Things I Learned At My First Western Funeral

  • I still know the words to the Lord’s Prayer and Amazing Grace, thanks to my years at Catholic School and UCC
  • It’s not the words of the speaker that make us cry, it’s their own emo­tion. Therefore, humans are born with an innate sense of empathy.
  • Old peo­ple like to pick at their faces
  • The pas­tor may go on longer about their reli­gion, than the per­son who passed away and their faith. This is more to com­fort those in mourn­ing, than about hon­our­ing the mem­ory of the dead.
  • Knowing some­one for only a month before get­ting mar­ried can lead to over sixty years of mar­i­tal bliss

A Night with Russell Peters

Having front row tick­ets to see Russell Peters means that you’re a fairly big tar­get for being picked on.

Especially after Pat yells “WOO” amid an oth­er­wise silent the­atre when Russell starts to explain how Chinese peo­ple aren’t as cheap as Indian peo­ple. From that point, we were known as the “Wu” fam­ily, and he’d refer to us when talk­ing to the Chinese crowd.

No one is off-limits though, and his eth­nic jokes cover a spec­trum of races as wide as the earth. I sup­pose that’s how he pulls off his par­tic­u­lar brand of stereo­typ­ing com­edy. Ottawa is an espe­cially fit­ting place, where minori­ties min­gle instead of seg­re­gate, and per­haps it’s exactly this rea­son that the crowd is so ebul­lient. It almost as if his set is writ­ten for us.

Afterwards, it was back to Pat and Jen’s for some con­ver­sa­tion over hot choco­late from their Tassimo. A scoop of mint-chocolate-chip ice cream dropped into said bev­er­age turns it into a yummy candy-cane hot choco­late, some­thing I must explore fur­ther in the future.

Drive To Nowhere

I put on my most com­fort­able hoodie, grab a cam­era and a tri­pod. Pass by the mir­ror and see my eyes are swollen. A base­ball cap’ll hide my face.

I put on The Alchemy Index. First is Fire. An anthem of rage, and burn­ing, and fury in the night.

I had Firebreather by Thrice play­ing here.

The flames will rise and devour me.
Oh, to breathe in fire, and know I’m free.

Honda Civic Coupe at night

I find a quiet, wind­ing road, alter­nat­ing between 60 and 30 max. About eight kilo­me­tres down, there’s a small ferry load­ing dock, with a place to park on the side of the road. I get out and take a pic­ture of the car. Other cars keep pass­ing by, their head­lights leav­ing streaks across my cam­era sensor.

The road slopes upwards around a bend, and I drive off again to find out where it goes.

Quebec at night

There’s a look­out point on a cliff, sur­rounded by a rail. Across the waves of the Ottawa river is Quebec. People come and go. Three types of people.

The cou­ples here for a roman­tic view. They park, walk up to the rail­ing, and talk to each other about noth­ing in par­tic­u­lar. The girl­friends get cold and shortly want to leave.

The kids in their parent’s cars, already high or drunk. They sit in the car with all the lights on, talk­ing through their music, obliv­i­ous to the seren­ity around them otherwise.

The men here by them­selves, aban­doned and alone on a Friday night. They sit in their cars with the lights out, and come out to lean on the rail­ing every now and then. I’m one of them.

Ottawa Rockcliffe parkway at night

On my way back, I skip Water and put on Air. A song about a boy who could fly, about falling upwards and away.

I had A Song for Milly Michaelson by Thrice play­ing here.

So, here we go.
Hold on tight and don’t let go.
I won’t ever let you fall.
I love the night.
Flying o’er these city lights.
But I love you most of all.

I miss a turn, and find a smooth pave­ment road that winds through the for­est. My eyes are dry and tired. I put on the high beams and cruise con­trol, dis­cov­er­ing another way home.

The Profits of Art

I’ve sold 10 of my fruit and body prints so far. Officially, I’ve made a small profit, with the money being used to pay off the debt incurred from the pur­chase of much photo gear.

When Dan did my read­ing two years ago, he men­tioned that I see colours dif­fer­ently from other peo­ple, and that I should try mak­ing money off my art.

Back then, I was far from con­sid­er­ing myself an “artist”. I used my cam­era to express myself in cap­tur­ing mem­o­ries, not in deliv­er­ing mes­sages. At the first Emergence Exposition, Nisha would intro­duce me to peo­ple as a pho­tog­ra­pher. I would add the word ama­teur as a pre­fix, but Nisha would cor­rect me and say aspir­ing. I sup­pose I’m more inclined to agree with her now. Being able to sup­port myself like this (albeit in a small way) makes a big difference.

It’s a great feel­ing when some­one hands me a cheque, and on the lit­tle memo line is writ­ten “art”.

The best part of the entire process though, is meet­ing peo­ple. Not just meet­ing peo­ple I ask to model for me, but when I’m deliv­er­ing prints as well. I get to see where they’re going to hang the pic­tures, and I get to meet their kids, their par­ents, their pets, their friends.

Most recently, it was Tiana, who has two dogs, a cat, and a hus­band. I didn’t get to meet Brent (or the cat) but I’m sure the oppor­tu­nity will present itself at some time in the future.

No solicitors sign

Tiana feeds her dogs some treats.

Tyrone

Bernie

Bernie roots

I just want fucking makeouts

I drove home from class tonight with the win­dows down and the music cranked. It’s not the songs, it’s not the singing, it’s not the speed, it’s the air that affects you. That smell.

The Operation by Charlotte Gainsbourg is the ulti­mate night-time dri­ving track when you’re feel­ing sin­gle and elec­tri­fied.1 The base­line dri­ves you.

I had The Operation by Charlotte Gainsbourg play­ing here.

i want to explore you
i’m gonna get under your skin
so you can feel me run­ning through your veins

i want to exam­ine
every inch of your frame
the pres­sure points that cause your joy and pain

When I got home, I show­ered, got into in my PJs, took Dolly in my arms, and stood out on the patio. I wanted her to feel what I was feel­ing under that night sky. She clung to my arms, but didn’t make a sound. It was unlike her, because any time Dolly gets picked up she imme­di­ately begins purring. The night was too much for her.

I think it’s too much for me some­times.

For now, I’ll live vic­ar­i­ously through Maggie. Except I won’t be get­ting drunk on Sparks (the orange kind), I won’t be going danc­ing, I’ll just keep run­ning into my crushes at every turn, and I’ll keep meet­ing the ass­hole, idiot guys they go out with. And like Maggie, I’ll refuse to be that guy. The one who talks shit about other guys, the one who flosses his cash money, the one who dri­ves fast to prove he’s got a dick.

Yes, I’m break­ing my post order because of Maggie. It’s like she made me write this. I would totally hoola­hoop and make Dragon Ball Z poses with her. I just found out that I don’t know how to spell hoola­hoop. Hula hoop. There we go.

Maybe this dry spell is mak­ing me loopy.

I think I’ll sleep with the win­dows open tonight.

  1. This song won’t be up for long; I’m tak­ing it down in a cou­ple days. []

The Essence Of Spring Nights

Me in a toque

Go out­side. Right now.

It’s dark. It’s cool. It’s breezy. Grass has replaced the snow. Walking down­town, the smell of shawarma from every Lebanese restau­rant, the peo­ple shed­ding their coats, the sur­fac­ing skin, it’s as if the world is bloom­ing while the sun has set.

All I want is for you to be here with me. To share this moment with you.

It’s a pity to be alone on nights like this.

A Day In Montreal

Andrew, Alex, Annie, and I took a road trip to Montreal. Armed only with my GPS and a veg­gie plat­ter, we headed to the food cap­i­tal of Canada with­out a plan or timetable.

Schwartz's Hebrew Delicatessen

Playing with food

Thumbnail: Outside Schwartz's
Thumbnail: Queue minder
Thumbnail: Schwartz's sign
Thumbnail: Schwartz's menu
Thumbnail: Inside Schwartz's
Thumbnail: Plate of smoked meat
Thumbnail: Smoked meat sandwhich

Our first stop was for lunch at Schwartz’s. It’s a tiny place, packed with with the heady aroma of sea­soned smoked meat. Established in 1928, it’s a land­mark in Montreal. I like to imag­ine that Moe’s Diner in The Apprenticeship of Duddy Kravitz was based on a place like this, or maybe that Leonard Cohen fre­quented in his youth, and I was sit­ting where he penned the lyrics for his songs.

Read the rest of this entry »

Nothing In Particular

It’s late. I should really be in bed. My eyes feel super dry and tired. I don’t even think I have enough energy to floss before brush­ing my teeth, but I’m going to force myself to do it cause I have a den­tist appoint­ment on Wednesday. At least I’m show­ered, warm and comfortable.

I haven’t sat down in my chaise to write in a while, although I should because it feels so good. The two-day writ­ing sched­ule fits nicely in with every­thing else going on in my life.

It’s been busy. Andrew and Alex left last week, so I have to the house to myself again. The com­pany was a fun change. Through them, I met Ziny and Ellen, whom I did pic­tures of yes­ter­day. Hopefully I’ll be doing some more of Paige tomor­row, as well as more work on my next project in the upcom­ing week.

Dolly by the window

My sleep­ing sched­ule is still some­what messed up, but only because of engage­ments that keep me up late. Thanks to smoothie power, and a bet­ter under­stand­ing of how to con­trol my eat­ing through bouts of IBS, my stom­ach is much bet­ter. I’m still break­ing out pretty badly though.

Went to see Dan today. I haven’t been to his place since last fall. Last time we hung out, it was for phở and to watch Being John Malkovich at my place. Every time we hang out, we play musi­cal ten­nis, where we take turns lis­ten­ing to a song, and giv­ing another song rec­om­men­da­tion based on the pre­vi­ous one. This is super fun, and only Dan has a taste in music as diverse as mine to play this correctly.

Drove to Quebec for the first time, and the roads are pretty bad. The lines have mostly faded and the shoul­der has encroached on the road, so you can’t tell where you’re sup­pose to be. On top of that there are pot­holes every­where, and the usual assort­ment of bad dri­vers, and this makes dri­ving in the French province less than fun.

Since I don’t take the bus any­more, I don’t have any time where I just sit down, hence no time to read. With the time I’m sav­ing, I’m try­ing to read before I go to bed. My book rota­tion right now is the following:

  • a fic­tion book, cur­rently Last Light Of The Sun by Guy Gavriel Kay
  • a Taoism book, cur­rently Awakening to the Tao by Liu I-Ming
  • a Tai Chi book, cur­rently The Essence Of T’ai Chi by Waysun Liao
  • a book rec­om­mended by my ther­a­pist, cur­rently Reinventing Your Life by Jeffrey Young and Janet Klosko

In the next cou­ple of week­ends, I’m try­ing to hang out with Darren, Navid, Pat, Julie and Blake, Frédéric and Misun. I don’t like to mix friends. It’s not as effi­cient, but I pre­fer to con­cen­trate on one (or one cou­ple) at a time.

Through all of this, I’m miss­ing Bronwen sooooo much.

The Choice

I’m in a bad way

My sleep­ing sched­ule is upside down. I’m lovesick. I’m heart­bro­ken. I can’t eat any­thing with­out shit­ting blood. My lips are chapped. My teeth keep graz­ing my canker sore. I’m break­ing out. I’m dread­ing another day of work.

These are the times I truly feel alone. I’ve never been very good at tak­ing care of myself.

But I’d still rather be alone, than be with you.

Things I Learned At The Whiskey Bar

Outside The Whiskey Bar

Inside The Whiskey Bar

  • Everyone — and I mean every­one — between the ages of 25 and 30 used to watch The Fresh Prince Of Bel-Air
  • The token Asian guy has a fra­ter­nal con­nec­tion with the other token Asian guy in every clique
  • Fire has the abil­ity to bring out people’s pri­mal natures, and make them throw their hands in the air and wave them like they just don’t care (or some rea­son­able fac­sim­ile thereof)
  • Some peo­ple think they’re never too old to get hooched up for a Saturday night
  • A good DJ can make you feel like you never left high-school
  • Even at 27, I still look like I’m 18, accord­ing to the bouncer who carded me

Like A Moth To Flame

I’m think­ing this and writ­ing this and I have to say some­thing to some­one but Pat’s busy, Julie’s out of town, and John’s gone miss­ing. Not that they would under­stand any­way. Not that even I understand.

De-loused in the Comatorium is cranked on my speak­ers right now because it’s how I feel. Last week, my neigh­bour told me he’s never heard a peep from me. Now I ques­tion whether I’m push­ing my luck. It’s like I stepped out into the dark­ness of a cool night from a pro­duc­tion of Equus. These synapses fir­ing. The jit­ter­i­ness. It’s ten, I haven’t had din­ner, but I’m shak­ing too much to eat.

I feel like I could write for days and days and days and days. Maybe I’m just happy to have some­thing to write about. Maybe I’m just happy to feel this way again. This self-destructiveness, even in the face of cer­tainty.

A lit­tle clock in front of the turquoise man says I’m away, but I’m here. Talk to me, Darren. Where are you? Only you would get it. Only you know how I feel, because you’re prob­a­bly feel­ing the same thing right now.

We’re drawn to that which hurts us. In this way, we reveal our vul­ner­a­bil­ity, and only those who are so vul­ner­a­ble rec­og­nize their own.

It’s time I turned down this music. It’s time I put some food in my stom­ach. It’s time I scalded myself in the shower. It’s time I got some sleep.

Sometimes you don’t know you’re alive until you’re burn­ing.

Update: March '08

It’s been a full year since I did one of these update entries. It’s inter­est­ing to read the last one. Addressing the sub­jects I wrote about: I’ve changed lay­outs three times, I’ve received over 2000 com­ments, Balls of Fury was hilar­i­ous, and my trip to New Hampshire changed my life.

The Car

I finally, finally, finally got a car.

For years I took the bus, just so I could put the money — oth­er­wise spent on a loan, insur­ance, gas, or main­te­nance — towards my mort­gage or photo gear. Things like heavy gro­ceries, pur­chases of large or bulk items, and trips to remote areas with no bus ser­vice would leave me depen­dent on the favours of friends with auto­mo­biles. No more.

2008 Honda Civic Coupe

It’s black 2008 Honda Civic Coupe, like the one above with­out the tint­ing. At first, I wanted it in grey metal­lic but it looked rather blah in the showroom.

I should have it next week. Trips to Montreal (for pho­tog­ra­phy and food) and Toronto (to visit John and Darren) have already been planned, as well as the sur­round­ing areas dur­ing the spring­time. And if Bronwen and I were still on speak­ing terms, I’d drive her to the Casino du Lac-Leamy to gam­ble on the horses.

The Temporary Housemate

Alex is stay­ing with me for two weeks while he does a med­ical intern­ship at CHEO. The com­pany will be a wel­come change. It’ll be nice to have a room­mate for a bit and give me an excuse to watch movies that I don’t oth­er­wise make time to watch.

The Photo Gear

Fed up with the deep red of my stu­dio and tap­ing black con­struc­tion paper to the walls, I bought a black muslin backdrop.

Dolly against the black muslin backdrop

Dolly, being a cat who must sleep on any­thing new in the house to mark her ter­ri­tory, promptly set­tled her­self on the back­drop as soon as I had fin­ished iron­ing it.

I also got a Chimera XXS soft­box for one of my next projects, which will heav­ily use macro shots. The soft­box will allow me bet­ter con­trol of light, as well as more even dis­tri­b­u­tion of light than an umbrella.

Me in a softbox

Next on the list is a sec­ond flash and stand, but it’ll be some time before I can afford that.

Snowstorm

Snow surrounds a bus shelter

Snow weighs down branches

Snow taller than a trash bin

Townhouses in winter

Snow is a rel­a­tively hard thing to cap­ture on film. With so much white, there’s very lit­tle con­trast or tex­ture, so noth­ing to lead the eye. You want to give a sense of being suf­fo­cated by all this now, but too much of the same thing in a pic­ture becomes bor­ing. It’s bal­anc­ing the sub­ject and work­ing with avail­able light that becomes important.

I don’t think we’ve reached the record for snow­fall yet, but we’re close. I tried to walk to work, but gave up. Even trudg­ing through the snow to get these shots left me sweat­ing. It’s days like these that I’m thank­ful that I live in a condo, because my condo fees go towards shov­el­ing the park­ing lot. People told me they had to shovel their dri­ve­ways a cou­ple times in one night.

Traces of Me

I’m just com­ing off a mod­er­ate cold I’ve had for the last week. All the clas­sic symp­toms — runny, stuffy nose, con­ges­tion, slight headache, yel­low phlegm — but oddly enough, barely a hint sore throat. It’s been unpleas­ant to say the least.

A lit­tle while ago, Tiana wrote “I look in the bowl after to see how impres­sive it was. I’m pretty sure you do too”.

This cold has made me real­ize that I not only look in the bowl (I’m sure Freud would diag­nose us as being fix­ated in the anal stage of psy­cho­sex­ual devel­op­ment), but I open my Kleenex after blow­ing in it as well, to check for dis­coloured mucus, phlegm, blood, or bits of brain that may have escaped through my nose.

Emergence Exposition Opus 02

The last three months led up to this night.

Gallery viewing

Thumbnail: Ysabella's sculptures
Thumbnail: Baby dance
Thumbnail: Ceramic tower
Thumbnail: Ceramic sculptures
Thumbnail: Jacqueline plays piano
Thumbnail: Chocolate truffles
Thumbnail: Louise performs
Thumbnail: Frédéric plays the harp
Thumbnail: Prairie Cat
Thumbnail: Tree sculpture

After attend­ing Opus 01, I knew I wanted to be a part of this.

John, as a true friend, flew from Toronto to be there for the night. Alex, who was doing a med­ical intern­ship at a fam­ily prac­tice in a nearby city, drove there. Even Pearl also dropped by and I got to meet her.

I was so busy talk­ing with my guests that I didn’t even have time to go into the other rooms to see how the other artists were doing. The house was packed with peo­ple again, young and old.

Performances

Jacqueline’s sec­ond piece was Sonata in A Minor, by Franz Schubert (unfor­tu­nately, her first piece was over ten min­utes long, which isn’t allowed on YouTube). I found it to be a rather mas­cu­line piece, begin­ning like a som­bre funeral march, lead­ing to a jour­ney of bub­bling emo­tion, so it was mes­mer­iz­ing to see a girl play it with such con­vic­tion. Pay spe­cial atten­tion to the burn­ing trill at 5:28, which leads back to the main theme.

Misun told me that when she handed Jacqueline a rose after the per­for­mance, it looked like she had run a marathon.

Afterwards, Jacqueline told me after she couldn’t stop look­ing at my penis through her per­for­mance, then quickly cor­rected her­self and said the penis pic­ture, which was hung across from her.

Louise plays the harp by feel­ing only. She doesn’t have for­mal any musi­cal train­ing, so she doesn’t write any of her com­po­si­tions down. It just flows from her fin­gers, and quite well I might add. As a result, her music is semi-improvised.

John kept telling us how not drunk he was, even though you can clearly see­ing him down­ing glasses of wine in this video.

The after party

Thumbnail: Hors d'ouevres table
Thumbnail: Alex plays piano
Thumbnail: Cary and Ysabella
Thumbnail: Alex, me, and John
Thumbnail: Salon window

When the peo­ple left and the doors closed, the real party began for the artists, their guests, and the vol­un­teers. Frédéric and Misun broke out the cold cuts, the fresh and fancy bread, the wine, the cheese and we cel­e­brated a suc­cess­ful night. We had been stand­ing for five hours, so it was time to take a break.

When Dan gave me a read­ing two years ago, and said that I would be mak­ing money off my art within the next 15 years, I never would have believed him.

Note: All media in this post has an extremely warm colour tone. I decided to keep it instead of bal­anc­ing it to neu­tral white, because I enjoy the cozy feel of it, which expresses the mood of the house-gallery.