

When taking a sample of progressive metal fans, one will find that the subset is almost entirely comprised of males, most of which are much taller than the average Asian guy. This makes it extremely difficult for the average Asian guy to see the band during progressive metal concerts, which was the case during the Dreamtheater show on Wednesday. As can be seen from the picture, I went up to most of the other peoples necks. Although there was the chance to go straight up front since there was no mosh pit (cause who can mosh to music that changes time signatures every other bar?), the area was too densely packed to get anywhere.
At first I thought that the crowd was mostly made up of the same “type” of people, but Trolley pointed out that he’s never been to a show that was more diverse. All I saw were lots of blond, Caucasian males, but he only saw lots of differently aged people. And it was true…while there were an extremely limited number of females in attendance (although I’m sure that Anj was there), there were also people from my age to twice my age. It was odd to see a lot of guys old enough to be my father at the same concert as me.
There was no opener because their set went for almost three hours. They first performed for an hour and a half, and came back for three encores. One of the encores was the entire 45 minute long track on their Six Degrees Of Inner Turbulance album with no pauses. I’ve also never seen a band measure time like they do when performing live: somehow they manage to count their rests with perfect timing when the lights go out. Even though this is done on the album version of Endless Sacrifice, the impressive thing is that they have different tempos for their shows. Most other bands need a cymbol hit to keep time (like what Manson does during Antichrist Superstar at the Hartford show), and it’s always a dissapointment to find out that a band can’t count notes in their heads.
Portnoy’s drumset owned half the fucking stage.
There’s a running joke between the members of DT, where they replace lyrics of their songs with “you can eat my ass and balls”. I first found out from the Metropolis 2000 DVD, when they all jokingly sing it instead of “there can be no peace of mind” during behind-the-scenes the commentary. At one point during the Wednesday’s concert, LaBrie replaces “take me as I am” with “eat my ass and balls” and I had to burst out laughing. Then I noticed that no one else was laughing.