Matteo Carcassi: Study in A Minor (Etude No.7)

While study­ing this Carcassi étude — and ana­lyz­ing as many ver­sion as pos­si­ble in aid of that — I real­ized that clas­si­cal music is like wine. They’re both based on a cen­tral theme or taste, and it’s the sub­tle dif­fer­ences between the inter­pre­ta­tion of each per­former or wine mak­er that make them unique and inter­est­ing. That’s why you need to lis­ten to a lot clas­si­cal music (or drink a lot of wine) to devel­op a palate. I bet two dif­fer­ent musi­cians (or even the same musi­cian at two dif­fer­ent points in their career) play­ing the same piece would sound the same to some peo­ple for the same rea­son that two dif­fer­ent mer­lots would taste the same to oth­ers.

This is sup­posed to be played alle­gro, but I’ve yet to hear a ver­sion above 105 bpm that did­n’t feel rushed to me, so I pre­fer to play it andante1. Luckily, I enjoy clas­si­cal music, and I can tell the time I’ve invest­ed in devel­op­ing that foun­da­tion trans­lates over to non-clas­si­cal songs, not only in the extra fin­ger pre­ci­sion but in prac­tic­ing tech­niques too.

I’m still using elec­tric strings2, which I’ve had on longer than any oth­er set, cause I love how crisp and brassy the tone is through­out the range. For a piece like this where the melody switch­es between bass and tre­ble, that becomes real­ly impor­tant.

  1. Also cause I’m not good enough to play it that quick­ly yet. [↩]
  2. XL Chromes, warm/mellow, flat-wound, extra light gauge. [↩]

thanks for the trouble you took from her eyes

That lit­tle fur­row was there because you weren’t. That’s why you nev­er saw it, of course. You must think I hate you cause it was the only thing I could­n’t help her with myself. But I could nev­er hate you. You gave her what she want­ed. In the end, that’s all I real­ly want­ed too.

I knew it was seri­ous when I saw your umbrel­la under her bed, back when she hid those kinds of things for my sake. You nev­er real­ized she only took it as an excuse to see you again (not because she was par­tic­u­lar­ly scared of get­ting her meri­no socks wet), the same way you nev­er real­ized how easy it all was for you. That was a sign that you were the right one. I knew it before she did.

If only there was a bit of mys­tery left in you. Instead, I had you pegged by the sec­ond night, and all I can tell peo­ple is that you’re a nice guy, when I want to say you’re an artist, a lover, a fight­er, a wor­thy rival, a slay­er of inse­cu­ri­ties, a break­er of bar­ri­ers, a tes­ta­ment to testos­terone, a hero among men. She deserves more than the painful­ly pedes­tri­an life you’ve giv­en her, but I know she’s had enough of heart­break to think that nor­mal is hard enough to come by. And so I’ve learned that a per­son­’s hap­pi­ness is all that mat­ters, not the dreams you have for them. I guess it’s hard to give up those dreams when you’re part of them your­self.

I want to say I’m leav­ing for some noble rea­son of great impor­tance, but it’s real­ly because there’s noth­ing left for me in this lit­tle town. I used to believe I could escape; even­tu­al­ly I real­ized you can’t out­run your mem­o­ries. Now I’m just try­ing to fig­ure out where I belong. She was all I knew for so long, and now that life is gone.

And so I must tread care­ful­ly with new lovers; it’s impos­si­ble for me to tell my sto­ry with­out that part of my past. That’s why I won­der what she told you about me, about us. About los­ing feel­ing in her face and let­ters you would­n’t know how to write. If she inten­tion­al­ly left any­thing out, or whether our time was even worth men­tion­ing. But the past is still the past, and that’s the only rea­son I can write a let­ter now to the man who saved her with­out ever know­ing it.

reduction

Heather G made reser­va­tions for us (and Sergey) at the Back Lane Café last week. We had­n’t seen each oth­er since the sum­mer, before they were home­less 1 and I start­ed recov­er­ing. Last time I saw her, she left me with a take­out Hintonburger and a med­i­ta­tion audio­book that she hoped would help me feel bet­ter. It was so sweet that she did­n’t under­stand at all what I was going through, but tried so hard to help with very thought­ful gifts any­way.

This time, she would­n’t let me pay, even though she treat­ed me last time as well, and she said please with such heart­felt intent that I knew she’d be hurt if I did­n’t give her the hon­our. We’d been play­ing phone tag for weeks up to that point, and between their careers and camp­ing, they could only spare them­selves for a meal sans tea or dessert. It made me real­ize how pre­cious their time is nowa­days, and the fact that they made the time to see me meant so much more than the two hours we spent catch­ing up over a great food and con­ver­sa­tion.

poached shrimp salad

Poached shrimp sal­ad, with Niagara nec­tarines, bibb let­tuce (for it’s ten­der tex­ture), endive, lime, and hazel­nut dress­ing. An appe­tiz­er good enough for a main.

Continue read­ing “reduc­tion”…

  1. They got evict­ed due to an unsym­pa­thet­ic land­lord, could­n’t find a suit­able place to stay, and end­ed up putting as many of their pos­ses­sions as pos­si­ble in stor­age and sell­ing the rest. Luckily, one of their friends need­ed a house-sit­ter, and it gave them enough time to find a place. [↩]

it hasn't been quite a whole year yet

I still have fond mem­o­ries of the fall. It’s when the light is at it’s most neu­tral, not warmed by the sum­mer sun or cooled by it’s reflec­tion on the snow. The time of long show­ers, kit­ties being even more affec­tion­ate, and girls always find­ing the right spot to nes­tle under your neck.

On par­tic­u­lar­ly bright, chilly days, with all the leaves a flat lemon-yel­low, I can hard­ly take it all in.

cat in sunbeam

We are on this plan­et to move our cats direct­ly in the path of a sun­beam every 15 min­utes.

The sun­beams form a celes­tial cal­en­dar across my floor, slow­ly creep­ing along as they threat­en to warp the wood in my instru­ments, remind­ing me that I haven’t spent a win­ter in this room yet. I can only hope the mem­o­ries will be bet­ter this time around.

These days, I still dream of a nylon-stringed beau­ty, with warm tones and crisp bass close to the sad­dle. I won­der what she’ll feel like under my fin­gers, mahogany or rose­wood, satin or glossy. It’s a dream that nev­er seems far away cause I know it’ll hap­pen some day, so I try to cher­ish the antic­i­pa­tion.

toy plane

I’ve been feel­ing par­tic­u­lar­ly nos­tal­gic. When the right song comes on, I’m tak­en to the time in my life when it was the only thing I played for a week straight. I used to write so much, but late­ly I hard­ly have any­thing to say it all. That’s why I’m addict­ed to the feel­ing of feel­ing, search­ing for inspi­ra­tion, using my dreams to keep me alive.

Singhouse Studios — Sparkle

Singhouse Studios is a voice and per­for­mance school for peo­ple of all ages, and one night every year the stu­dents per­form in a big show. This year, the show — titled Sparkle — was celebri­ty-themed, com­plete with a melange of hits from the last five decades, a red car­pet run­way for all the stars, and even Ottawa’s local pop heart­throb, Alex Lacasse1.

Music by Five Stripe Studios. Adrian and I worked close­ly to make sure the music had the right kind of play­ful ener­gy to focus on the school’s main demo­graph­ic.

I was asked to cre­ate a pro­mo­tion­al video for the stu­dio, so I fol­lowed the per­form­ers to tell the sto­ry of their day, from the back­stage to the main stage. I felt it was as impor­tant to see all the prepa­ra­tion as much as the per­for­mances them­selves, which is why I includ­ed footage of warm-up rou­tines, prac­tice rit­u­als, and dress rehearsals. I love to see the focus so many of the young per­form­ers have, and much of that comes out before they even step into the spot­light.

  1. Who’s been a stu­dent at the stu­dio for years now. [↩]