I just want fucking makeouts

I drove home from class tonight with the win­dows down and the music cranked. It’s not the songs, it’s not the singing, it’s not the speed, it’s the air that affects you. That smell.

The Operation by Charlotte Gainsbourg is the ulti­mate night-time dri­ving track when you’re feel­ing sin­gle and elec­tri­fied.1 The base­line dri­ves you.

I had The Operation by Charlotte Gainsbourg play­ing here.

i want to explore you
i’m gonna get under your skin
so you can feel me run­ning through your veins

i want to exam­ine
every inch of your frame
the pres­sure points that cause your joy and pain

When I got home, I show­ered, got into in my PJs, took Dolly in my arms, and stood out on the patio. I wanted her to feel what I was feel­ing under that night sky. She clung to my arms, but didn’t make a sound. It was unlike her, because any time Dolly gets picked up she imme­di­ately begins purring. The night was too much for her.

I think it’s too much for me some­times.

For now, I’ll live vic­ar­i­ously through Maggie. Except I won’t be get­ting drunk on Sparks (the orange kind), I won’t be going danc­ing, I’ll just keep run­ning into my crushes at every turn, and I’ll keep meet­ing the ass­hole, idiot guys they go out with. And like Maggie, I’ll refuse to be that guy. The one who talks shit about other guys, the one who flosses his cash money, the one who dri­ves fast to prove he’s got a dick.

Yes, I’m break­ing my post order because of Maggie. It’s like she made me write this. I would totally hoola­hoop and make Dragon Ball Z poses with her. I just found out that I don’t know how to spell hoola­hoop. Hula hoop. There we go.

Maybe this dry spell is mak­ing me loopy.

I think I’ll sleep with the win­dows open tonight.

  1. This song won’t be up for long; I’m tak­ing it down in a cou­ple days. []

Krista and Shane at Irene's

Flyer for the show at Irene's Pub

I asked Julie to come to the show with me. I did it with trep­i­da­tion, because I con­sid­ered it a big favour, and felt like I didn’t know her well enough to ask. But Blake was out of town and she was going out on Saturday, so it just hap­pened that she decided to keep her Friday free.

It pretty much saved me. When dri­ving to the pub, I was hit with an anx­i­ety attack, which I’ll elab­o­rate on in another entry someday.

Julie was the per­fect per­son to bring, I imag­ine because she has expe­ri­ence with peo­ple who suf­fer from anx­i­ety. I told her I may sud­denly want to leave at any point, pos­si­bly even on the way there. She told me she didn’t mind com­ing, she didn’t mind leav­ing, she didn’t even mind stand­ing out­side the pub with me for a cou­ple min­utes in –16°C weather while I men­tally pre­pared myself. I owe her big time.

Me and Julie

We played cards to get my mind off the anx­i­ety. I taught her how to play Slapjack, she taught me how to play Egyptian War. It worked.

While wait­ing for the show to start, I gave Krista the large prints from the pre­vi­ous shows. Krista gave us some ran­dom Larry and Bob bal­loon stick­ers she found on the bus (Julie and I think they were from a deaf per­son). Julie also met Cory there, her school­mate from hor­ti­cul­ture col­lege, and Krista’s sister.

At the first show, I told Shane he should make an acoustic ver­sion of his album. Since I paid him in per­son for a pre-release EP that night, he told me he did have an acoustic ver­sion and promised to give it to me. I asked him ear­lier this week if he could bring it, which he did, but he for­got it in his suit­case. Quite a pity, since he told me he was in the stu­dio mak­ing sure he mixed it right for me. He felt ter­ri­ble about it, and told me he’d mail it to me instead. March 14th is when the album offi­cially comes out.

The sets were rather short. Shanker and Romps opened for them, a garage rock­a­billy duo. Our view of this per­for­mance was a bunch of peo­ple who were much taller than ourselves.

The high­light of the show was see­ing Shane per­form It’s A Drag (and get­ting a video of it!), my favourite song on the album. Krista did the backup vocals. This is the only time you’ll hear such a dul­cet har­mony from another awe­some artist, cer­tainly some­thing you can only expe­ri­ence from a tour. Krista also got Cory up on stage for the Bumblebee Song as an encore.

Julie asked me if I still had a crush on Krista. I had to think about it for a lit­tle bit, and the fact that I had to think about it made me real­ize that I don’t anymore.

Other shows with Krista Muir and Shane Watt

  1. At the Workshop Studio & Boutique
  2. At Le Petit Salon des Arts
  3. At Irene’s Pub