or Company of Heroes, but John bought me the lat­ter for my birth­day and so we could play online together. It was as much of a gift for himself.

Furniture

  • Saga sofa ($1400) — Getting this in a nice dark-brown leather is one of the options with which I’d like to replace my old Ikea couch. I wasn’t par­tial to leather until I saw the unit in the store, but it boosts the price closer to $1500.

    Bought a Scotch couch in October 2007 from EQ3 in a black leather instead. Sold my old Ikea couch to help pay for this.

  • 2MORROW side table ($150) — To go with the sofa.

    Bought a frosted glass sidetable from the same series as my cof­fee table from Zone in late 2007 instead.

  • B2C 36″ stor­age ($550) — A place where I can store my books.
  • CONICK pen­dant light ($120) — I’d like to have this above my din­ing table. The light fix­ture I have now is a lit­tle dated.

    I bought a rail light fix­ture from Ikea instead. It’s bet­ter for direc­tional light, and much cheaper.

Appliances

  • Grind & Brew Thermal Automatic cof­feemaker ($150) — This baby grinds, brews, and can be set on an auto­matic timer to do both right before you wake up. Unfortunately, it’d be all decaf for me.
  • Ultra Power Series stand blender ($180) — For smooth­ies. Because lunch sand­whiches get bor­ing quickly.

    Got myself a nice Hamilton Beach Eclectrics Blender at the begin­ning of the year. Been mak­ing smooth­ies almost daily ever since.

TV Shows

  • Six Feet Under ($230 for the com­plete series) — I’ve been want­ing to watch these with Bronwen for a while now. I only got to the mid­dle of the sec­ond sea­son, but it really put the hook in me.
  • Trailer Park Boys ($150 for sea­sons 1–5) — I’ve seen up to sea­son 3, and every year, the Trailer Park Boys keep me guess­ing about how much mad­der things will be in Sunnyvale Trailer Park.

    Bought these up to the sixth sea­son in early 2007 to watch with Bronwen. She loved them. Still look­ing for the Christmas special.

  • Battlestar Galactica ($100 for sea­sons 1 & 2) — I only got as far as the first sea­son, and this is one of those shows that you can’t watch out of order because you’d be com­pletely lost.

Movies

  • Best In Show ($20) — This movie charmed me the first time I saw it. One of those movies you can watch at almost any time. Christopher Guest at his best.
  • Punch Drunk Love ($16) — P.T. Anderson’s sim­ple, beau­ti­ful love story.
  • Harold and Kumar Go to White Castle ($15) — Because every­thing about this movie reminds me of sum­mers with John.
  • Contact ($16) — The begin­ning of my fas­ci­na­tion with astron­omy. And Jodie Foster.

    Louise bought me this for Christmas 2006.

  • Boys n the Hood ($16) — A movie that touches me, even though it’s set in a world com­pletely removed from my own.
  • Waking Life ($10) — I wish I could explain what it is about this movie that draws me in so much. Maybe it’s the fact that every time I watch it, I under­stand some­thing new. Also the first movie I ever saw high. Triptastic.
  • The Breakfast Club ($18) — The ulti­mate teen angst movie. Also cur­rently the only movie to use the term “Neo-Maxi Zoom Dweebie”.

Musical Context

For years, I lis­tened to music based on my mood. Playlists were well suited for this. I had one full of sad songs for my sad days, days that would last months at a time. I had one with only quick-paced, aggres­sive gui­tar riffs and lung-spitting screams, for the pock­ets of rage I’d encounter every now and then. One that was mostly elec­tronic inspi­ra­tion — songs that would move me when I needed to move. One for the par­tic­u­larly dif­fi­cult days, con­sist­ing of stoic melodies that could fill me with grit deter­mi­na­tion. There was even one for the bit­ter­sweet moments, per­fect for a post-show buzz. Every song served a par­tic­u­lar purpose.

This mot­ley group­ing of sin­gle tracks may have been the result of the way I dis­cov­ered new music. Tenaciously, with ears always open, I would record as much as I could that caught my fancy, jot­ting down any dis­cernible lyrics I could use as a basis for a search, and never stop­ping until I could find the song. Hysteria, by Muse, is just one exam­ple, which I hap­pened to dis­cover while watch­ing an awards show. For a long time, it remained a song I’ve enjoyed on my for it’s sub­tle build-up, and ener­getic, nearly chaotic, synth-inspired bass lines.

Things changed when I lived with Trolley. He exposed me to bands of dif­fer­ent gen­res, and being a musi­cal col­lec­tor, this expo­sure took the form of com­plete albums. One of them hap­pened to be Absolution.

Now that I have the entire album, Hysteria is known to me as track 7, com­ing after the pen­sive Interlude, but before the gen­tle, ethe­real, Blackout. In this con­text, pre­ceded and suc­ceeded by two equally sig­nif­i­cant tracks, the song doesn’t sound the same.

Eventually, none of my playlists were appro­pri­ate for what I was feel­ing. At first, I thought that this was the result of increas­ingly sub­tle or com­plex emo­tions, but I’ve come to real­ize that it’s sim­ply because I’ve matured, and as a result, my emo­tions have evened out. With the wis­dom and seren­ity asso­ci­ated with grow­ing older, came the loss of emo­tional highs and lows that would inspire me.

Now it’s become dif­fi­cult to lis­ten to a song in a playlist. Every album has an order. Every track has its place. Listening to a song out of its musi­cal con­text may be hard, but lis­ten­ing to music with­out the rush of inspi­ra­tion is harder.

And this has become my musi­cal context.

Thanks, And No Thanks

I’ve offi­cially switched from Movable Type to WordPress, the lat­ter of which I’ve decided is a far supe­rior plat­form. This involved man­u­ally copy­ing con­tent from the old data­base, includ­ing every entry, com­ment, time­stamp, and ip address logged. Even though it took me nearly a month, I was able to go through my old entries and make the thumb­nails, links, quotes, and for­mat­ting consistent.

Thanks to the expe­ri­ences of every day life, for the peo­ple I hate, the peo­ple I love, the ones I respect, and the ones who inspire me to do more. It’s these that make sure I never run out of things to say.

Thanks to Trolley, who reminds me with his com­ments that I always have at least one reader.

Thanks to Aaron and Pat, for show­ing me that they care when they tell me that they keep up-to-date with my life through this.

Thanks to Bronwen, with whom I’m the per­son I’ve always wanted to be.

Thanks to Number18, for giv­ing me hope with her daily life, and her über cool input jacks.

Thanks to Tina and Aurora, for their enig­matic entries that inspire me to write better.

Thanks to Winston and Barb, for let­ting me know that I, in turn, could inspire some­one to start writ­ing for themselves.

Thanks to Sikander for being the guy who shares music with me, even though we’ve never met in real life.

Thanks to Sophia, for intro­duc­ing me to music like CocoRosie, and quot­ing my own old archived entries back to me.

Thanks to Dru, a design artist I’ve admired for years, for unof­fi­cially steal­ing from me, an unspo­ken com­pli­ment I hold dear to my heart.

No thanks to the stalk­ers, who say they’ll never visit, yet con­tinue to read on a daily basis. The ones who hide behind ser­vices like Anonymouse, naively believ­ing that all their http requests are masked. The self pro­claimed hyp­ocrites, who have the FUCKING AUDACITY to tell me about the vices of blog­ging, yet blog them­selves. The exact rea­son why I never answer my phone anymore.

No thanks to the sequa­cious com­men­tors who say stuff but don’t say any­thing, or those who com­ment for the sake of per­sonal advertisement.

No thanks to the hotlink­ers, who con­tinue to steal my images, and in turn, my band­width and money.

When I was con­vert­ing my data­base and going through the old entries, I could recall each and every emo­tion that drove them. My writ­ing has become less ram­bling, less depress­ing, less cryp­tic since I started back in 2002. As time goes on and the entries become more recent, there seems to be a sub­tle, bur­geon­ing hope, a reflec­tion of the expe­ri­ences I’ve gone through and a chang­ing worldview.

And from the begin­ning of this blog to the entries I write now, the most impor­tant thing is that I always have more peo­ple to thank.

Thrice = Love: Far From The End

The con­cert was quite amaz­ing. The set lasted just over an hour and a half. Nothing was per­formed off the first album, which makes me think that Thrice actu­ally knows how weak an LP it was. They did two encores, one of which was Dustin play­ing an acoustic ver­sion of Staring At The Sun, and the other which was a short lit­tle piece from the mid­dle of The Abolition Of Man, where Dustin actu­ally hands off his gui­tar to a guy who comes on stage with a grey hoodie, and walks into the crowd to scream the last few bars. Unfortunately, my mem­ory card ran out of space dur­ing the LAST WORD, ulti­mately ruin­ing the clip.

It was good to see that peo­ple knew all the words to Artist In The Ambulance, and Deadbolt (which they didn’t play until every­one was yelling it in chorus).


Thumbnail: Crowd
Thumbnail: Dustin with acoustic guitar
Thumbnail: Stage

On his celebrity, Dustin once said, “It’s pretty awe­some. A lot of peo­ple throw under­wear at bands, but our kids bring us books”. If I ever had the chance, I’d give him Huis-Clos by Jean-Paul Sartre.

There’s more that can be said, but I think I’ll put this to rest for now.

Thrice is Love.

The Thrice = Love Series

  1. Introduction
  2. The Journey
  3. As The Crucible
  4. Rock It
  5. The Rush
  6. Far From The End

Thrice = Love: The Rush

I want to take the bul­let,
The one aimed straight for your heart.
I want to meet the wolves halfway
And let them tear me apart,
But that’s not the way they do it here.

I want to lay on the tracks,
Feel hot steel scream­ing at me.
Expose the bones on my back,
Let me show you what I mean.

Yeah, it’s a dif­fer­ent kind of love.
I want to climb barbed wire fences
And warm our hands in blood.

And this is my gift
Asking you to fix my ruined hands.
And it’s a gift that keeps on giv­ing,
And right now it’s all I have to give.

I want to write the per­fect song,
And play it just for you,
While you are tan­gled up in sleep.
I need you more than I’ll ever know.
Until I stop breath­ing,
My lungs will take you for granted.

—Thrice, In Years To Come

I remem­ber a time in my life when I was scared about love. A set of rather ado­les­cent expe­ri­ences in high school, of which I only now find myself com­fort­able speak­ing frankly, had caused me to cling to an unat­tain­able ideal. In Lolita, Humbert Humbert well describes such a hap­pen­stance that sim­i­larly “made of it a per­ma­nent obsta­cle to any fur­ther romance through­out the cold years of my youth. The spir­i­tual and the phys­i­cal had been blended in us with a per­fec­tion that must remain incom­pre­hen­si­ble to the matter-of-fact, crude, standard-brained young­sters of today”.

Eventually, I had given up my ideal, but still felt for­ever tainted, regret­fully break­ing more than enough hearts in the process.

It only took an ardent, extremely brief sum­mer romance to free me, and a jour­ney of 12500 kilo­me­tres to real­ize it.

And as fleet­ing as the entire expe­ri­ence was, it still enough to gal­va­nize, to make me want to take that bul­let, or let the wolves tear me apart. Being tan­gled up in that mad love, the love that goes against rea­son or bet­ter judge­ment, soft­ened the stone in my chest, and it felt like I was finally alive.

Gimmie a girl who can make me feel this way.

The Thrice = Love Series

  1. Introduction
  2. The Journey
  3. As The Crucible
  4. Rock It
  5. The Rush
  6. Far From The End

Thrice = Love: Rock It

Entertain the hope that some­how you’ll escape me
Weld the bolts and close the iron gate
Drink deeply the illu­sion of your safety
My how wish­ful thoughts ine­bri­ate
Masquerade and revel in your opu­lence
Writhe unfet­tered by your stabs at igno­rance
Swim through hues and whis­pered tones of heresy
A dozen strokes to run your blood cold enough to believe
Remember me
You look so sur­prised to see me here
Hells black wings did I over perch these walls
For stony lim­its can­not hold me out
And now you all die

—Thrice, The Red Death

And now again the music swells, and the dreams live, and writhe to and fro more mer­rily than ever

—Edgar Allen Poe, The Masque Of The Red Death

It’s sim­ple.

Gimmie a girl who isn’t afraid to ROCK THE FUCK OUT to this song.

The Thrice = Love Series

  1. Introduction
  2. The Journey
  3. As The Crucible
  4. Rock It
  5. The Rush
  6. Far From The End

Thrice = Love: As The Crucible

True friends stab you in the front
Keep you from get­ting what you want
When one more fix could kill you
They help you real­ize that
You’re more and less than you first had believed
You’ve so much to give and there’s so much you need
Shortcuts through grave­yards and a brand new way to breathe
Three thou­sand miles just to learn
All that’s gold does not all shine
And help­ing words aren’t always kind
When one more kiss could kill you
They help you real­ize that
You’re more and less than you first had believed
You’ve so much to give and there’s so much you need
Shortcuts through grave­yards and a brand new way to breathe
Three thou­sand miles just to learn
How to let my guard down

—Thrice,The Beltsville Crucible

When you look back at the prob­lems you faced a year ago, they seem insignif­i­cant com­pared to the prob­lems you face now. Finding out how things end up, and see­ing the path that your actions have paved, makes every­thing passed seem sim­ple and log­i­cal. Even know­ing this, I still look back on a time when I was faced with a trou­bling dilemma, a sit­u­a­tion where I con­tinue to won­der what I may have done dif­fer­ently. At the time, I brought my trou­bles up to Darren, a per­son with whom I could always con­fide with­out being judged.

His advice was to give no advice at all. He told me that he under­stood how I dealt with my prob­lems, being one to always weigh the options care­fully, and that he knew I would make the right deci­sion. Perhaps being his older cousin, the one he him­self has always turned to for advice, made the sit­u­a­tion strange to him. Nonetheless, it was the first time I had expe­ri­enced such a trust, and it was heart­en­ing to know that some­one respected me enough to put his faith in me before I know­ing what my choice was.

I admit­ted this to John, and he told me that the worst mis­take he could make was assum­ing that I would make the right deci­sions. As he put it, it’s his job to keep me in check and make me con­stantly ques­tion the things that I do. Of course, he always presents things tact­fully, so he doesn’t end up hurt­ing more than helping.

Neither Darren or John is more cor­rect than the other, because it all depends on the rela­tion­ship. You need some friends to under­stand what you do. You need other friends to stab you in the front. I know I can count on Darren to accept my deci­sions, and I know I can count on John to give me the hon­est truth when I need it. The impor­tant part is the respect that goes both ways. Without respect, an opin­ion is mean­ing­less. My intro­duc­tion to the dominant/submissive lifestyle has given this even more significance.

Gimmie a girl who I can respect enough to under­stand this, and who can respect me enough to be her crucible.

The Thrice = Love Series

  1. Introduction
  2. The Journey
  3. As The Crucible
  4. Rock It
  5. The Rush
  6. Far From The End

Thrice = Love: The Journey

I see the parts but not the whole
I study saints and schol­ars both
No per­fect plan unfurls
Do I trust my heart or just my mind
Why is truth so hard to find in this world
Yeah in this world

Cause I am due for a mir­a­cle
I’m wait­ing for a sign
I’ll stare straight into the sun
And I won’t close my eyes
Till I under­stand or go blind

—Thrice, Stare At The Sun

Even at my age, whether oth­ers may con­sider it young or old, I haven’t decided on a spe­cific set of beliefs, whether they be reli­gious, philo­soph­i­cal, or psychological.

In try­ing times I find myself wish­ing that I had some­thing, some form of struc­ture that would make sense of the things that hap­pen. The most serene peo­ple I know are also the most pious, as they seem to have an answer for the seem­ingly unex­plained or unde­served. I’ve often asked the­ists, the ones whose intel­li­gence I respect, what has made them believe in one or sev­eral gods. Most com­monly the answer is that they have enough evi­dence for such an exis­tence. Even though I’ve had a few serendip­i­tous expe­ri­ences myself, things which I can’t explain by chance alone, it hasn’t been enough to give me a defin­i­tive answer.

Sometimes it feels like I’m wait­ing for a mir­a­cle to give me an answer or show me a path.

I used to be an athe­ist, then an agnos­tic, until I became com­pletely unde­cided. It’s rare to find other peo­ple who are open-minded enough to admit that they are still learn­ing, or have yet to dis­cover what so many other peo­ple already have. What I know for sure is that I still have the rest of my life to find out, to walk that path and make that journey.

Gimmie a girl who isn’t afraid to stare at the sun with me.

The Thrice = Love Series

  1. Introduction
  2. The Journey
  3. As The Crucible
  4. Rock It
  5. The Rush
  6. Far From The End

Thrice = Love: Introduction

Thumbnail: Thrice ticket

It’s been more than two years since Thrice has released a new album, until Vheissu, just five days ago. I’m still explor­ing the tracks, approach­ing each song with an open mind, but never dis­sect­ing too much through analy­sis. Due to the uncer­tain­tiy of what to expect, lis­ten­ing to some­thing for the first time is always a lit­tle different.

It can be eas­ily observed that they’ve grown through all of their full-length albums. It’s dif­fi­cult to lis­ten to Identity Crisis (2000), because of how rough and unde­vel­oped it is. The Illusion of Safety (2002) was much improved, intro­duc­ing a unique, exper­i­men­tal style, though heav­ily influ­enced by punk and met­al­core. The Artist In The Ambulance (2003) took things a step fur­ther, achiev­ing tracks that were both esthetic and intelligent.

Ever since I stopped smok­ing weed on a daily basis, of which a great deal of time was spent lis­ten­ing to music, I’ve been ener­vated by the fact that songs would never sound as good, until this album.

Vheissu has renewed my hope. Saved my life.

It goes beyond every­thing else to a com­pletely spir­i­tual expe­ri­ence, from the album art­work to the chords and the key sig­na­tures. Thrice has reached out with music that is haunt­ing, mov­ing, emo­tional, try­ing things that they’ve never tried before. Dustin Kensrue sings more than he screams, even goes falsetto(!), only occas­sion­ally call­ing on his hard­core roots. Electronic sounds, piano, acoustic gui­tar have been worked into the tracks them­selves, instead of being rel­e­gated to the intro­duc­tions. The mixed meters are less obtru­sive, but still inter­est­ing enough for prog-rock fans. Even with all of this, they con­tinue to defy gen­res, as they’ve done in their pre­vi­ous albums. It all works.

Thrice is com­ing to town, and the con­cert is just six days away.

I was only intro­duced to Thrice in the last two years, but I’ve been through a lot with them. Different apart­ments, room­mates, girl­friends, breakups. Even the lyrics speak to me, lift­ing, mov­ing, never crash­ing. I only ask one thing.

Gimme a girl who loves Thrice.

The Thrice = Love Series

  1. Introduction
  2. The Journey
  3. As The Crucible
  4. Rock It
  5. The Rush
  6. Far From The End

Today, Finally

It’s dif­fi­cult to sleep with so much on the mind, and even more dif­fi­cult when you’re filled with anger about not being able to fall sleep. With my duvet wrapped around me last night, I turned my alarm off com­pletely, decid­ing to get into work when­ever I woke up, know­ing that I’d need the rest to focus on a per­sis­tent net­work issue. After try­ing to fall asleep for an hour with­out suc­cess, and feel­ing like I’d waste the rest of the morn­ing, I got up very frus­trated. Those who know me, know that five hours is con­sid­ered calami­tous. I cooked a heavy break­fast of bacon, eggs and toast, know­ing that I’d still have time to get to work early, a bit of sus­te­nance to get me through the rest of the day.

The main prob­lem I’ve been fac­ing for the last week has been the setup of a VPN for a new out-of-office sales rep we recently hired. It was the per­fect morn­ing to get to work early, because I could work on the server for about an hour with­out hav­ing to worry about affect­ing any client com­put­ers. I traced the prob­lem to an out­dated ver­sion of the firmware, and crossed my fin­gers (after my last flash­ing dis­as­ter) as I burned the lat­est ver­sion. This was at 7:00 in the morn­ing. I spent the next 13 hours try­ing to fig­ure out why inter­net access stopped work­ing within the range of inter­nal IP addresses .1 to .36 (which makes absolutely no sense with­out being a power of two, and espe­cially odd when we had no DHCP ranges set).

This meant care­fully learn­ing the exist­ing struc­ture of a net­work I didn’t set up and fig­ur­ing out the Windows inter­net pro­to­col. I’ve had no for­mal train­ing in being an MCSE, so a lot of the day was spent read­ing through white papers and tech­ni­cal notes for a pos­si­ble DNS/DHCP/IIS/firewall/RRA set­ting I may have looked over. Network ser­vice slowly degraded through­out the day as I began trou­bleshoot­ing, includ­ing a simul­ta­ne­ous crash of the main cus­tom soft­ware on every sys­tem, a loss of dynamic dns address­ing (which brought our new online ser­vice down), until I couldn’t even find the net­work address of the router.

When you’re filled with angry per­se­ver­ance, you get a lot done. If only other peo­ple could under­stand that. Wearing a face of deter­mi­na­tion means I don’t have time to be pleas­ant, or have a lunch, or lis­ten to innane sto­ries of your grandchildren.

On the walk to work, I had already decided that as soon as I got off, I was going to play some table ten­nis at one of the bi-weekly ses­sions, vision blurred, eyes dry­ing, as tired as I was, and pass­ing out after din­ner. This obvi­ously didn’t hap­pen. I’d been seri­ously plan­ning on going since last week, but things just kept get­ting in the way.

Until the last 15 min­utes, the only thing I could think about was whether I’d have to pull an all-nighter, and whether or not I’d even be able to solve things if I did. That’s the risk of tech sup­port; the solu­tion can be as sim­ple as it is elu­sive, and there can be no progress until the very last tweak. Halfway through the day, I already decided that I’d call an exter­nal net­work spe­cial­ist to help if I didn’t get any­where by tomor­row after­noon. I was too tired to worry about not get­ting the net­work up before the next busi­ness day, which would basi­cally bring the com­pany to a stand­still, and too tired to be angry at every­thing that was going on. After fig­ur­ing out our net­work struc­ture, three calls to tech sup­port, and learn­ing inter­net pro­to­col the­ory from the ground up, I finally fig­ured out that all I needed to do was do a hard reset of the router, and con­fig­ure every­thing from scratch.

It was prob­a­bly the most dif­fi­cult day I’ve had since I started the job, but I knew that if I could get through it and fix the prob­lem, I’d be able to get through any­thing that could be thrown at me. Not only did I get the web con­nec­tion work­ing through the entire sub­net, I also got the sales reps lap­top to con­nect to the VPN through dial-up. Yesterday was a late night, get­ting a web­site done for a client friend. Tomorrow’s another 14 hour day, and even though I’ve known about it for a month, I don’t think it’ll make it any easier.

I real­ized that I only really feel lonely on days like these, when my body aches, my mind loses focus, and all I want to do is have some­one else take care of me. To have some­one else decide what to do, because I’m too tired to decide for myself.

Stepping out­side, hun­gry and exhausted, I put on a win­tery playlist for the walk home, since it was two hours past sun­set and the fall nights are get­ting frigid. The first song that came on was Explode by the Cardigans. I’d been sav­ing this song for months now, skip­ping it every time it came on so I wouldn’t get tired of it.

Today I finally deserved it.

Weekend By Bus

Thumbnail: Greyhound station

Leaving by bus, in the rain and in the dark, is some­thing special.

The per­fect album to put on is Ágætis Byrjun by Sigur Rós, with songs like Starálfur and Olsen Olsen, but espe­cially Sven-G-Englar and Ný Batteri. Sounds are dis­tract­ing all around with the peo­ple talk­ing, the bat­ter­ing of rain­drops on the wind­shield, the thud-thump of the uneven high­way road, but they grad­u­ally fade to a lethar­gic pulse. The unrec­og­niz­able tim­bres of each dis­tin­guish­able instru­ment take over.

This is the moment. The exact pur­pose of the song. The notes are pure, amor­phous colours in the dark­ness, a dul­cet damper for the out­side world.

Soon the rhythm of the pass­ing city lights will become more and more sparse, and all that will be left in the win­dows are the reflec­tions of those with their over­head lights on, read­ing books or keep­ing eye-contact.

It’s been ten months since the last time you did this.

How has so much hap­pened since then?

Music Is The Only Thing

I wasn’t plan­ning on writ­ing until next Monday, but I can’t seem to get away from this.

With the falling tem­per­a­tures come late morn­ings. Stepping out­side ear­lier, the sky was still dimmed with the street lamps on from the pre­vi­ous night. It felt like the sun had already set, and it was only going to get darker. I was in the mood for some jazz, so I fid­geted on my iPod until I found a Duke Ellington col­lec­tion. Unfortunately, most of it is com­prised of big band swing songs, fast mov­ing, major keys, a sound that didn’t quite match the mood. I set­tled on Going Up, a calm pro­gres­sive jazz piece fea­tur­ing brushes instead of drum sticks, har­mon mutes in the trum­pets, and Les Spann on flute. Four years of pri­vate lessons, with four dif­fer­ent bands in high-school, have made me appre­ci­ate the pol­ished, round­ness of his sound. He trav­els chro­mat­i­cally with utter smooth­ness on the wood­wind, and unlike on the piano, which the fin­gers can move across in one sweep­ing motion, each note is played with a seem­ingly ran­dom com­bi­na­tion of fin­gers. In his head, he’s four bars ahead of his fin­gers, allow­ing his into­na­tion remain pre­cise with each pur­pose­ful note.

Sometimes it feels like music is the only thing that can bring out my emo­tions again. Most of them have been replaced by sim­ple deter­mi­na­tion. Everything is busi­ness busi­ness busi­ness because the world is cold cold cold.

I’m going home for the Thanksgiving long-weekend. A much needed break that I’ve been plan­ning for a while now. Funny that I still call it home when it’s a five hour drive away, and I own my own house in this city. Home isn’t where you grew up, it isn’t where you live now, home is where the par­ents are.

With A More Pretentious Title Than Last?

The new Coheed And Cambria sin­gle (song starts play­ing after the Flash intro) com­pletely knocks me off my feet. I sus­pect that the new album will be darker, mood­ier, and even bet­ter pro­duced than their last. I’m not the only one who’s reminded of Kashmir by Led Zeppelin, with the chro­matic chord pro­gres­sion and orches­tral back­ing, but the sim­i­lar­i­ties end there.

Can’t wait until September.