collab

I’m very pleased to say that I’m now work­ing with Five Stripe Studios, a tal­ent­ed bou­tique music com­po­si­tion stu­dio, to score my films. Music is one of the most impor­tant parts of any film, and the right music can make great footage look even bet­ter.

Choosing the right music also hap­pens to be one of the most dif­fi­cult parts of the sto­ry­telling process. For one wed­ding, I spent a week look­ing for the per­fect song. When I dis­cov­ered it had an inap­pro­pri­ate line (noth­ing vul­gar, just very unfit­ting for a wed­ding), I spent anoth­er week try­ing to find a replace­ment, but even­tu­al­ly went with my orig­i­nal choice, using audio soft­ware to take the line out.

Kyden’s First was a small project we worked on to make sure we were able to com­mu­ni­cate effec­tive­ly at dif­fer­ent stages of the scor­ing process.

It made sense to find a more capa­ble per­son to han­dle this respon­si­bil­i­ty, and I just hap­pened to come in con­tact with the right per­son at the right time. Adrian is the cre­ative direc­tor of Five Stripe Studios, and not only does he write the music, he sings, plays, and records it as well. I met him in Australia when we were much younger1, and he con­tact­ed me after com­ing across my work many years lat­er.

This not only gives me total con­trol over the music, allow­ing me to choose the right instru­ments, tone, pace, and mood, but I have more options with the footage as well, as I some­times found myself leav­ing out a great scene out to match anoth­er scene with a cer­tain part of a song. Adrian is also a very dynam­ic com­pos­er, and can give me wide­ly vary­ing styles and gen­res; exact­ly what I need when work­ing with all the dif­fer­ent things I film.

  1. I still remem­ber us play­ing NHL Hockey on the NES, which would have meant I was in my ear­ly teens. []

going out in style

Cause I want to has been the rea­son for every­thing late­ly.

I start­ed to under­stand how we’re all dying in the Silvia Plath sense of the word, so I decid­ed I might as well go out in style. Vonnegut got it right with his Pall Malls, though I choose not to add tobac­co to the mix.

Magic draft

Steve draws some­thing real­ly good or real­ly bad.

I quite con­sis­tent­ly get my ass kicked at the drafts that Seth hosts, his crew always being made up of vet­er­an play­ers. The advan­tage is that I always walk away hav­ing learned a thing or two, and get­ting enough new cards to build on a con­cept is a nice lit­tle bonus. If some­one told me I’d be spend­ing mon­ey on a col­lec­table card game at this age, I nev­er would have believed it.

Magic has been keep­ing me busy in a good way. It’s nev­er just about play­ing, it’s also about being around friends, and the cama­raderie, and get­ting fat on Steph’s amaz­ing meals. Those are exact­ly the things I need in my life.

pho and spring rolls

#1, beef rare, every time.

The red bean ice is a treat I don’t get often enough.

It was hard bal­anc­ing my time around oth­ers and the time I need­ed alone. I have needs that require the com­pa­ny of cer­tain peo­ple, and when I’m try­ing to meet those needs, that often leaves me feel­ing very over­stim­u­lat­ed. The exhaus­tion had been giv­ing me flare-ups, not to men­tion headaches that dulled the sens­es and elo­quence.

Now I have some breath­ing room, and a chance to do all the lit­tle things I’d been too occu­pied to han­dle, like catch­ing up with peo­ple I haven’t seen in a while, get­ting the car fixed (from $9k worth of hail dam­age), fil­ing my tax­es (from two years ago), chang­ing the strings on my uke to high‑G tun­ing, or just watch­ing a movie. I’m still in night mode though, where I tend to get the most done after 10pm, and I find myself staving off sleep to do just one more thing.

root beer float

Root beer floaaaaaaaaaaaaat.

I want to trav­el some­where, cause it feels like it’s time to step out of my com­fort zone again. I haven’t made enough of my own expe­ri­ences and mem­o­ries for too long. But I’m in too unsta­ble a place right now, and I prob­a­bly will be for at least anoth­er year or so. Ironic that it’s insta­bil­i­ty I crave. It’s left me won­der­ing what I should be explor­ing here.

Protected: killing me softly

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for the sake of momentum

This week­end I have two back-to-back wed­dings. Knowing it’s going to be 14+ hours each day means my brain will be on autopi­lot, tak­ing it one event at a time as a way of pac­ing myself through­out the day. These are the last two of the sea­son; I’ll soon get to focus on edit­ing, which is always my favourite part of mak­ing films cause it’s the most sig­nif­i­cant part of the sto­ry­telling aspect.

Maybe that’s why I’ve been feel­ing more like an observ­er than a cre­ator. There haven’t been much in my own life I need to doc­u­ment.

I’ve been ask­ing peo­ple to play Larissa so I can get a record of what she sounds like with dif­fer­ent fin­gers and tech­niques.

Seth is on my elec­tric strings here. No one would be lying if they said they had a crush on this man.

I’ve had a revolv­ing door of friends and guests over late­ly, and com­bined with the fact that Bryon tends to jump on the kitchen coun­ters when he smells food up above, means I’ve been keep­ing the house con­sis­tent­ly clean, instead of going through my cycle of spot­less to dirty to spot­less again. I haven’t done any big gath­er­ings, pre­fer­ring the small­er hang­outs instead. I keep want­i­ng to invite Lisa and Tiana over togeth­er for ses­sions, or Trolley and Steph and Aaron for Magic, but the time I get alone with each is too pre­cious to give up.

That’s why time feels like it’s pass­ing so quick­ly, and also why I don’t write much any­more. I have the right peo­ple to talk to, so I don’t need to write things out to sort out my thoughts. And some­times it’s just eas­i­er to pick up a gui­tar when a surge of inspi­ra­tion strikes. Otherwise, I’m burn­ing my lips on glass­ware, look­ing for the right moments to keep myself going.

let's leave these rusted old folks back in the city

It’s been too long since we took a ride togeth­er. Too long since some­one else was at the wheel and I got to score the pass­ing Canadian fields with my new favourite songs. Too long since I saw the old crew and filmed them land­ing aeri­als on the farm.

two dogs in a car

We dri­ve through love­ly lit­tle vil­lages I’d nev­er want to live in but always think of vis­it­ing some day. They’re too small for com­ic book stores and decent Chinese food and any pos­si­bil­i­ty of get­ting lost, but big enough to hold the hopes of any­one who ever want­ed to build a life for them­selves in a qui­et com­mu­ni­ty full of old-world charm and decay. The tiny econ­o­my based on tourism from an annu­al coun­try music fes­ti­val or his­toric school will make sure it stays like this for­ev­er.

Continue read­ing “let’s leave these rust­ed old folks back in the city”…