equivocality — Jeff Ngan's collection of thoughts, experiences, and projects, inspired by pretty much everything
Me @ Twitter

At least Dolly is also enjoy­ing the long nails. Or more specif­i­cally, the base of her tail.

2 years ago
Me @ Twitter

The gross­est thing about hav­ing long fin­ger­nails is the gunk that builds under them. But the bright sound makes them oh so worth it.

2 years ago
Me @ Twitter

I love it when a player wants to shake hands after a match. It’s the lit­tle bit of chivalry I have left in my life.

2 years ago
23 Apr 11

god I hate myself for loving smoke and drink

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The weather has been lovely. It’s the per­fect tem­per­a­ture, though the humid­ity has given my ukulele a much more pro­nounced buzz on the C string. Spring offi­cially begins when I can take the mit­tens out of my car and drive with the win­dows down, my only con­cern being that my music isn’t too embar­rass­ing, and I don’t get a sud­den burst of I BE ON THE HOTLINE LIKE ERRRRDAY when stopped at a red light.

cat on windowsill

 

I’m still phys­i­cally recov­er­ing from last week­end. I got back to Darren’s late after work­ing a very intense 14 hours, and since it’s been so long since we last saw each other, that was just the begin­ning of the night. Then we woke up early to see Chris. On the way home, I had to pull over at a com­fort sta­tion to grab a few winks in my car, but I was too uncom­fort­ably exhausted to fall asleep, and ended up dri­ving home bug-eyed. I’m sure this is why my col­i­tis is act­ing up.

Probably not good that I’ve been liv­ing such a hedo­nis­tic lifestyle. I stay up far too late, drink too much caf­feine, and indulge in too many sweets close to bed­time. I can’t tell if I’ve stopped car­ing, or if I’ve stopped feel­ing guilty about it.

I’ve been going through long stretches with­out con­tact from the out­side world. It’s forced me to face my own iso­la­tion, yet I don’t feel lonely. I have no idea why. Maybe it’s cause I tend to get obsessed with my small hob­bies, and it dis­tracts me enough. I worry that I’ve become a lit­tle too com­pla­cent in this intro­ver­sion. It makes me won­der how long I can keep going down this path, and whether I even want to be on it or not.

Me @ Twitter

Don’t speak to me about Bulganin, Malenkov, Krushchev, talk to me about Pushkin, Lermontov, Pasternak.

2 years, 1 month ago
21 Apr 11

far, far away from my heart

I’ve been feel­ing nos­tal­gic about Toronto ever since I drove down for John’s wed­ding. The other day I stepped out­side and the spring air brought me back to Camp Creative when I used to live there, between semes­ters in grade 5–7. At some point this year I hope to drive home again and take pic­tures of those old schools where I spent the days mak­ing gimp bracelets1 and lip-syncing as Javert in Les Miserables.

Places are only as good as the peo­ple though, and I’m sure I miss Toronto for John and Darren as much as those old child­hood mem­o­ries, when life was so sim­ple that the fact that it was dis­gust­ingly hot never entered my mind, even though I was out­side for most of the day.

Ullapool cafe

Scottish faces in Scottish places. This was lit­er­ally the size of half the cafe. Off-camera is Mike work­ing his magic to con­vince these two baris­tas to let us film inside.

I miss Mike and rainy London nights too. I want to be part of a cre­ative team again, work­ing towards a com­mon vision, with some­one who can com­pli­ment my weak­nesses with their strengths. It’s been too long since I had some­one to bounce ideas off of, some­one to give me hon­est crit­i­cism and inspire me to improve. Mike does all those things, and I’ve yet to find some­one like that here in Ottawa.

Stores in Chartres

Night shop­ping in down­town Chartres.

I miss France, and Misun and Frédéric, and how they could truly appre­ci­ate who I am. I love the cul­ture in that coun­try, and the fact that you can buy a fresh baguette by walk­ing a minute from any­where. And I’m far from being fin­ished with Paris; there was so much I had left to explore, so many things I’d yet to do. I want to go back as the right per­son, not as a per­son try­ing to escape my thoughts and memories.

Kowloon Walled City entrance

Gateway in Kowloon Walled City.

Hong Kong I miss most of all, and my fam­ily there. I want noth­ing more than to walk those streets with Uncle Joe or Uncle Eddie. Sometimes, I sit by my back door with the win­dow open and just lis­ten to cars pass­ing by in the dark­ness, pre­tend­ing it’s the din of those high­ways and the diesel of the trucks. Nothing ever comes close though, and it only leaves me feel­ing like all these places are so far away.

  1. Square, cir­cle, and but­ter­fly were my favourites. []
Me @ Twitter

ITS ONLY 10:50 AND IT’S BEEN AN AMAZINGLY PRODUCTIVE DAY THANK YOU STARBUCKS CARAMEL MACCHIATO WITH 155MG OF CAFFEINE #WEEEEEEEEEE

2 years, 1 month ago
Me @ Twitter

Both happy and dis­gusted by the fact that my nails are now so long they snag on the strings. Guess it’s time to file. http://t.co/VwRynAt

2 years, 1 month ago
19 Apr 11

Protected: haters

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Me @ Twitter

Been try­ing to think of some­thing witty to say about how show­er­ing with Irish Spring Icy Blast makes your dick feel cold, but I got nothing.

2 years, 1 month ago
17 Apr 11

Tiana + Molly (Glidetrack demo)

I pur­chased a half-metre Glidetrack Hybrid to get some slow dolly shots but with a much, much more portable sys­tem. Smooth hor­i­zon­tal cam­era move­ments can add a bit of depth to any footage, though the effect can’t be used too often.

So I’ve been prac­tic­ing with this new piece of equip­ment for the last month, look­ing for peo­ple to film, and luck­ily Tiana is always will­ing to vol­un­teer with one of her off­spring. You can see the Glidetrack shots at 12 sec­onds (the zoom in) and 48 sec­onds (the hor­i­zon­tal track).

It’s an extremely chal­leng­ing piece of equip­ment to use, cer­tainly not some­thing con­ducive to can­did shoot­ing. Things like expo­sure, focus, and com­po­si­tion change as you’re mov­ing the cam­era from one end of the rail to the other, and sin­gle mis­take in any one of those aspects will ruin a shot, so all those things gen­er­ally need to be care­fully planned. On top of that, sim­ply mov­ing the cam­era smoothly takes a lot of prac­tice, as there’s a cer­tain amount of fric­tion in the bear­ings, and you need to bal­ance that with the move­ment speed you’re look­ing for. At only half a metre (the short­est length you can pur­chase), the shots all tend to be slow and lin­ger­ing so you don’t run out of rail.

The per­cent­age of keep­ers isn’t great (I find it takes me about three takes to get it right), but when it works, the effect is very nice.

Me @ Twitter

What the fuck, Toronto. http://t.co/5AgLoua

2 years, 1 month ago
Me @ Twitter

Receiving line has been going on for an hour and a half. I’m think­ing this has some­thing to do with the fact that there are 450 peo­ple here.

2 years, 1 month ago
Me @ Twitter

Can you take a pic­ture of us before we get drunk?”

2 years, 1 month ago
Me @ Twitter

Pretty sure this is going to be the wettest, raini­est wed­ding I’ll ever do. http://t.co/h3VJ9ue

2 years, 1 month ago