The Winter Schedule

But if, like Queequeg and me in the bed, the tip of your nose or the crown of your head be slightly chilled, why then, indeed in the gen­eral con­scious­ness you feel most delight­fully and unmis­tak­ably warm.

I save the window-opening rit­ual for Friday nights, after a long, tir­ing week, when the sweaters are all folded, and the shirts all ironed. Before I go to bed, I turn off the lights, square off my desk, and turn the win­dow crank 220 degrees clock­wise. Even though the ther­mo­stat is at 23°C, it’s any­where from –16°C to 5°C out­side these nights.

When I wake up at 5:00 a.m., as I usu­ally do, my room is filled with the chilly, snow-smelling air.

I do this only once a week to appre­ci­ate it.

I do it on Fridays to enjoy it.

The View Down Here

Thumbnail: View from my room

This is the view out my win­dow on the night of a snow­fall. The bed­rooms are in the base­ment, so I get a sub­ter­ranean look at my minia­ture lawn with pine tree, although the gar­den is now buried under 40cm of snow. There are the Moonlights, deprived of their charges from snow cov­er­ing their solar pan­els. There’s the A/C that cost me a month and a half salary.

A lit­tle box, out­lined by fence and porch, of my things.

I sleep with the blinds open in the win­ter because at night I see more this time of year than in the sum­mer. Snow makes the sky glow an ashen orange, a phe­nom­e­non I can’t myself explain. On some nights, it’s too bright to sleep and I have to mask my eyes, peek­ing out every few min­utes to make sure my win­ter par­adise is still out the win­dow until I fall asleep. When I feel espe­cially sen­ti­men­tal, I leave the win­dow open a crack to let in the smell of ice and dry air.

The price of this plea­sure is at least three dead in weather related inci­dents across the province of Ontario.

Without Bias And To Hold Nothing Back

Even after three years, it’s still strange when peo­ple e-mail me, peo­ple I’ve never met before who men­tion my expe­ri­ences and quote the words I’ve writ­ten. When they share a bit of their lives in return, per­haps from the guilt of find­ing them­selves the unas­sum­ing and unabashed voyeur, it never ceases to be inter­est­ing. They’ll tell me of their pot smok­ing habits, rec­om­mend music that’s touched them in some way, talk about the abuse they suf­fered from their par­ents, share the kinky habits that are nor­mally reserved for those with a phys­i­cal familiarity.

It’s strange because even with these details, I really know noth­ing about these peo­ple, while they know some of the most inti­mate things about me, stuff that I hide from oth­ers in every­day life.

And the more I think about it, the more I real­ize that I’d rather not find out.

The Canon Speedlite 430EX

Thumbnail: Dolly saucer 1

Thumbnail: Dolly saucer 2

The Canon Speedlite 430EX flash lets me take advan­tage of a 1/200 X-sync speed, which means that high-speed shots such as these are now pos­si­ble in low light­ing con­di­tions. I picked one up this week, so most of my free time has been spent learn­ing the capa­bil­i­ties of an exter­nal flash unit. The tilt-and-swivel head means that I can bounce the flash off a ceil­ing to soften the light, or take advan­tage of the sur­round­ings, such as bounc­ing it off my stove (the pic­ture on the left) or off my fridge (the pic­ture on the right). There’s also a low-profile AF assist beam that’s a huge improve­ment over the seizure induc­ing on-board flash unit.

I decided to go with a Canon brand flash so I could have full E-TTL meter­ing sup­port (which fires an unde­tectable low-powered pre-flash for eval­u­a­tive meter­ing done through the lens) to match the Rebel XT shell. One of the coolest things about the 430EX is that a set of motors auto­mat­i­cally adjust the zoom range to match the lens, and it can be used as a slave unit that can be opti­cally (which also means remotely) trig­gered from a mas­ter unit for up to four light sources.

Even though there are tons of other acces­sories I’d like to have, such as a Sunpak hand strap (which would be a good com­pro­mise between the safety of a neck strap and the con­ve­nience of no strap), some Kenko exten­sion tubes (for macro pho­tog­ra­phy), or a portable micro­drive, I thought that a flash would cur­rently best serve my needs. This isn’t even to men­tion the options for some sweet glass, like a lens with image sta­bi­liza­tion, a tele­scop­ing range, or even some­thing from the L series which I’d have to put a sec­ond mort­gage on my house to afford. I think that I’m only begin­ning to under­stand how expen­sive a hobby pho­tog­ra­phy is.

Show Me Which Constellations You Know

Forget what went wrong. The tiffs, the tantrums, the tears.

Remember every­thing we had. The com­fort of cradling under sheets in the sum­mer, the quin­tes­sen­tial excite­ment of the unknown, the rush of being saved from a pro­saic life.

Show me which con­stel­la­tions you know.

And we’ll walk along the beach forever.

A Bittersweet Life

He admit­ted to me that in his car, when he’s dri­ving alone, there’s a com­pul­sion to put together the details of his father as he writes in his mind the speech for the even­tual day that a eulogy will need to be deliv­ered. The only other per­son he’s admit­ted this to is his girl­friend, who’s labeled the prac­tice as rather dis­turb­ing. Morbid, I’ll agree, as his father is far from pass­ing, but not as strange as she makes it out to be. In return, I admit to him that I do the same thing when I piece together sto­ries of his life for the speech I’ll be deliv­er­ing as best man at his wed­ding, an event just as grave, and every bit as tragic.

He humor­ously finds relief in this.

This May Feel Cold

Thumbnail: Holter monitor

I’m lying down, naked from the waist up, gig­gling uncon­trol­lably. The nurse damp­ens some tis­sue with rub­bing alco­hol, and rubs down my torso method­i­cally. I feel it evap­o­rat­ing off my skin, star­ing at the ceil­ing, unsure of any­where else I could appro­pri­ately keep my eyes. Suddenly, there’s a sharply drag­ging pain on a small area, and I see her mak­ing quick, short arm move­ments in one direction.

Ow, what is that?”, I ask jovially. I’m still gig­gling, a result of my ner­vous­ness. She picks up on this.

It’s sand­pa­per. Haven’t you ever been exfoliated?”

The sand­pa­per removes the dead skin, mak­ing the elec­trodes stick better.

Are you telling me that this is going to make my chest glow, and reduce the appear­ance of any lines and wrinkles?”

She play­fully returns, “On these five spots, yes.”

Afterwards, I’m told to sign a form with a short expla­na­tion on what is being done, that acknowl­edges my understanding.

Holter mon­i­tor­ing pro­vides a con­tin­u­ous record­ing of heart rhythm dur­ing nor­mal activ­ity. There is no dis­com­fort asso­ci­ated with the test.

I’m given a jour­nal to record any abnor­mal heart­beats, whether it’s a skipped beat, an extra beat, or an irreg­u­lar beat, but for the 24 hours that I’m wear­ing this device, I don’t write in it once. It’s a guess­ing game for them, to sort out the what’s nor­mal and what’s not. After any test they do, urine, blood, stool, holter, they say the same thing: we’ll call you if any­thing shows up in the results.

They always say, no news is good news.

Butterball

Thumbnail: Dolly on couch

Dolly’s new nick­name is Butterball. Kat’s chris­ten­ing. She sure hasn’t lost any weight lately. Dolly, that is, not Kat.

Christie Had A Speech Impediment

Her unwit­ting nick­name in high school was Fudd (as in Elmer), because her “r“s came out as baby­ish “w“s.

This was par­tially due to the fact that she would imi­tate her older brother in admi­ra­tion dur­ing child­hood, after he devel­oped his own imped­i­ment from an oro­fa­cial sports injury. The other, and much more severe, aspect of her imped­i­ment was a ran­dom and sud­den inabil­ity to speak. No stut­ter, no slur.

As her speech ther­a­pist explained, it was a short-circuit in the brain, caus­ing her to believe that a sen­tence was fin­ished when she was only half-way through say­ing it. The only prob­lem was that she would get stuck on a word. On good days she sim­ply couldn’t repeat it, on bad days she couldn’t speak at all. Most peo­ple thought it was brought on by a rather trau­matic series of events brought on by her sup­posed friends in high school. The was­cals.

I always found it endear­ing, but she never cared for it. One of the tricks she used to get by was to take her time in say­ing a word. E-nun-ci-ate. It was like mas­sag­ing the ten­sion from a mus­cle, and slowly, she would be able to speak again. Another trick was to imag­ine being in a com­fort zone, which was her room, to relax when she was flustered.

I’ve always found that girls share some intrin­sic bond with their rooms. It’s almost as if they’re fol­low­ing an evo­lu­tion­ary nest­ing instinct, and their rooms become their homes. A place to grow and be safe. Along with the care­fully lined-up books and the ran­dom pieces of jew­ellery, the hid­den cache of pho­tos and the pur­pose­fully placed can­dles (some of which must never be lit), are the char­ac­ter­is­tic quirks.

Christie could never fall asleep if one of her dozen stuffed ani­mals were fac­ing her. Her bed­time rit­ual was to make sure that each one was turned away.

In time, Christie’s com­fort zone became the walk-in-closet of my room. She was old enough to make love, but simul­ta­ne­ously too young to stay overnight, so we would spend most of our time in there, the place where we could reach out and feel the walls around us, con­fined to the inti­macy of the enclo­sure. We spread out the blan­ket, lit the can­dles, and closed the door.

After a while, the humid­ity would build up, and this was no more appar­ent than in the win­ter when we would crack open the door and tan­gi­bly feel the chill on our skin. Opening the sun she called it, as the day­light sharply spilled on the blan­ket that cov­ered us. It was the only place where we could shut out the world, the only place that felt like night.

In a rela­tion­ship, shar­ing the night is more impor­tant than shar­ing flu­ids. Falling asleep with some­one is an accep­tance of trust, a way of say­ing that we’re com­fort­able enough to drift into our sub­con­scious minds. Perhaps it was the unavail­abil­ity of such a rit­ual that’s given the night so much significance.

Having no night of our own, we had to make due. I cov­ered one side of a card­board panel with glow-in-the-dark stars and sus­pended it from the top of the room. The panel was large enough to fill the vision, and in the dark­ness the closet became a micro­cosm of the starry sky. Even in the mid­dle of day it was near black­ness, and we’d lose track of time, hud­dled under the blan­kets with her sleep­ing at my chest, or lying there face-to-face, talk­ing while I ran my fin­gers through her hair. Sometimes, all we would do was get together and nap.

And even­tu­ally, Christie didn’t have much trou­ble speak­ing anymore.

Switching Books

Over the week­end, with the cozy com­fort of my duvet, I fin­ished read­ing the Apprenticeship of Duddy Kravitz. The story took me by sur­prise. I had no prior knowl­edge of the plot, char­ac­ters, or themes, so I had the lux­ury of read­ing with­out the taint of another opin­ion. Even as a teenager, Duddy has the ambi­tion to pur­sue his dream of own­ing a huge plot of land before he’s even legally allowed to own it, but he loses his human­ity in the process. It was a fairly gal­va­niz­ing story, some­thing I’m not sure I could say if I knew more about the book before read­ing it. It’s his drive, his ini­tia­tive that I admire.

Yesterday, I started The Republic of Love (on the rec­om­men­da­tion of Karen) by Carol Shields. Even though I’m only through the first chap­ter, I can already tell that Shields knows what she’s talk­ing about. She knows how rela­tion­ships dis­in­te­grate, knows how peo­ple think, knows how our daily lives are a reflec­tion of the moods we have and mind­sets we wear. I’m reminded of Khalil Gibran, the Lebanese philoso­pher and author of The Prophet who wrote as if he under­stood love and the spirit on a com­pletely dif­fer­ent level. Even though he never met the love of his life face-to-face (they knew each other through pub­li­ca­tions), their col­lec­tion of love let­ters shows an under­stand­ing and har­mony deeper than any other two peo­ple I can think of.

It always makes me won­der: how much of an author’s writ­ing is from expe­ri­ence and how much is from imag­i­na­tion? The details, sub­tleties, thor­ough­ness of the char­ac­ters they develop, expressed in the inge­nu­ity of the words they use must be from more than mere under­stand­ing. Would Frost have been able to write his rural poetry with­out mov­ing to New Hampshire, spend­ing his time there as a cob­bler, farmer, and teacher? Would Irving have been able to write from the per­spec­tive of a teacher at Bishop Strachan, with­out first watch­ing the girls in their plaid skirts being picked up by their wealthy par­ents? Even in the pref­ace to A Hero Of Our Time, Lermontov admits, “oth­ers del­i­cately hinted that the author had drawn por­traits of him­self and his acquain­tances” and brushes this off as a “thread­bare wit­ti­cism”, but could he really have cre­ated such an amoral anti-hero with­out a lump of burn­ing indif­fer­ence in his chest?

Some Days...

Some days I wake up and I feel like I’m ready to con­quer the world. Other days I wake up and I’m too dif­fi­dent to even answer my phone at work or at home. Most days I’m stable.

The Garden In The Back

Thumbnail: Garden at night

It turns out I have a garden.

Thumbnail: Flower close-up

I moved in when there was still snow on the ground, and I only knew that there was a lit­tle patch of soil in my back­yard from the few dead stems stick­ing out of the snow canopy. Eventually the snow melted, then spring came and passed, but the soil remained bar­ren and dry. Summer started, and Trolley noticed some sprout­ing when he would go to smoke out­side. He pulled some dead growth and weeds but did noth­ing more, not even a water­ing. The gar­den just started to bloom by itself.

Thumbnail: Flower with bee

I have no idea what kind of plants they are, but they seem to be doing well.

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Speaking Of Accents...

Louise once told me that she liked the way I say want because it appar­ently sounds like wunt. I can’t really hear it, of course, and I think it’s the only word that I can’t quite say the right way.

A-E-I-O-Accent

This is one of the most inter­est­ing things I’ve ever come across. People from around the world are asked to read the same para­graph in English. The para­graph has been designed to include most of the con­so­nants, vow­els, and clus­ters found in stan­dard American English, so that one can really get a sense of all the vari­a­tions in an accent.

I love the gen­tle­ness of Lebanese Arabic (per­haps I asso­ciate it with the charm­ing, well-educated, velvet-voiced Lenanese gen­tle­man at work). The inter­est­ing thing is that it sounds com­pletely dif­fer­ent from Palestinian Arabic. As a small exam­ple, the for­mer has a more exag­ger­ated “ee” sound, while the lat­ter has a windier “r” sound.

I hate the painful sound­ing Cantonese accents. Somehow, each one is so uniquely bad that it’s passed humourously bad, and gone back to uniquely bad again. None of them can prop­erly pro­nounce “pl“s, “th“s and “ll“s, and the con­so­nants are harsh to the ear. There are also very sub­tle dif­fer­ences between these Cantonese speak­ers from Hong Kong, and a Cantonese speaker from China. One can hear the slightly more del­i­cate let­ter com­bi­na­tions from a per­son sur­rounded by Mandarin speak­ers on the mainland.

For me, the most inter­est­ing com­par­isons are between native English speak­ers. I let Shirley lis­ten to the Glasgow ver­sion, and she couldn’t get over how hot it is. Of course, the most neu­tral accent to me is from Toronto, see­ing as how I grew up there. I hear this accent the most, and always find it amus­ing when for­eign­ers can pull off a fake accent (I’ve been told we sound very bland). Jackie had the most adorable New Jersey accent, and at one point Angie admit­ted that she had some­what of a Southern drawl.

Perhaps my fas­ci­na­tion with (and attrac­tion of) things speech related stems from an early study of Bernard Shaw’s Pygmalion. One of the scenes in My Fair Lady that really stuck out in my mind was the abil­ity of the pro­tag­o­nist (whom Shaw describes as an “ener­getic pho­netic enthu­si­ast”) to dis­tin­guish 130 vowel sounds from a sim­ple, short record­ing of a voice going through A–E–I–O–U in one fluid motion with no consonants.

Usually I can rec­og­nize some­one from a voice and accent, some­times bet­ter than I can from a face.