the lives of songs

She told me she tried to find this album I used to put on when we were hud­dled in the dark­ness. The prob­lem was that she could only remem­ber the cover, and it was after we stopped talk­ing for the third time or some­thing cause oth­er­wise she would have asked.

Then she was in Chapters one day. This book of best albums of the 2000s fell down, and there it was, Ágætis byr­jun, open at the page. “What are the chances?”, she asked me.

Sigur Rós Ágætis byrjun

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I used to think of her lis­ten­ing to the songs I gave her with another guy and grow jeal­ous. But I could never say I didn’t have my own mem­o­ries asso­ci­ated with that album, lying between a wall and warm body on a bed swollen with cov­ers in New Jersey. I watched Jón Þór Birgisson sing into the pick­ups of his gui­tar, his ethe­real voice gen­tly mak­ing the strings trem­ble, in a sum­mer romance so long ago.

That was my intro­duc­tion to Sigur Rós, and in the same way I passed this album on to her. It made me feel so vul­ner­a­ble to be next to her in those moments (whether she real­ized it or not). Every time it came on was an emo­tional flash­back, a short-circuit to this part of my past about which I’ve told so few.

I used to hope she kept the songs I gave her to her­self, and that she didn’t use them to woo another guy the way I had always tried to with her. Perhaps I was a lit­tle pos­ses­sive about my music and some­what judg­men­tal on who I deemed to be deserv­ing enough to hear it. Eventually I real­ized that it’s not fair of me to feel that way. She had shared so many songs with me in turn, giv­ing me as much as I’d given to her, and I’ve since passed those songs on to others.

Now I won­der who else will even­tu­ally expe­ri­ence these songs, and what mem­o­ries of their own they’ll have when they hear them.

Protected: our journeys

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Sarah and Michael — Wedding Day

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I’ve been bleed­ing for a big project, some­thing to really throw myself into. Luckily, wed­dings are as big as they come, and at 70.43 GB of footage taken, this wed­ding was the biggest by far.

It was also the first Italian wed­ding I’ve expe­ri­enced, and there was noth­ing more inter­est­ing than observ­ing the cus­toms. It’s a very phys­i­cal cul­ture, with lots of hug­ging, kiss­ing, and firm pats on shoul­ders. And some­how every­one is a nat­ural dancer. How did every­one know to hold hands in equally sized cir­cles and start mov­ing in the same direc­tion? How did every­one know when to stop hold­ing hands and start clap­ping1? How did you every­one known to step in to touch the groom and mother at the same time?

This is a per­fect exam­ple of how video takes over the lim­i­ta­tions of still pho­tog­ra­phy. A lot of cama­raderie and inti­macy and con­fi­dence only come out when motion is involved, because it’s all in how peo­ple move and inter­act. Trying to cap­ture a bride eat­ing cake out of her cleav­age just isn’t pos­si­ble with a sin­gle frame.

This was a very spe­cial project for me, and I put so much love into this film, from the camera-work to the edit­ing to the grad­ing to the music. Over three hours of footage was care­fully stripped away to cre­ate this five minute story. Every moment mat­ters, every frame counts.

Sarah and Mike are so happy with the final prod­uct that they’ve now decided to send a DVD of this video out to all the guests in lieu of thank-you cards. For a wed­ding of 450 peo­ple, this is no small con­sid­er­a­tion. When I first met them, I knew they were going to be a fan­tas­tic cou­ple to work with because they were super nice and made me feel very com­fort­able. They also gave me full cre­ative con­trol, which is always the most impor­tant thing for me as an artist.

Production notes beneath the cut

  1. It reminded me of this time I saw an opera in Budapest. When the cur­tain came down and the audi­ence started applaud­ing, every­one even­tu­ally clapped in uni­son and didn’t speed up. North Americans all clap in an amor­phous din, but over in Hungary it’s like they were all clap­ping to the tim­ing of a con­duc­tor. []

dry spell

I was spring clean­ing and found a box of con­doms due to expire this sum­mer. What’s the lifes­pan of con­doms kept out of the sun­light and in a cool place?

Five years.

Which pretty much means I haven’t been in a rela­tion­ship in as long, cause I’ve always shied away from any­thing purely phys­i­cal. Sex is very men­tal for me. Someone once told me she thought we were sex­u­ally com­pat­i­ble, but I never felt like we were par­tic­u­larly well-matched. We sim­ply loved each other on a very pro­found level, and that kind of inti­macy and con­nec­tion is what made the sex so good. Without that, it’s not even worth it.

Maybe it’s just my inter­ver­sion that’s lead­ing me to think that no sex is bet­ter than bad sex.

The last thing I did was hold hands with some­one after she jumped into bed with me, com­plain­ing she couldn’t sleep. She had these tiny hands, with slen­der fin­gers. It was nice. But I couldn’t bring myself to take it any fur­ther cause I couldn’t see myself with her.

Luckily, I can do dry spells. Easily. Considering I had a 15-year one until I lost my vir­gin­ity. Now I’m at an age where peo­ple want to intro­duce me to some­one, and some­times they’ll add, “…but she has a kid”, when try­ing to sell me on the idea.

Protected: haters

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was I more alive then than I am now

I try to sched­ule my time with peo­ple very care­fully; with intro­ver­sion, there’s a del­i­cate bal­ance between iso­la­tion and over-stimulation. I always make sure I get a lot of alone time between major events. The only prob­lem is that means I’m alone for too long when plans don’t work out.

On the other end of the spec­trum is the fact that I can never say no to peo­ple if I’m too busy. I’m the one with­out kids, so my sched­ule is a lot more open than most my friends, and I never know when I’ll have another chance to see them. This is prob­a­bly why I’ve been film­ing for four days straight.

Luckily, this included a won­der­ful per­for­mance by the inim­itable André Bluteau, whose debut CD is out now, and which you should most def­i­nitely pur­chase after lis­ten­ing and sub­se­quently loving.

I added a touch of grad­ing to give the video a bit of creamy 1950s American diner feel. I’m thor­oughly impressed by Apple’s Motion soft­ware, and the power it has to cre­ate object-tracking text effects. Text can add such a nicely sub­tle cin­e­matic touch, though doing 3D trans­for­ma­tions to make words match the plane of a fore­ground object is an exer­cise that will make your eyes bug out.

Andrew Vincent live @ Raw Sugar Cafe

The only thing pre­vent­ing me from mak­ing out with this man was his green hat. Don’t, don’t, don’t cover it up.

Also head­lin­ing was Andrew Vincent, who opened his set with Girlfriend’s Dog, a song I first gave to Bronwen when we started dat­ing. It was right before she moved in for the sum­mer, and she had Bear, who was also a Labrador Retriever.

Now I under­stand why I need to much time in between events. After the con­cert, I didn’t fall asleep until three in the morn­ing, even though I was exhausted. The strug­gle not be shy and intro­verted drains me, but the sim­ple act of being around so many peo­ple leaves me inor­di­nately ener­gized. It’s too much some­times, but I never know what to think of that feeling.

Sometimes I wonder if you're bored like me.

Sitting at home on a ran­dom night, caught between the com­fort of your room and the stim­u­la­tion of peo­ple. You once told me I could always call when I said I didn’t want to be a hyp­ocrite, but I don’t know if that’s true any­more. It’s been a while. I won­der if you ever think about me, and if you do, whether it’s with fond­ness, dis­taste, or indifference.

By now you’ve prob­a­bly fig­ured out that I can never be the one to pick up the phone first, which is why it’s hard for me to believe we’ll ever see each other again. I wish there was a way we could just talk, and not have things get com­pli­cated, and not have to worry about you or me or any­thing between us.

Sometimes I think I’m strong enough, but I think of that call and that voice and the burn­ing across my skin, and even­tu­ally I real­ize I’m only fool­ing myself. Just mak­ing excuses to see you again cause I miss you so much. I’m not yet used to the fact that I can’t share these songs, these expe­ri­ences, this hap­pi­ness with you, and it’s left me feel­ing incomplete.

Even now it feels like there was so much left unsaid. Like my words were always inad­e­quate to the bur­den of my heart cause I was never able to con­vince you of how spe­cial you were and how much I loved you. But time is teach­ing me that you knew, and that noth­ing would ever have been enough.

Not long ago, I real­ized it’s not just you I can’t stop think­ing about, it’s all of my past, from insignif­i­cant instances to major events. If only you weren’t one of the only things worth remem­ber­ing, and I wasn’t try­ing so des­per­ately to forget.

Protected: tie up my hands

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Leaving 9rules

One of the changes in the lat­est ver­sion of equiv­o­cal­ity is the removal of the 9rules leaf from my footer, mark­ing my offi­cial depar­ture from the network.

The com­mu­nity served me well in the past, and I’m proud to say that 9rules intro­duced me to many awe­some peo­ple — Dave Seah, Edrei Zahari, Nils Geylen, Joe Lencioni to name a few — some of whom I’ve been lucky enough to meet in per­son, and oth­ers I still hope to meet one day. I can say that just know­ing them has made my time with the com­mu­nity worth it, even if I got noth­ing else out of it.

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Version 12

equivocality.com is now run­ning ver­sion 12, in what I sus­pect will be the final design iter­a­tion for this site1.

The gem cannot be polished without friction

I’ve been itch­ing for a new look for a while now, around the time I was in England, some­thing that was reflec­tive of the peace I’ve made with myself and the world.

Life no longer feels like a draft where I’m try­ing to fig­ure things out, so I’ve aban­doned the beloved graph paper back­ground which debuted in ver­sion 9. Most ele­ments and text have been toned down a bit2 to give things a slick, clean, and pol­ished look, very much inspired by Jin Yang’s blog. I’m still in love with the large single-column lay­out that lets me post big pic­tures and videos, and most of the design is still based around that.

I’ve never been a fan of ver­ti­cal rules — they always seem to claus­tro­pho­bi­cally trap con­tent more than any­thing else — but I found they brought much-needed def­i­n­i­tion to the wide col­umn, now that the graph paper is no longer there. Other ele­ments are strong enough on their own to define the under­ly­ing grid. I’ve also added some gravity-defying page cor­ners to bring a bit of depth to the layout.

Even though Version 12 has been based sig­nif­i­cantly on my Version 11 code and design, I decided to give it a major revi­sion num­ber because it’s a new theme at heart. They may look sim­i­lar, but they feel very different.

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  1. For a very long time at least []
  2. I’ve real­ized that you don’t need retina-burning con­trast to give some­thing strong def­i­n­i­tion. []

I hit a buck fifty on the way home before I realized it.

I was just try­ing to get away, to remove myself from the vul­ner­a­ble way I felt — the way you made me feel — among the din and the chill. That night I learned that beauty comes in many forms. I started believ­ing I could love again, and my wounds began to heal for the first time since she told me it all had to stop.

There was such a won­der­ful moment of vul­ner­a­bil­ity flick­er­ing across your eyes when you said we hooked up1, quickly as if to hide the fact, while plung­ing your fork into our slice of cake with a smirk on the side of your face. It’s moments like those that direc­tors dream off.

John wanted to know how it went. I told him not to ask, and we never spoke about it again. He thinks it’s because it went badly, but really it’s because every­thing went so well when I knew it was the last time I was going to see you.

Those were dif­fi­cult days. I always believed you could have saved me, until I real­ized that I needed to save myself. Not that it mat­ters. Things are dif­fer­ent now any­way. I have a ten­dency to say too much; all too often I mis­take open­ness for inti­macy, and it gets me in trouble.

I always imag­ine that you’ve fig­ured things out, and have been caught up in your own hap­pi­ness ever since. People like you were never meant to speak of heartbreak.

  1. Instead of the vul­gar we fucked or the pedes­trian we slept together. []

Pendulum — The Island

I’ve always main­tained that a per­son isn’t alive if their heart doesn’t pound out of their chest when lis­ten­ing to The Island by Pendulum1.

It’s a grad­ual build-up, most of Pt. 1 Dawn being the devel­op­ment until Pt. 2 Dusk hits (at about the 5:20 mark in the video) and the beats really kick in. Then it’s just waves and waves wash­ing over my body like small orgasms and every hair stands on end.

It’s mes­mer­iz­ing to lit­er­ally see how this music makes me feel, as the rip­ples of goose­bumps crest and sub­side. I can trace the paths of shiv­ers across my skin; some last longer, though they may not be as strong, while oth­ers come and go quickly, my body unable to sus­tain the climax.

This is the only song that has this kind of effect on me. There are plenty of other tracks that give me goose­bumps, but none of them do it so many times or with such inten­sity. By far the strongest peak is dur­ing the bridge at 7:10, when every­thing sub­sides to the organ, and it’s like you’re being bathed in the warm light of a sunrise.

  1. To get the full effect, you def­i­nitely need head­phones. Otherwise, it should be loud enough to war­rant a noise-complaint by your neigh­bours down the street. []

i know i found the recipe for me

All I do nowa­days is dance. Not in any coor­di­nated man­ner, mind you, and cer­tainly not in the pres­ence of any­one else.

I’m only now start­ing to real­ize how nec­es­sary it was for me to sur­vive that cru­cible last year, and how impor­tant it was for me to save myself. It hasn’t tem­pered the extremes, but they don’t last as long anymore.

Blue Mountain village at night

 

It’s com­fort­ing to know I’ve been through this before. It wasn’t all for noth­ing. I’m a lit­tle wiser now, and I’m not going to make the same mis­takes again.

This win­ter hit us heavy once more, and like it I refuse to die.

nowhere near as morbid as it sounds

All I want to do lately is go out and shoot and edit and post, but I have no sto­ries to tell. I’m still try­ing to write them, so I can put them in these cuts and look back and live for­ever in the mem­o­ries. To dance among the motion and glim­mer, and blink against the bright­ness of the sun.

I’ve been filled with such tremen­dous inten­sity, and hope, and excite­ment, buoyed by the fact that I’ll always have a gui­tar and a dis­arm­ing smile.

burlesque cake

 

Peace has been made with this new-self. It’s as if every change, every cycle I go through, takes time for me to get used to the new skin. I know I’ll always be flawed. I’ll always make mis­takes, but that means I’ll always be learning.

I’ve had enough of crazy devel­op­ments. I’ll be happy once the dust set­tles and I’m back to my reg­u­lar life again, some point beyond the sum­mer. The spring is never remark­able; it’s just a haze between the heat and the snow. It already smells like hot sum­mers nights, a com­fort­ing mix of pollen and con­crete. It’s gonna be oh so good.

old habit

  • Rob: Sometimes it still hurts. You know how it is, man. It’s like, you wake up every day and it hurts a lit­tle bit less, and then you wake up one day and it doesn’t hurt at all. And the funny thing is, is that, this is kinda wierd, but it’s like, it’s like you almost miss that pain.
  • Mike: You miss the pain?
  • Rob: Yeah, for the same rea­son that you missed her… because you lived with it for so long.

—Swingers

I’m in my last days of high-school again. Pretty much this. Feeling like I have the rest of my life ahead of me with so much to look for­ward to, but only cause I’m try­ing to shed every­thing that hap­pened in the final dis­as­trous year.

I remem­ber writ­ing a lot back then in this black note­book. It was filled with all these ver­bal scrib­bles, short pas­sages of text, words, lyrics, emo­tions I couldn’t con­tain. My thoughts were a jum­ble, lost some­where between the pain and the love of how it made me feel alive.

That’s how I feel now. Old habits break hard.

About once every two years I uncer­e­mo­ni­ously threw it out and bought a new one, because I hated every­thing in it. I never wanted to think of myself as the per­son who wrote all the things in there. Sometimes I won­der if I’ll look back on these entries one day and think the same.