This is one of the most inter­est­ing things I’ve ever come across. People from around the world are asked to read the same para­graph in English. The para­graph has been designed to include most of the con­so­nants, vow­els, and clus­ters found in stan­dard American English, so that one can really get a sense of all the vari­a­tions in an accent.

I love the gen­tle­ness of Lebanese Arabic (per­haps I asso­ciate it with the charm­ing, well-educated, velvet-voiced Lenanese gen­tle­man at work). The inter­est­ing thing is that it sounds com­pletely dif­fer­ent from Palestinian Arabic. As a small exam­ple, the for­mer has a more exag­ger­ated “ee” sound, while the lat­ter has a windier “r” sound.

I hate the painful sound­ing Cantonese accents. Somehow, each one is so uniquely bad that it’s passed humourously bad, and gone back to uniquely bad again. None of them can prop­erly pro­nounce “pl“s, “th“s and “ll“s, and the con­so­nants are harsh to the ear. There are also very sub­tle dif­fer­ences between these Cantonese speak­ers from Hong Kong, and a Cantonese speaker from China. One can hear the slightly more del­i­cate let­ter com­bi­na­tions from a per­son sur­rounded by Mandarin speak­ers on the mainland.

For me, the most inter­est­ing com­par­isons are between native English speak­ers. I let Shirley lis­ten to the Glasgow ver­sion, and she couldn’t get over how hot it is. Of course, the most neu­tral accent to me is from Toronto, see­ing as how I grew up there. I hear this accent the most, and always find it amus­ing when for­eign­ers can pull off a fake accent (I’ve been told we sound very bland). Jackie had the most adorable New Jersey accent, and at one point Angie admit­ted that she had some­what of a Southern drawl.

Perhaps my fas­ci­na­tion with (and attrac­tion of) things speech related stems from an early study of Bernard Shaw’s Pygmalion. One of the scenes in My Fair Lady that really stuck out in my mind was the abil­ity of the pro­tag­o­nist (whom Shaw describes as an “ener­getic pho­netic enthu­si­ast”) to dis­tin­guish 130 vowel sounds from a sim­ple, short record­ing of a voice going through A–E–I–O–U in one fluid motion with no consonants.

Usually I can rec­og­nize some­one from a voice and accent, some­times bet­ter than I can from a face.