The weekend sky was aching orange with the charm of thick falling snow. It felt good to be so warm and in the midst of such cold, with the silence of such visual delight.
The Honest Lawyer on Saturday was good. I have never, ever, tasted better fries. They were dark, crispy, not too thick and not too thin, and salted perfectly. They were even presented well in a cone shaped wrapping in a metal holder, with two dips attached. The atmosphere there was well done, with unique lighting and well arranged tables. The only problem was the music, which was turned up so loud that people couldn’t speak to each other. By the end of the night, I had to take some Chinese herbal throat medicine so that I would still have my voice the next day. I had a better time at Trolley’s place beforehand, when we could actually talk to each other. At one point, the girls ordered a chocolate fondue for dessert, and left about half the pot full of chocolate dip.

Aaron, being the sugar addict that he is, started to drink from the fondue pot. I was left holding my brownie half-covered (which happened to be sweet enough already).
I can’t decide whether I should buy the strings tribute to Tool, Third Eye Open. I really have no idea what to expect, in terms of how good the music will be. I would more readily purchase it if I could walk down to a music store and find it, but it seems rare enough that even Record Runner doesn’t carry it. I also discovered Strung Out on OK Computer, which is a string tribute to my favourite Radiohead album, which I have to consider getting as well.
I also found a song called Les Feuilles Mortes, when sung in French, and Autumn Leaves when sung in English. The English lyrics are alright, but the French sounds much better. The first version I had was by Yves Montand, who sings it perfectly with a great pronunciation, but at the end of the song the audience tries to clap in unison with the beat and fails miserably, ruining the song completely. I was able to find a few other versions as well. The one by Diana Krall is a little too simple to enjoy. One by Edith Piaf is good, and she sings well in both languages, but her vibrato is too shrill. There’s a decent Nat King Cole version, but the old style and poor recording quality don’t bode well for it. There’s even a Miles Davis with John Coltrane version, but unfortunately, it’s missing the lyrics and recognizable melody. An odd version by Paul Mauriat is done with synth and cheezy instrumentals, and is possibly the worst one I’ve heard so far. A good modern one done by Cold Cut has a very electronic feel to it, but lacks the lyrical content that the others have. My favourite version so far is by Sarah Vaughan, where she’s able to sing the jazz babble with precision and grace, while displaying her gigantic vocal range. The first time I heard it, it blew my mind away. I might just end up cutting out the clapping of the audience in Yves Montand version if I can’t find a good one.
I figured out the four peasant build. I LUF IT.

