Hoping today will be better. And the construction company will actually show up. 2 hrs ago
Snow is a relatively hard thing to capture on film. With so much white, there’s very little contrast or texture, so nothing to lead the eye. You want to give a sense of being suffocated by all this now, but too much of the same thing in a picture becomes boring. It’s balancing the subject and working with available light that becomes important.
I don’t think we’ve reached the record for snowfall yet, but we’re close. I tried to walk to work, but gave up. Even trudging through the snow to get these shots left me sweating. It’s days like these that I’m thankful that I live in a condo, because my condo fees go towards shoveling the parking lot. People told me they had to shovel their driveways a couple times in one night.
I’m just coming off a moderate cold I’ve had for the last week. All the classic symptoms — runny, stuffy nose, congestion, slight headache, yellow phlegm — but oddly enough, barely a hint sore throat. It’s been unpleasant to say the least.
A little while ago, Tiana wrote “I look in the bowl after to see how impressive it was. I’m pretty sure you do too”.
This cold has made me realize that I not only look in the bowl (I’m sure Freud would diagnose us as being fixated in the anal stage of psychosexual development), but I open my Kleenex after blowing in it as well, to check for discoloured mucus, phlegm, blood, or bits of brain that may have escaped through my nose.
The last three months led up to this night.
After attending Opus 01, I knew I wanted to be a part of this.
John, as a true friend, flew from Toronto to be there for the night. Alex, who was doing a medical internship at a family practice in a nearby city, drove there. Even Pearl also dropped by and I got to meet her.
I was so busy talking with my guests that I didn’t even have time to go into the other rooms to see how the other artists were doing. The house was packed with people again, young and old.
Performances
Jacqueline’s second piece was Sonata in A Minor, by Franz Schubert (unfortunately, her first piece was over ten minutes long, which isn’t allowed on YouTube). I found it to be a rather masculine piece, beginning like a sombre funeral march, leading to a journey of bubbling emotion, so it was mesmerizing to see a girl play it with such conviction. Pay special attention to the burning trill at 5:28, which leads back to the main theme.
Misun told me that when she handed Jacqueline a rose after the performance, it looked like she had run a marathon.
Afterwards, Jacqueline told me after she couldn’t stop looking at my penis through her performance, then quickly corrected herself and said the penis picture, which was hung across from her.
Louise plays the harp by feeling only. She doesn’t have formal any musical training, so she doesn’t write any of her compositions down. It just flows from her fingers, and quite well I might add. As a result, her music is semi-improvised.
John kept telling us how not drunk he was, even though you can clearly seeing him downing glasses of wine in this video.
The after party
When the people left and the doors closed, the real party began for the artists, their guests, and the volunteers. Frédéric and Misun broke out the cold cuts, the fresh and fancy bread, the wine, the cheese and we celebrated a successful night. We had been standing for five hours, so it was time to take a break.
When Dan gave me a reading two years ago, and said that I would be making money off my art within the next 15 years, I never would have believed him.
Note: All media in this post has an extremely warm colour tone. I decided to keep it instead of balancing it to neutral white, because I enjoy the cozy feel of it, which expresses the mood of the house-gallery.
I’m sitting on my chaise in the dark, Macbook Pro in lap, curtains open to the snow outside. Every now and then, the wind catches a loose patch of snow, and it sounds like sand dragging along the ground outside. If you close your eyes, it’s like you’re sitting on a beach at low-tide under a night sky.
I haven’t done this in a while.
The show is over. There’s supposed to be one more interview next week, but at least I can breathe now. I’ve finally had time to clean the house, which is probably why I feel comfortable enough to write.
There are icons for movies on my desktop, ones I’ve started watching but haven’t finished, because I haven’t been able to emotionally invest in them. I did, however, get a chance to watch Cidade de Deus which is the best movie I’ve seen in months, and Constantine, purely for the Tilda-Swinton-as-angel factor.
I realized that I like girls who look like boys. I hope this doesn’t mean I’m gay.
On a sticky, I seem to have written “a small pair of skis”. I don’t remember doing this, or what for. There’s also a phone number there with no name. I want to call the number to find out who it is, but I’d just hang up if someone answered and that’d be rude.
I should call Dan. I should reorganize my photos for appropriate backup. I should be practicing Tai Chi. I should be having more fun. I should be filling out my thought record worksheets.
But right now, I should really be in bed.
There’s a little article in The Metro today about the gallery. In the picture, around the harpist, is part of my Fruit and Body series. I’ve decided to make it a limited edition print of 100 each at 18"×12". So far I’ve sold four, with two potentials.
It’s the last day of the exhibit. I’ll be there again tonight because another paper wants some pictures of the artists, and so I can meet with any guests, including one of my buyers. If you stop by, don’t forget to sign the guestbook!























