Lessons From a Childhood of Abuse

I often explain to peo­ple that Karaoke to the Chinese is like drink­ing to the British. We don’t pour pints at our par­ties, we sing. It’s part of the cul­ture. The Chinese-Canadian dream is a Toyota in every dri­ve­way and a Karaoke machine in every house.

My dad was no excep­tion. Like all his hob­bies, he took Karaoke seri­ously. He had singing lessons from a famous teacher. Sometimes, he would record him­self and lis­ten to the tapes to ana­lyze his singing when dri­ving me to school. We would never talk on those hour-long rides, I would only hear him singing, some­times along with his recorded voice, some­times prac­tic­ing the parts that he didn’t have quite right.

When I was young, about seven, I would sing one of the English songs from his col­lec­tion. I couldn’t tell you why. Karaoke didn’t par­tic­u­larly inter­est me. Maybe it was a way for me to be a part of his life. He had noth­ing to do with me otherwise.

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Protected: The Old Boys of '99: Mungovan and King

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Protected: The Old Boys of '99: Seeto and Bunston

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Letter To An Ex-Girlfriend: Michele

Why should I stay and pre­tend?
You make me laugh again
My dar­ling, truth is we are not even friends
Love comes and it goes
Where your heart stops no one knows
How did I wind up in this mess, here with you?

Just a moment of weak­ness
I should exam­ine my head
Just a moment of weak­ness
I never meant a word I said

—Bif Naked, Moment Of Weakness

The first thing about you that caught my eye was your plat­form shoes. More specif­i­cally, the lanky way you walked in them with your plaid skirt on. You had such a funny gait that I would study when I was walk­ing behind you in the halls. Sometimes you looked like an injured fawn, vul­ner­a­ble and awk­wardly run­ning away with your long, slen­der legs. It was the very def­i­n­i­tion of sex­u­al­ity to a depressed, hor­monal teenage male.

Those shoes gave you an extra cou­ple inches, and I resented every time you sub­tly knelt so you wouldn’t be taller than me in any pictures.

I only have a sin­gle good mem­ory of our rela­tion­ship. You were sit­ting on my lap in the jacuzzi at Cammy’s place. It was February, and there was snow all around us, but we were warm and wet. Every few min­utes, we would dunk our heads under the water, then style each other’s hair, the win­ter air freez­ing it within seconds.

The more I got to know you, the more I learned that it was all a big mis­take. I stuck it out because I didn’t want to break up with you in the months lead­ing up to your exams. It was espe­cially hard when Lisa started show­ing inter­est in me, but I couldn’t do it.

You were a sex­ual bore. No sound, no reac­tion, noth­ing in bed. Your friends were all snobs. Your thoughts were trite, and your inter­ests were shallow.

You never knew it, but I had to decide between dat­ing you and Marina. It tore me up for a week, know­ing that one of you was going to be hurt. I chose you in a moment of weakness.

It was the biggest mis­take of my high school career.

The Letter To An Ex-Girlfriend series

  1. Introduction
  2. Ashley
  3. Michele
  4. Christie
  5. Jackie
  6. Louise
  7. Bronwen

Letter To An Ex-Girlfriend: Ashley

The lovin is a mess, what hap­pened to all of the feel­ing?
I thought it was for real; babies, rings and fools kneel­ing
And words of pledg­ing trust and life­times stretch­ing for­ever
So what went wrong? It was a lie, it crum­bled apart
Ghost fig­ures of past, present, future haunt­ing the heart

—Belle & Sebastian, Another Sunny Day

Our rela­tion­ship has always rep­re­sented the inno­cence of my youth.

The Friday nights, play­ing with can­dle wax in the dark, learn­ing how our bod­ies worked. Or the rush of worry and excite­ment about par­ents walk­ing in the door. Olfactory sense has come to mean a great deal in my rela­tion­ships. From those nights we made love with Beth’s voice com­ing through your tinny speak­ers, I get turned on when I lis­ten to Portishead.

I kept the bot­tle of Gap Earth you used, some­thing dear to me since it was dis­con­tin­ued. Every time I smell the noz­zle, it brings me back to the time we were together.

Out of all my other girl­friends, I thought you would be the one to end up in a D/s rela­tion­ship. I never real­ized it until my own intro­duc­tion to the lifestyle, but the things you did were the most nat­u­rally sub­mis­sive. The way you wanted to be tied up with our belts, the enjoy­ment you got from pain, your desire for me to be in con­trol, the way you would take my hands is yours so you could kiss my knuck­les. To this day, I won­der if you still like these things.

I’ve always tried to fig­ure out why I’m never sat­is­fied in my rela­tion­ships. It’s usu­ally not the fault of the peo­ple I date. Sometimes I blame my par­ents for their failed mar­riage, and how this has made me feel that’s it’s nec­es­sary to find the per­fect per­son so I don’t end up like them. Sometimes I think it’s because you were the first, and you came to define what was “right” or not.

Why then, did I break up with you?

I wish I could explain. I thought things would last, because you never hurt me in any way. In fact, you did noth­ing wrong. Maybe we were just too young. They say you shouldn’t marry the per­son you can live with, you should marry the per­son you can’t live without.

And I knew that I could live with­out you.

The Letter To An Ex-Girlfriend series

  1. Introduction
  2. Ashley
  3. Michele
  4. Christie
  5. Jackie
  6. Louise
  7. Bronwen

Family Tied

Over ten years ago, I lived at my aunt’s house for about four months in the sum­mer. Much of my mater­nal fam­ily was vis­it­ing from Hong Kong, so every­one stayed there as a cen­tral location.

One day my par­ents had a blow-out. It was triv­ial, as always. As a result, from my mom’s side of the story, he went out with another woman that night. From his side, my mom tried to kill him with a steak knife. It cut his fin­ger to the bone when he was defend­ing him­self. The next day, with swollen eyes and a weak voice, my mom showed me the yel­low bruises down her arm. They had to be pho­tographed by the police as evi­dence before they healed. Two subpoena’s later and they were bet­ter than new, for the next few months at least until the next fight.

This is the last mem­ory I have of my aunt’s house. I haven’t been back since. Not until this weekend.

Now every­one from my mater­nal side is here, all my mom’s sib­lings and their respec­tive fam­i­lies. It started out as an act of com­mis­er­a­tion, to help her out dur­ing the divorce. Aunt, uncle, and son, aunt, uncle, and son, aunt and uncle. And then there’s me, with my mom. Without father. The only bro­ken family.

At first I think it’s just a coin­ci­dence. My aunt and uncle have the same vac­uum cleaner that we had, the same piano, the same brown cowhide cor­ner sofa. And then it clicks. Since the divorce, my mom sold the house after buy­ing out my father of the con­tents. Everything is stored here until she moves into her new house, from the base­ment to the fam­ily room, from the kitchen to the bathroom.

My child­hood is strewn across every floor. The fam­ily pho­tos. My old finger-painted, art­work from ele­men­tary school. My dad didn’t want any of it.

I need to get out of here.

I need to get the fuck out of here.

Fifteen Year Friendship

Being trans­ferred to Bayview Glen in grade five was my first pri­vate school expe­ri­ence. The change from Catholic school was sub­tle; aside from the bet­ter funded facil­i­ties and pas­sion­ate teach­ers, the only dis­cern­able dif­fer­ence was the man­di­tory uni­form. It was there that I met John in my classes, but back then he was the bully who threw me against a wall at first recess. My par­ents inter­vened in the form of an angry phonecall to the teacher, and I learned never to tell them about my prob­lems at school again, out of fear that I would be emas­cu­late me.

John main­tained a rep­u­ta­tion as one of the kings of the play­ground. At that age, he was a pre­co­cious pre-teen, match­ing machismo with Daniel Cappon for the atten­tion of Pamela Arstikitis, the acer­bic, metal-mouthed, blonde beauty. I remained bliss­fully young and igno­rant, and we never really got along.

In grade seven, he changed schools to Upper Canada College, as his grand­fa­ther had done over fifty years ago, while I went through both the test and inter­view, and didn’t make the cut. Our par­ents knew of the school’s pres­ti­gious rep­u­ta­tion and yearned des­per­ately for their respec­tive sons to be alum­nus. Two years later I made a suc­cess­ful sec­ond attempt, and moved there too.

I was by myself, in a school full of jocks, aca­d­e­mics, and artis­tic eso­ter­ics. John’s rep­u­ta­tion didn’t fol­low him to this insti­tu­tion, where he was the odd, alien­ated, aloof, young man, while I remained the small, dys­func­tional boy who never fit in any­where. We were seper­ate lon­ers, and our indi­vid­u­al­ity is what brought us together. We never had any classes together, so lunches were spent phi­los­o­phiz­ing on the bleach­ers when the weather per­mit­ted, or mis­be­hav­ing in Mr. Lorne’s class­room, throw­ing text­books at each other in the win­ter. Eventually we went our seper­ate ways in uni­ver­sity, and John was the only per­son I kept in touch with.


Thumbnail: School choir in grade 8

In the sum­mer between grade seven and eight, as part of the children’s choir of Bayview Glen, we audi­tioned for a part in the Canadian pre­mier of Joseph and the Amazing Technicolor Dreamcoat. This con­sisted of a demo tape, a semi-final com­pe­ti­tion between 25 schools, and finals of 10, with only four school choirs being selected. The judges told us to hold our cel­e­bra­tion until all the final­ists were announced, but by the time we were called, we couldn’t hold it in, and let out with a thun­der­ous roar. It was the only time in my life that I was so happy I cried.

The pic­ture of our choir, roughly 25 stu­dents between the ages of 10 and 14, ended up in the per­for­mance book­lets that were handed out to the audi­ence as they walked from the lobby to their seats in the Elgin Theatre. We were far from friends back then, but we stood next to each other. I still don’t under­stand why.


Thumbnail: Me and John on the couch 15 years later

Twelve years later.

John’s hair­cut hasn’t devi­ated from a hastily brushed mop. Mine, on the other hand, has gone through var­i­ous stages of shagg­y­ness, poofi­ness, and occa­sional what-was-I-thinking. It’s just like the two of us. John did all his grow­ing up before he was 12, and at his core he’s essen­tially the same per­son now as he was back then, while I con­tinue the never-ending cycle of learn­ing and growing.

And this will prob­a­bly be true in another 15 years.

A Girl's Room

Thumbnail: Green Ikea hanger
Thumbnail: Belts and bracelets
Thumbnail: Dream journal
Thumbnail: Sextrology book
Thumbnail: Valentine's card
Thumbnail: Sweetums

Some of this movie comes from, you know, from me, sure. But it’s not, you know, I’m never going to be able to make a movie that doesn’t, you know. Even if I’m mak­ing a movie about the turn of the cen­tury, I think you’re gonna, it’s always going to be per­sonal. It’s just in the detailed stuff; the horses in Sheryl Lynn’s bed­room, with the rib­bons on the wall, and you got sis­ters or you got a girl­friend who loves to ride horses and all this stuff. And those lit­tle details that you remem­ber, I’ve been lov­ing to put those in a movie.

I think, you know what, when I grew up in the val­ley, I lived there, I was really embar­rassed for the longest time that that’s where I lived and that’s where I grew up, cause I knew I wanted to make movies. And I would look back to my favourite direc­tors, and think, okay, there’s Howard Hawks, and boy, he served in the war. And there’s Ernst Lubich who escaped Germany, you know, and all these won­der­ful sort of things going on in our lives that you could, you’re sup­posed to bring to a movie, you know. But, I don’t have shit to bring, I was like, I’m from the fuck­ing val­ley, you know. And, I was really embar­rassed about that for a long time, I guess, until one day I just woke up and said, “Well, I’m from the val­ley, and I remem­ber things like lit­tle plas­tic horses and the blue rib­bon on the wall with the fuck­ing girl­friend, and you know, I guess that’s what I have to make movies about.”

—Paul Thomas Anderson, Boogie Nights director’s commentary

A girl and her things.

Memories of burn­ing can­dles, sham­poo scents. The colours and the smells give me a total over­whelm­ing sense of poignant nostalgia.

Admittedly, it’s been a while since I’ve been in a real girls room, and being there, in the mid­dle of all the dainty things and the dif­fer­ent fab­rics, I didn’t know what was more embar­rass­ing: the fact that I felt like I was 17 again, or the real­iza­tion of how much I’ve missed it.

And this is all I can write about.

Elementary School

Thumbnail: School crossing sign

Thumbnail: Four-square tiles

Thumbnail: Rusty tetherball pole

Thumbnail: School portable

This was my ele­men­tary school. The Catholic insti­tu­tion I attended dur­ing the first few years of mov­ing here. Where I used to offer best-friend sta­tus for a mouth­ful of Big League Chew. Old, famil­iar four-square courts are still painted on, unmoved. The T-ball poles are rusted out and miss­ing their teth­ers. Countless feet jump­ing, run­ning, skip­ping dur­ing recess have caused the pave­ment to warp and crack. Even the old porta­bles are any­thing but, their famil­iar beige tones still inhab­it­ing the back of the school, built out of con­crete and plas­tic foam when the town was bud­ding, and the class­rooms couldn’t han­dle all the stu­dents. Walking up the wooden stairs, I bet they even have the same groan­ing creaks.

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Transitway Six

Thumbnail: Transitway

On days like this, it’s bet­ter to wear light cloth­ing, and throw on a hooded wind­breaker. The rain out­side is just a driz­zle, so it’s com­fort­ably cool. Pay no atten­tion to the hydraulic hiss of the wind­shield wipers, or you won’t be able to help hear­ing them through the quiet parts of every song. Window seats are prime. There are fewer dis­trac­tions from peo­ple walk­ing down the aisle.

The 95 goes from one end of the city to the other, straight through the heart of Ottawa. Every stop is a mem­ory. Old haunts. Past lives.

Here was your first apart­ment. Sometimes you’d find Christie wait­ing for you here on the benches between classes. How long ago those days seem, how imma­ture and rel­a­tively inno­cent. The next two stops are on the edge of the uni­ver­sity cam­pus, four years of scat­tered tru­ancy. Two stops later is where you use to buy a medium caramel cor­retto every morn­ing after an exhaust­ing night with Louise. Your old gov­ern­ment office is another two on. The con­crete build­ing looks so for­eign now, and you won­der if the same peo­ple are still inside. Another few stops is your last apart­ment, before buy­ing the house, the end of bus rides home every day.

Music never meant so much.

You pass by con­struc­tion sites, fin­ished build­ings, see the evo­lu­tion of the city.

Every stop can be traced to a dif­fer­ent point, a dif­fer­ent girl­friend, a dif­fer­ent path in your life.

Six years of expe­ri­ence, six years of shift­ing, ever-changing anima.

Six years passed.

Six years lived.

Six years grown.

Christie Had A Speech Impediment

Her unwit­ting nick­name in high school was Fudd (as in Elmer), because her “r“s came out as baby­ish “w“s.

This was par­tially due to the fact that she would imi­tate her older brother in admi­ra­tion dur­ing child­hood, after he devel­oped his own imped­i­ment from an oro­fa­cial sports injury. The other, and much more severe, aspect of her imped­i­ment was a ran­dom and sud­den inabil­ity to speak. No stut­ter, no slur.

As her speech ther­a­pist explained, it was a short-circuit in the brain, caus­ing her to believe that a sen­tence was fin­ished when she was only half-way through say­ing it. The only prob­lem was that she would get stuck on a word. On good days she sim­ply couldn’t repeat it, on bad days she couldn’t speak at all. Most peo­ple thought it was brought on by a rather trau­matic series of events brought on by her sup­posed friends in high school. The was­cals.

I always found it endear­ing, but she never cared for it. One of the tricks she used to get by was to take her time in say­ing a word. E-nun-ci-ate. It was like mas­sag­ing the ten­sion from a mus­cle, and slowly, she would be able to speak again. Another trick was to imag­ine being in a com­fort zone, which was her room, to relax when she was flustered.

I’ve always found that girls share some intrin­sic bond with their rooms. It’s almost as if they’re fol­low­ing an evo­lu­tion­ary nest­ing instinct, and their rooms become their homes. A place to grow and be safe. Along with the care­fully lined-up books and the ran­dom pieces of jew­ellery, the hid­den cache of pho­tos and the pur­pose­fully placed can­dles (some of which must never be lit), are the char­ac­ter­is­tic quirks.

Christie could never fall asleep if one of her dozen stuffed ani­mals were fac­ing her. Her bed­time rit­ual was to make sure that each one was turned away.

In time, Christie’s com­fort zone became the walk-in-closet of my room. She was old enough to make love, but simul­ta­ne­ously too young to stay overnight, so we would spend most of our time in there, the place where we could reach out and feel the walls around us, con­fined to the inti­macy of the enclo­sure. We spread out the blan­ket, lit the can­dles, and closed the door.

After a while, the humid­ity would build up, and this was no more appar­ent than in the win­ter when we would crack open the door and tan­gi­bly feel the chill on our skin. Opening the sun she called it, as the day­light sharply spilled on the blan­ket that cov­ered us. It was the only place where we could shut out the world, the only place that felt like night.

In a rela­tion­ship, shar­ing the night is more impor­tant than shar­ing flu­ids. Falling asleep with some­one is an accep­tance of trust, a way of say­ing that we’re com­fort­able enough to drift into our sub­con­scious minds. Perhaps it was the unavail­abil­ity of such a rit­ual that’s given the night so much significance.

Having no night of our own, we had to make due. I cov­ered one side of a card­board panel with glow-in-the-dark stars and sus­pended it from the top of the room. The panel was large enough to fill the vision, and in the dark­ness the closet became a micro­cosm of the starry sky. Even in the mid­dle of day it was near black­ness, and we’d lose track of time, hud­dled under the blan­kets with her sleep­ing at my chest, or lying there face-to-face, talk­ing while I ran my fin­gers through her hair. Sometimes, all we would do was get together and nap.

And even­tu­ally, Christie didn’t have much trou­ble speak­ing anymore.

Trinary Maturity: Introduction

For most of my life, I felt like I was young for my age.

I remem­ber the later years of ele­men­tary school. I would be the one wear­ing things like jog­ging pants on the civies1 days. The other kids would be smok­ing under the bridge, start­ing play­ground fights over girls, con­tract­ing gon­or­rhea through sex­ual con­tact. Even in high school I was eat­ing lunch on the bleach­ers with John while oth­ers were ODing on rat poi­son, win­ning world­wide math com­pe­ti­tions, or being fea­tured on cover arti­cles of Macleans.

I had never really under­stood how peo­ple grow up. Most adults I know have been the way they are for their entire lives. Due to the fact that I can only fig­ure out the changes I’ve made in six month cycles, I’ve mostly grown in small, unde­tectable increments.

It’s only in the last six months that things have changed. I’ve reached my (pre­vi­ously life-long) goal, not grad­u­ally, but rather sud­denly and unex­pect­edly. Interestingly enough, this was due to three dif­fer­ent fac­tors, and I sus­pect that I wouldn’t have been able to reach this point with­out every sin­gle one of them.

Now I feel old for my age.

The Trinary Maturity Series

  1. Introduction
  2. The Job
  3. The Girlfriend
  4. The House
  5. (In)Conclusion
  1. Days where we didn’t have to wear uni­forms, a short form of “civil­ian” []