The third Emergence Exposition was the first summer show. With daylight coming through the house, and the doors and windows open, there was a different mood floating around. People also dressed lightly and in bright colours, adding to the sense of airiness.

Along with the mind-blowing visual artwork, there were performances by Con Brio, a string quartet, and Aura Giles, a modern flutist with huge lungs.

One of the most memorable parts of the night, however, was a performance of an original composition by John Alac, where he tells a story of a man about to be executed, using only his guitar. The number of different sounds he gets from plucking, tapping, scratching his strings is quite amazing, although what really blew my mind was the way he got the sound of a bell to toll at 4:06.

(You can watch this in High Definition on the Vimeo site. It looks much nicer.)

The last three months led up to this night.

After attending Opus 01, I knew I wanted to be a part of this.

John, as a true friend, flew from Toronto to be there for the night. Alex, who was doing a medical internship at a family practice in a nearby city, drove there. Even Pearl also dropped by and I got to meet her.

I was so busy talking with my guests that I didn’t even have time to go into the other rooms to see how the other artists were doing. The house was packed with people again, young and old.

Performances

Jacqueline’s second piece was Sonata in A Minor, by Franz Schubert (unfortunately, her first piece was over ten minutes long, which isn’t allowed on YouTube). I found it to be a rather masculine piece, beginning like a sombre funeral march, leading to a journey of bubbling emotion, so it was mesmerizing to see a girl play it with such conviction. Pay special attention to the burning trill at 5:28, which leads back to the main theme.

Misun told me that when she handed Jacqueline a rose after the performance, it looked like she had run a marathon.

Afterwards, Jacqueline told me after she couldn’t stop looking at my penis through her performance, then quickly corrected herself and said the penis picture, which was hung across from her.

Louise plays the harp by feeling only. She doesn’t have formal any musical training, so she doesn’t write any of her compositions down. It just flows from her fingers, and quite well I might add. As a result, her music is semi-improvised.

John kept telling us how not drunk he was, even though you can clearly seeing him downing glasses of wine in this video.

The after party

When the people left and the doors closed, the real party began for the artists, their guests, and the volunteers. Frédéric and Misun broke out the cold cuts, the fresh and fancy bread, the wine, the cheese and we celebrated a successful night. We had been standing for five hours, so it was time to take a break.

When Dan gave me a reading two years ago, and said that I would be making money off my art within the next 15 years, I never would have believed him.

There’s a little article in The Metro today about the gallery. In the picture, around the harpist, is part of my Fruit and Body series. I’ve decided to make it a limited edition print of 100 each at 18"×12". So far I’ve sold four, with two potentials.

It’s the last day of the exhibit. I’ll be there again tonight because another paper wants some pictures of the artists, and so I can meet with any guests, including one of my buyers. If you stop by, don’t forget to sign the guestbook!

On the bus today, a reporter from the CBC called me for an interview. She started asking me why I got into photography, where I wanted to go with it, and the like. It was strange to be answering these questions because as far as I’ve gone with my photography, no one has ever asked them before. I suppose most people assume it’s like another hobby, without purpose or meaning.

There was also a little mention of my name in the local francophone paper. I find it funny that when translated literally, the title of the article in English is “Go, all with the Living room!”.